Philip Kappel
1901-1981, American

Day Sail
1901-1981, American

This image measures 6 7/8 x 9 7/8 inches and is pencil signed, c.1930. Philip Kappel was born in Hartford, Connecticut and educated at the Pratt Institute in New York. He was employed as an artist for several shipping companies and much of his work documents these ships and their sailors. At age 26, Kappel was the youngest person ever admitted to "Who's Who in America."


Powder Snow
1901-1981, American

A wonderful New England winter scene by Philip Kappel measuring 9 5/8 x 7 5/8 inches, pencil signed. AAA label included.


The Lone Fisherman
1901-1981, American

Etching with drypoint, image size 5 7/8 x 8 7/8 inches, c. 1930s, pencil signed. Philip Kappel was born in Hartford, CT, and educated at the Pratt Institute in New York. He was employed as an artist for several shipping companies and much of his work documents these ships and their sailors. At age 26, Kappel was the youngest person ever admitted to "Who's Who in America."


Mender of Shoes - Rabat, Morocco
1901-1981, American

This etching by Philip Kappel measures 8 7/8 x 7 7/8 inches. A 1st proof, created in 1945, is pencil signed and titled on the lower margin. Kappel was born in Hartford, CT, and educated at the Pratt Institute in New York. He was employed as an artist for several shipping companies and much of his work documents these ships and their sailors. At age 26, Kappel was the youngest person ever admitted to "Who's Who in America."


Slack Water, East River, N.Y.
1901-1981, American

This early proof by Philip Kappel, c. 1930, measures 7 7/8 x 11 7/8 inches. It is pencil signed and titled on the lower margin. Kappel was born in Hartford, CT, and educated at the Pratt Institute in New York. He was employed as an artist for several shipping companies and much of his work documents these ships and their sailors. At age 26, Kappel was the youngest person ever admitted to "Who's Who in America."


The Holystoners-Bound for Haiti
1901-1981, American

Etching, drypoint, image size 9 7/8 x 11 7/8 inches, 1935, pencil signed l.r. "Philip Kappel". Selected for "Fine Prints of the Year", 1936, pl.74. The image was made on the Columbia Line's Bogota or Columbia. The Haitian crew used soft volcanic tufa to scrub down the wooden decks. The bulldog, center, was the vessel's mascot.


Off El Morro
1901-1981, American

Etching, image size 9 3/4 x 7 7/8 inches, c. 1935, artist's proof, pencil signed.


Topsail Schooners in a Match
1901-1981, American

Etching, image size 6 x 6 7/8 inches, c. 1935, artist's proof, pencil signed.


A Marine Pathway
1901-1981, American

Etching, image size 9 3/8 x 7 3/8 inches, 1934, plate signed and pencil signed.


Sail and Steam
1901-1981, American

Etching, image size 8 7/8 x 6 1/2 inches, c. 1935, plate signed and pencil signed.


Chatham Bar
1901-1981, American

Etching, image size 3 1/8 x 4 inches, c. 1942, pencil signed. A small landscape overlooking the ocean on Cape Cod, Massachusetts.


The Mill at the Falls
1901-1981, American

Etching, image size 9 3/4 x 7 7/8, plate signed and pencil signed.


Sailboat
1901-1981, American

Etching, image size 6 1/2 x 5 3/4 inches, pencil signed


Street in Morocco
1901-1981, American

Etching, image size 9 3/8 x 7 3/8 inches, pencil signed


Old Love
1901-1981, American

Etching, image size: 6 7/8 x 8 13/16 inches, inscribed "Artist Proof"


The Windjammer "Curiosity"
1901-1981, American

Etching, image size: 10 x 7 inches, inscribed "Artist Proof", pencil signed lower right


Flies versus worms
1901-1981, American

Drypoint etching, 1954 AAA edition of 250, image size 7 7/8 x 10 inches, pencil signed


Cartegana Harbor
1901-1981, American

Etching, 1937 AAA edition of 250, image size 10 x 8 incvhes, pencil signed

Painting

Incredible British Tonalist Landscape
1820-1845, Active, British

Oil on canvas, 16 x 24 inches, signed and dated 1851 lower right. Although initially known for his sporting scenes his work really excels in his atmospheric landscapes. The powerful light of the sunset reflecting off the dark, rugged landscape suggests qualities similar to Joseph M.W. Turner, the father of British Romanticism. The human in this scene is of small consequence compared to the majestic beauty surrounding her. Jones exhibited work at the British Institute, The Royal Academy and the Royal Society of British Artists.

Print

Clammers Landing
1882-1956, American

Lithograph, image size 11 7/8 x 15 7/8 inches, pencil signed and titled "L.G. Hornby" l.r. and "Clammers Landing" l.l.

Drawing

Modernist Landscape
1947 - , French

Watercolor study for a festival held at the Hotel Meynier d'Oppede in 1970, sheet size measures 19 5/8 x 16 inches. Guibal was known for his abstract motifs of wind, birds, women and the sea, exibiting in Paris, London, Stockholm and the US.