Lawrence Kupferman
1909-1982, American

Inner Harbor - Boston
1909-1982, American

Etching, image size 5 7/8 x 10 7/8 inches, 1932, pencil signed, titled and dated.


Fantasia America - 1880
1909-1982, American

Etching, image size 11 3/4 x 14 3/4 inches, 1971, Series A, numbered 2/6, titled and signed in pencil, framed.


Victorian Mansion
1909-1982, American

Drypoint etching, image size 14 x 12 7/8 inches, 1939, pencil signed and numbered 22/100


Victorian House
1909-1982, American

Etching, image size: 13 7/8 x 9 5/8 inches, pencil signed


Prison Point Bridge
1909-1982, American

Etching, 6 X 8", p/s, framed


Winthrop Harbor
1909-1982, American

1937,etching,11X7 1/4",p/s,D

Painting

Still Life with Peonies
1897-1970, American

A vibrant still life by New England artist Arthur Herrick, oil on canvas, 25 x 30 inches, c. 1950, signed, in the original frame. Herrick studied at The New School of Design in Boston and was an illustrator and designer before taking up painting. He lived in Westmoreland, NH and specialized in plein air landscapes of New Hampshire and Vermont, as well as scenes of the Rockport and Gloucester area of Massachusetts.

Print

Give Us This Day
1903-1979, American

This is a beautiful original lithograph by American Regionalist artist John deMartelly. The image size is 13 1/8 x 13 5/8 inches, 1937, pencil signed. John deMartelly studied at the Pennsylvania School of Fine Arts, as well as in Italy and London. He was close friends with Thomas Hart Benton, with whom he taught at the Kansas City Art institute for several years, before becoming the artist in residence at Michigan State University. DeMartelly was known for his regionalist style, most often depicting scenes of rural American farm life.

Drawing

An Old Bridge
1846-1938, American

This two sided drawing by Stephen Parrish measures 6 5/8 x 10 3/8 inches. Done in black ink, c. 1890, with a Maxfield Parrish Jr. family stamp on the lower right and upper left in black ink. Another drawing of a homestead with split rail fence, possibly his own, in on the reverse.