Luigi Kasimir
1881-1962, Austrian/American

Schubert's Birthplace, Vienna
1881-1962, Austrian/American
Schubert's Birthplace, Vienna

Etching and aquatint in colors, plate size 11 1/4 x 8 1/8 inches, c. 1910, pencil signed, remarque of the composer's profile below the image.


New York, Fulton Market
1881-1962, Austrian/American
New York, Fulton Market

Color etching and aquatint, image size 16 5/8 x 11 5/8 inches, 1930, edition of 100, pencil signed, framed. Luigi Kasimir was a pioneer in the field of color etching. Earlier artists would often apply color to single plate, but Kasimir developed a technique of using four to six plates, each with a different color to create extraordinarily rich tones and values. He specialized in city scenes and landmarks and traveled throughout Europe and America creating many spectacular color etchings, of which his New York scenes are some of the finest.


Persenbeug Castle, Austria
1881-1962, Austrian/American
Persenbeug Castle, Austria

Color etching and aquatint, image size 16 x 22 1/2 inches, 1929, pencil signed, l.c. "Luigi Kasimir", on wove paper. A beautiful hand colored aquatint etching of the famous Persenbeug Castle situated along the banks of the Danube River. Framed.


Plaza Scene
1881-1962, Austrian/American
Plaza Scene

Etching, image size 5 x 7 3/4 inches, pencil signed l.r. "Luigi Kasimir", framed.


Architectual Study
1881-1962, Austrian/American
Architectual Study

Etching, image size 3 3/16 x 1 3/4 inches, a miniature architectural study, pencil signed l.c. "Luigi Kasimir",


Cathedral Interior
1881-1962, Austrian/American
Cathedral Interior

Color etching with aquatint, image size 23 1/4 x 15 3/8 inches, c. 1918, pencil signed.


Brooklyn Bridge No. 1
1881-1962, Austrian/American
Brooklyn Bridge No. 1

Color etching and aquatint, image size 11 1/4 x 16 3/4 inches, 1936, ed. of 100, pencil signed


Grein, Austria
1881-1962, Austrian/American
Grein, Austria

Color etching with aquatint, image size 11 x 11 inches, Oct. 1926, pencil signed and numbered 23/250


Rooftops in Winter
1881-1962, Austrian/American
Rooftops in Winter

Etching with aquatint, image size 9 1/4 x 10 inches, pencil signed, framed.


Corvara (Dolomites)
1881-1962, Austrian/American
Corvara (Dolomites)

Color etching, image size 13 1/2 x 13 1/4 inches, 1916, inscribed in the plate "Corvara 11 Feb. 1916," pencil signed.


N. Y. Bowling Green II
1881-1962, Austrian/American
N. Y. Bowling Green II

Color aquatint etching, image size 15 x 11 1/2 inches, cir. 1920's, pencil signed.


Hamburg Harbor
1881-1962, Austrian/American
Hamburg Harbor

Color etching, image size 21 3/4 x 27 7/8 inches, 1949, pencil signed. There is a label on the back from the New York Graphic Society, 95 E. Putnam Ave., Greenwich, Connecticut.


Bad Gastein, Kirche (Main Street)
1881-1962, Austrian/American
Bad Gastein, Kirche (Main Street)

Color etching with aquatint, 18 x 13 1/4 inches, 1943, cat. H. Weiss 92, pencil signed lower center


St. Stephen's
1881-1962, Austrian/American
St. Stephen's

Color etching, image size 19 1/2 x 15 3/8 inches, dated in the plate April 1928, editioned 69/250, pencil signed


Versailles
1881-1962, Austrian/American
Versailles

Color Aquatint, image size: 18 x 23 1/4 inches, ed. 32/200, pencil signed lower right


Ulm Hirschengasse
1881-1962, Austrian/American
Ulm Hirschengasse

Color etching and aquatint, image size 16 1/2 x 10 1/4 inches, LK 243, pencil signed and numbered 27/100


Weissenkirchen in the Daube Valley
1881-1962, Austrian/American
Weissenkirchen in the Daube Valley

Color etching, Lorenz 28, 169/300, 15 x 10 1/4", pencil signed


Easter in Yugoslavia
1881-1962, Austrian/American
Easter in Yugoslavia

Colored Aquatint, 13 1/4 x 9 7/8 inches, estate signed, framed


Fleet Street, London
1881-1962, Austrian/American
Fleet Street, London

Color aquatint, 1925, 20 3/4 X 15 1/2", pencil signed, framed

Painting

Seascape
1855-1931, American
Seascape

Oil on canvas, 15 x 20 inches, signed lower left

Print

State Fair
1907-1994, American
State Fair

Wood Engraving, image size 12 5/8 x 8 15/16 inches, 1948, edition of 255 plus 10, pencil signed l.l. "Stevan Dohanos", stamp from "The Print Club of Cleveland" on back. Dohanos was best known for his Saturday Evening Post covers in the 40's and 50's.

Sculpture

Eternity
1965-, American
Eternity

Ceramic vessel with gold lustre, 18 inches high