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August-Louis Lepere
1849-1918, French

La Maison du Roi de Pologne
1849-1918, French

A fine original etching by an important French artist, this image measures 6 1/4 x 8 1/2 inches, published in 1912 in a small edition of 35, pencil signed and numbered. Auguste-Louis Lepere was one of the leading French printmakers of the late 19th and early 20th centuries. He began studying printmaking at the age of 13 with Joseph Burn Smeeton in Paris and quickly made a name for himself with his innovative style and technically brilliant etchings and wood engravings.


Au Coin du Pont-aux-Doubles
1849-1918, French

This is a very rare nocturnal scene by French artist Auguste- Louis Lepere. Etching, image size is 4 1/4 x 3 7/8 inches, 1893, cat: LB-71, pencil signed and numbered "16". Auguste-Louis Lepere was one of the leading French printmakers of the late 19th and early 20th centuries. He began studying printmaking at the age of 13 with Joseph Burn Smeeton in Paris and quickly made a name for himself with his innovative style and technically brilliant etchings and wood engravings.


Les Funerales de M. Gambetta
1849-1918, French

Wood engraving, image size 8 1/8 x 12 1/8 inches, c. 1890, plate signed.


Ete de La Saint-Martin, La Noce Qui Passe
1849-1918, French

Etching, image size 9 5/8 x 14 3/4 inches, 1908, ed 50, cat: Saunier- 359, pencil signed and editioned, 17/50.


Le Pommier Renversé (The Fallen Apple Tree)
1849-1918, French

Etching, image size 5 1/2 x 7 1/2 inches, 1913, cat. Texier-Bernier 405, pencil signed and numbered 9/50, framed


Le Seine a L'Embouchure du Canal St. Martin
1849-1918, French

Etching, image size 5 5/8 x 10 inches, 1904, cat. Saunier 332, initialed in plate upper left


Les Deux Bourrines
1849-1918, French

Etching, image size: 6 x 8 1/4 inches, cat. Saunier-376, numbered 10/35, c. 1910, pencil signed lower right


L'Etang St. Nicolas (Angers)
1849-1918, French

Etching, image size 6 x 9 inches, c. 1900, ed. of 35, cat. Saunier 398, signed and inscribed "6/35" in pencil, signed and inscribed "Angers" in the plate.


Le Village de la Meule (Ile d'Yeu)
1849-1918, French

Etching, image size 8 x 10 5/8 inches, published state, 25/35, cat. Saunier-337, pencil signed


Riviere de la Vie
1849-1918, French

Etching, 7 1/2 x 9 1/2 inches, 1908, pencil signed


Belle Matinee d'Automne
1849-1918, French

Etching, 7 1/2 x 11 1/2, 1910, 5/35, cat. Saunier-385, pencil signed


Street Scene
1849-1918, French

23/35, pencil signed, 8 x 10 5/8

Painting

Hog Island, Maine
1881-1942, American

Oil on canvas, sight size 17 x 12 inches, 1918,unsigned, attributed to Joseph Elliot Enneking, an American Impressionist painter known for his New England landscapes. There is a hand written title "Hog Island, Maine" and date "June 27 1918" on the bottom edge of the canvas and on the back but no clear signature. Period Gilt Frame

Print

Velasquez
1922-2000, American

A rare artist's proof by Leonard Baskin, this woodcut was published c. 1963 in a small edition of 50 impressions. Cat: Fern & O'Sullivan-458, pencil signed and inscribed "Artist's Proof". In the era of abstract expressionism, Leonard Baskin’s work was always representational, with a strong classical influence. He drew inspiration from many artists of the past, and in the 1950s and 1960s created series of portraits of the artists he admired including this image of Spanish Baroque artist Diego Velasquez.

Drawing

A Concert
1872- c.1950, American

Pencil sketch of a concert bill by Dexter Dawes measuring 10 1/2 x 6 3/4 inches.