Luigi Kasimir
1881-1962, Austrian

Vienna, Danube Landscape
1881-1962, Austrian

This is as atmospheric original etching with aquatint by Luigi Kasimir. The image size is 15 7/8 x 22 3/8 inches, c. 1920, cat: Lorenz-24, pencil signed, framed. Kasimir studied at the Vienna Academy of Art, although much of his etching technique was self taught and learned through working from nature. He specialized in atmospheric images of architecture, city scenes and landscapes; some bustling with people and automobiles, others quite timeless and serene. Kasimir developed his own technique, which was much more suited to the particular clarity of his compositions.


The Marientor, Munich
1881-1962, Austrian

A distinctive original etching and aquatint in colors, image size 19 x 18 inches, 1922, cat: Lorenz- 40, pencil signed. Kasimir studied at the Vienna Academy of Art, although much of his etching technique was self taught and learned through working from nature. He specialized in atmospheric images of architecture, city scenes and landscapes; some bustling with people and automobiles, others quite timeless and serene. Kasimir developed his own technique, which was much more suited to the particular clarity of his compositions.


St Stephen's Tower, Vienna
1881-1962, Austrian

This is a very fine etching and aquatint in colors of a street in Vienna, Austria, with the tower of St Stephen's rising in the background. The image size is 17 3/4 x 15 1/4 inches, 1925, cat: Lorenz- 16, dated in the plate, pencil signed. Kasimir traveled all over Europe and the United States creating many spectacular color etchings. He specialized in atmospheric images of architecture, city scenes and landscapes; some bustling with people and automobiles, others quite timeless and serene.


Paris, Notre-Dame
1881-1962, Austrian

Original colored, hand signed etching by by Luigi Kasimir measuring 17 1/2 x 15 1/8 inches. Created in 1930, dated in the plate, in an edition of 300. Cat: Lorenz-61. Kasimir studied at the Vienna Academy of Art, although much of his etching technique was self taught and learned through working from nature. He specialized in atmospheric images of architecture, city scenes and landscapes; some bustling with people and automobiles, others quite timeless and serene. Kasimir developed his own technique, which was much more suited to the particular clarity of his compositions.


Hamburg Harbor
1881-1962, Austrian

This is a remarkable original etching and aquatint of Hamburg Harbor in Germany. The image size is 15 5/8 x 22 3/4 inches, published in 1914 in an edition of 100 impressions, pencil signed and numbered, framed. This image is printed using two plates, one in black ink and one in gray ink to create a chiaroscuro effect with beautiful tonal range and rich contrast. Luigi Kasimir studied at the Vienna Academy of Art, although much of his etching technique was self taught and learned through working from nature.


Hamburg, Ubersee Bridge
1881-1962, Austrian

Etching and aquatint in colors, image size 17 x 23 7/8 inches, pencil signed by the artist, framed.


Innsbruck, Golden Roof
1881-1962, Austrian

Etching and aquatint in colors, image size 18 x 11 inches, pencil signed by the artist.


Schallaburg Castle, Austria
1881-1962, Austrian

Etching and aquatint in colors, image size 17 1/4 x 22 1/2 inches, cat: Lorenz-34, pencil signed by the artist, framed.


Innsbruck, Seilergasse
1881-1962, Austrian

Etching and aquatint in colors, image size 18 1/2 x 11 5/8 inches, 1922, cat: Lorenz-39, pencil signed by the artist, framed.


Hannover
1881-1962, Austrian

Etching and aquatint in colors, image size 19 1/4 x 16 inches, cat: Lorenz-48, pencil signed by the artist, framed.


Grinzing, Vienna
1881-1962, Austrian

Etching and aquatint in colors, image size 17 1/2 x 22 1/2, cat: Lorenz-23, pencil signed by the artist, framed.


Cologne, New Bridge
1881-1962, Austrian

Etching and aquatint in colors, image size 17 x 27 1/2 inches, pencil signed by the artist, framed.


Persenbeug Castle, Austria
1881-1962, Austrian

Color etching and aquatint, image size 16 x 22 1/2 inches, 1929, pencil signed, l.c. "Luigi Kasimir", on wove paper. A beautiful colored aquatint etching of the famous Persenbeug Castle situated along the banks of the Danube River. Framed.


Plaza Scene
1881-1962, Austrian

Etching, image size 5 x 7 3/4 inches, pencil signed l.r. "Luigi Kasimir", framed.


Architectual Study
1881-1962, Austrian

Etching, image size 3 3/16 x 1 3/4 inches, a miniature architectural study, pencil signed l.c. "Luigi Kasimir",


Corvara (Dolomites)
1881-1962, Austrian

Color etching, image size 13 1/2 x 13 1/4 inches, 1916, inscribed in the plate "Corvara 11 Feb. 1916," pencil signed.


N. Y. Bowling Green II
1881-1962, Austrian

Color aquatint etching, image size 15 x 11 1/2 inches, cir. 1920's, pencil signed.


Hamburg Harbor
1881-1962, Austrian

Color etching, image size 21 3/4 x 27 7/8 inches, 1949, pencil signed. There is a label on the back from the New York Graphic Society, 95 E. Putnam Ave., Greenwich, Connecticut.


St. Stephen's
1881-1962, Austrian

Color etching, image size 19 1/2 x 15 3/8 inches, dated in the plate April 1928, editioned 69/250, pencil signed


Fleet Street, London
1881-1962, Austrian

Color aquatint, 1925, 20 3/4 X 15 1/2", pencil signed, framed

Painting

Vale by Lidford Cascade
19th century

Watercolor, image size 9 1/2 x 13 1/2 inches, titled in pencil upper left.

Print

Selbstbildnis im Profil Nach Rechts
1867-1945, German

An evocative self portrait by German Expressionist artist Kathe Kollwitz, lithograph, image size approximately 18 1/2 x 11 1/2 inches, sheet size 22 3/8 x 18 inches, 1938. Kollwitz was known for her dramatic images of the poor, especially women and children, and the stark realities of poverty and war. She also created many self portraits over the course of her long career, this litho being her last one.

Drawing

Rocky Outcropping
1872- c.1950, American

A fine pencil drawing by Dexter Dawes done on a heavy weight paper. It measures 7 5/8 x 11 inches. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.