August-Louis Lepere
1849-1918, French

Notre Dame vue du Quai Montebello
1849-1918, French

A great Paris scene by Auguste-Louis Lepere, this etching measures 6 1/8 x 10 inches, 1915, edition of 40, pencil signed and editioned. Auguste-Louis Lepere was one of the leading French printmakers of the late 19th and early 20th centuries. He began studying printmaking at the age of 13 with Joseph Burn Smeeton in Paris and quickly made a name for himself with his innovative style and technically brilliant etchings and wood engravings.


Under the Bridge of Bercy
1849-1918, French

This original etching and aquatint, created in 1894 by August-Louis Lepere, measures 5 5/8 x 6 3/4 inches and is pencil signed. Collectors stamp on l.r., not in the Saunier catalogue. August-Louis Lepere was one of the leading French printmakers of the late 19th and early 20th centuries. He began studying printmaking at the age of 13 with Joseph Burn Smeeton in Paris and quickly made a name for himself with his innovative style and technically brilliant etchings and wood engravings.


Amiens Cathedral (Jour d'Inventaire)
1849-1918, French

This beautiful 1907 etching with drypoint of "Inventory Day" by August-Louis Lepere measures 13 1/2 x 9 1/2 inches, in an edition of about 166, Saunier cat: 344, illlustrated in "Etchers and Etchings", Joseph Pennell, 1929, p. 199. Dated and signed in the plate and pencil signed, l.r., framed. Auguste-Louis Lepere was one of the leading French printmakers of the late 19th and early 20th centuries. He began studying printmaking at the age of 13 with Joseph Burn Smeeton in Paris and quickly made a name for himself with his innovative style and technically brilliant etchings and wood engravings.


La Maison du Roi de Pologne
1849-1918, French

A fine original etching by an important French artist, this image measures 6 1/4 x 8 1/2 inches, published in 1912 in a small edition of 35, pencil signed and numbered. Auguste-Louis Lepere was one of the leading French printmakers of the late 19th and early 20th centuries. He began studying printmaking at the age of 13 with Joseph Burn Smeeton in Paris and quickly made a name for himself with his innovative style and technically brilliant etchings and wood engravings.


Au Coin du Pont-aux-Doubles
1849-1918, French

This is a very rare nocturnal scene by French artist Auguste- Louis Lepere. Etching, image size is 4 1/4 x 3 7/8 inches, 1893, cat: LB-71, pencil signed and numbered "16". Auguste-Louis Lepere was one of the leading French printmakers of the late 19th and early 20th centuries. He began studying printmaking at the age of 13 with Joseph Burn Smeeton in Paris and quickly made a name for himself with his innovative style and technically brilliant etchings and wood engravings.


Les Funerales de M. Gambetta
1849-1918, French

Wood engraving, image size 8 1/8 x 12 1/8 inches, c. 1890, plate signed.


Ete de La Saint-Martin, La Noce Qui Passe
1849-1918, French

Etching, image size 9 5/8 x 14 3/4 inches, 1908, ed 50, cat: Saunier- 359, pencil signed and editioned, 17/50.


Le Pommier Renversé (The Fallen Apple Tree)
1849-1918, French

Etching, image size 5 1/2 x 7 1/2 inches, 1913, cat. Texier-Bernier 405, pencil signed and numbered 9/50, framed


Le Seine a L'Embouchure du Canal St. Martin
1849-1918, French

Etching, image size 5 5/8 x 10 inches, 1904, cat. Saunier 332, initialed in plate upper left


Les Deux Bourrines
1849-1918, French

Etching, image size: 6 x 8 1/4 inches, cat. Saunier-376, numbered 10/35, c. 1910, pencil signed lower right


L'Etang St. Nicolas (Angers)
1849-1918, French

Etching, image size 6 x 9 inches, c. 1900, ed. of 35, cat. Saunier 398, signed and inscribed "6/35" in pencil, signed and inscribed "Angers" in the plate.


Le Village de la Meule (Ile d'Yeu)
1849-1918, French

Etching, image size 8 x 10 5/8 inches, published state, 25/35, cat. Saunier-337, pencil signed


Riviere de la Vie
1849-1918, French

Etching, 7 1/2 x 9 1/2 inches, 1908, pencil signed


Belle Matinee d'Automne
1849-1918, French

Etching, 7 1/2 x 11 1/2, 1910, 5/35, cat. Saunier-385, pencil signed


Street Scene
1849-1918, French

23/35, pencil signed, 8 x 10 5/8

Painting

The Train Station
20th Century, European

A very well done mixed media drawing by W.B. Fergusson. The artist used pen and ink, pencil and gouache in this whimsical moment in time at a busy train station. Done on gray toned paper, it measures 13 3/4 x 9 1/2 inches. The artists' signature is seen on the lower right with a date of 1920.

Print

Long Cove
1906-1978, American

An atmospheric scene of Rockport, Massachusetts, this is one of Wengenroth's early lithographs, published in 1935 in a small edition of 50 impressions. The image size is 7 7/8 x 12 1/4 inches, cat: Stuckey-51, pencil signed. Stow Wengenroth was one of the preeminent lithographers of 20th century America, known for his atmospheric, incredibly detailed images of the New England landscape and coastline. He studied at the Art Students League and the Grand Central School of Art in New York, and in the summers studied with John Carlson in Woodstock NY and George Ennis in Eastport ME.

Drawing

The Old Orchard
1872- c.1950, American

A beautiful scene of a summertime apple orchard done in pencil by Dexter Dawes, a Marlboro, NH artist. 7 3/4 x 11 inches.