Maxime Lalanne
1827-1886, French

Boulevard Montmartre
1827-1886, French

Etching, image size: 6 1/16 x 8 1/2 inches, plate size: 7 13/16 x 10 inches, 1884, II state, cat. Villet-155, inscribed: "Paris 1884 / Boulevard Montmartre" l.l. plate signed l.r.


Richmond
1827-1886, French

Etching, image size: 8 1/2 x 10 7/16 inches, 1871, III state, cat. Villet-82, signed, titled and dated in the plate lower right


The Thames at Richmond, 1871
1827-1886, French

Etching, image size 6 x 9 7/16 in, 1871, plate signed


Le Canal a Pont-Sainte-Maxence
1827-1886, French

Etching, image size 6 5/8 x 9 1/8 inches, 1876, chine colle, plate signed


Vue Prise du Pavillion des Eaux et Forets, Trocadero
1827-1886, French

Etching, 1884, image size 4 3/4 x 7 1/4 inches, plate signed


Vieux Quartier d'Amsterdam
1827-1886, French

Etching, image size 7 7/8 x 5 5/16 inches, 1881, plate signed.


Rouen From The Country
1827-1886, French

etching, 1884, 5x8 1/4, plate signed


Montalban Tower
1827-1886, French

etching, 1881, 8 1/2x5 1/4, plate signed


Le Bas Meudon On The Seine
1827-1886, French

1884, 5 1/4x8 1/4, plate signed


Bastion 66
1827-1886, French

etching, 5x8 1/4, plate signed, 1870

Painting

The Breakers
1897-1970, American

Oil on masonite, 20 x 24 inches, c. 1950, signed "A R Herrick," in the original frame built by the artist. Herrick was a well known artist in Westmoreland, NH, specializing in plein air landscapes and seascapes of New England. He was a member of the Copley Society of Boston, the Connecticut Academy of Arts and the North Shore Art Association. This dynamic image of crashing surf was most likely painted near Rockport, MA.

Print

Edge of the Swamp
1842-1914, American

Etching after William Lamb Picknell, image size 10 1/4 x 7 5/8 inches

Drawing

Study for the Angel's Head of DaVinci
1893-1986, American

Drawing, gold and silverpoint, image size 9 3/4 x 7 3/4 inches, signed and titled l.l. "silverpoint study for the angel's head of DaVinci", "Harriton", on artist board.