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William Lee Hankey
1869-1952, British

The Summer Moon
1869-1952, British

Etching and aquatint in colors, image size 12 x 9 7/8 inches, c. 1920, edition of 25 in black and white, 75 in color, cat: Hardie-21, pencil signed.


The Bridge At  Corfe Castle
1869-1952, British

Etching, image size 6 1/4 x 8 1/2 inches, pencil signed l.l., plate initialed l.l., artist blindstamp l.r., very rare image, number one of 12 impressions, small repair in the image.


Affection
1869-1952, British

Etching, drypoint, image size 9 5/8 x 8 1/4 inches, c. 1920, pencil signed l.c., "W. Lee Hankey", artist seal l.c. and plate initialed l.l.


Light in the Cottage
1869-1952, British

Etching, image size 8 7/8 x 5 3/4 inches, 1909, edition of 9, cat: Hardie-55, pencil signed l.r, "W Lee Hankey", plate initialed l.r. and artist seal l.c.


Repose
1869-1952, British

Etching, soft-ground, and aquatint, 1905, image size 12 1/2 x 9 3/4 inches, edition of 70, Catalog H-18, pencil signed l.r., "W Lee Hankey imp". Artist's monogram in image. Edition of 6 proofs in monochrome, and 70 in color. A young girl holds a bird in her lap in a quiet garden setting.


Early Morning
1869-1952, British

Etching, image size 10 x 6 inches, 1911, edition of 25, Hardie 77, pencil signed with blindstamp.


In the Garden
1869-1952, British

Etching, image size 8 3/4 x 7 inches, Hardie 176, 1920, pencil signed


Field Workers
1869-1952, British

Drypoint Etching,1918,edition 75, Hardie 154, Etched from studies made at Berneval, image size 6 3/8 x 8 1/4 inches, blindstamp, pencil signed.


Trincket Box
1869-1952, British

Etching Dry-Point, image size 4 5/8 x 6 3/8 inches, Hardie 157, 1919, edition of 100, blind stamp, pencil signed.


Marie of the Fields
1869-1952, British

Drypoint etching, image size 7 7/8 x 4 7/8 inches, edition of 100, 1919, Hardie 168, printed on wove paper, pencil signed with artist's blindstamp. This image is considered one of the artist's finest works.


In the Garden
1869-1952, British

Drypoint etching, image size 8 x 5 7/8 inches, subsequent to Hardie, artist's blindstamp, pencil signed.


Marie Jeanne
1869-1952, British

Etching, image size 10 3/16 x 8 1/2 inches, subsequent to Hardie, pencil signed.


The Widow
1869-1952, British

Drypoint etching, image size 8 3/4 x 4 15/16 inches, 1913-14, edition of 50, Hardie 122, blind stamp, pencil signed.


La Brette
1869-1952, British

Etching, image size 6 x 8 inches, 1917, edition of 50, Hardie 134, artist's blindstamp, pencil signed.


Woman in Thought
1869-1952, British

Etching, image size 8 3/4 X 5 inches, subsequent to Hardie, artist's blindstamp, monogram, pencil signed.


Forgiveness
1869-1952, British

Etching, image size 7 3/4 x 7 1/4 inches, subsequent to Hardie, artist's blindstamp, pencil signed.


Youth. No. 2
1869-1952, British

Etching, image size 6 7/8 X 4 7/8 inches, 1919, edition of 100, Hardie 169, artist's blindstamp, pencil signed.


Sleeping Child
1869-1952, British

Etching,image size 7 3/4 X 8 inches, 1918, edition of 100, Hardie 152, artist blindstamp, pencil signed.


Meditation
1869-1952, British

Etching, image size 8 3/4 x 7 1/4 inches, 1923, subsequent to Hardie, edition of 100, pencil signed, artist blindstamp. We have two impressions of this print in our inventory.


Leon Etaples
1869-1952, British

Etching/drypoint, image size 7 X 6 inches, 1923, subsequent to Hardie, artist's blindstamp, pencil signed.


Temps Difficiles
1869-1952, British

Etching, image size 8 1/2 x 7 inches, subsequent to Hardie, artist's blindstamp, pencil signed.


The Lesson
1869-1952, British

Etching/drypoint, 6 1/2 x 8 1/4 inches, subsequent to Hardie, pencil signed with artist's blindstamp


The Ribbon
1869-1952, British

Etching, 7 1/2 x 7 1/4 inches, 1926, subsequent to Hardie, blindstamped and pencil signed.


Mother and Child
1869-1952, British

Etching/drypoint, image size 7 3/4 x 6 inches, subsequent to Hardie, pencil signed.


The Birthday
1869-1952, British

Etching & dry-point, image size 9 1/4 x 9 inches, circa 1930, Subsequent to Hardie, pencil signed


Corner Of The Fish Market
1869-1952, British

Etching/drypoint, image size 8x6 inches, 1919, Hardie 165, edition of 100, pencil signed with artists blind stamp.
Lee-Hankey was a very gifted drypoint artist known for his portrait studies of the local folk of Brittany.

Painting

Autumn Landscape
1842-1937, American

Oil on academy board, image size 7 1/2 x 9 1/4 inches, attributed to Albert B. Insley, obscure signature in l.r., c. 1890. Period gilt frame. Lovely fall wooded scene with views of distant hills.

Print

Sion Suisse (with  book)
1891-1965, American

Etching tipped in to the book "Modern American Etchers: Arthur William Heintzelman," foreword and critical notes by John Taylor Arms, 1927, print in great condition, book has some foxing, pencil signed.
Original etching sold as part of the book.

Drawing

View From a Country Road
1872- c.1950, American

This drawing by Dexter Dawes measures 18 3/4 x 24 3/4 inches. It is signed in the lower right corner. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his drawings and lithographs. He belonged to a number of associations including the National Arts Club.