Luigi Lucioni
1900-1988, Italian-American

Route 7
1900-1988, Italian-American

This etching by Luigi Lucioni measures 8 1/2 x 11 3/4 inches. It is plate signed and dated, 1946 and pencil signed on the lower right margin. Created in an edition of 250, and #97 in the Embury catalogue, this depiction of an old New England farmhouse along Route 7 is one of many scenes Lucioni created while spending his summers in Manchester, Vt. His works were marketed though AAA in New York. (M)


Barn
1900-1988, Italian-American

Etching, image size 4 3/4 x 6 7/8 inches, 1966, cat: Embury- 147, pencil signed and dated. Known for his crisp lines and delicate texture and details, Lucioni gained worldwide attention as one of the great Regionalist artists.


Elms by the Lake
1900-1988, Italian-American

A finely detailed etching by Luigi Lucioni, this image measures 7 7/8 x 10 7/8 inches and was published by the Associated American Artists in 1938 in an edition of 152. It is pencil signed and is number 58 in the Embury catalog. This image is in excellent condition and features a rich impression printed with ample margins on a cream colored wove type paper. Lucioni was known for his remarkably detailed etchings of the New England landscape, and this image is a great example of the textures and sense of atmosphere that he could bring to life.


On the Road
1900-1988, Italian-American

Etching, image size 9 1/4 x 11 3/8 inches, 1952, edition of 250, cat: Embury-119, published by the AAA, plate signed and dated l.l, pencil signed l.r.


My Birthplace
1900-1988, Italian-American

Etching, image size 8 7/8 x 6 7/8 inches, pencil signed. Repaired tear upper right margin.


Sunlight Through the Clouds
1900-1988, Italian-American

Etching, image size: 6 1/2 x 9 7/8 inches, published by AAA 1944, ed. 250, cat. Embury-87, plate signed "L. Lucioni 43" lower left, pencil signed lower right, framed. (M)


Weathered Barns
1900-1988, Italian-American

Etching, image size 7 1/2 x 12 3/8 inches, 1948, ed. 250, published by Associated American Artists, plate signed l.l., cat. Embury-106, pencil signed lower right, framed. (M)


Tree Tapestry
1900-1988, Italian-American

Etching, image size: 9 x 10 3/4 inches, cat. Embury-94, 1945, published by AAA, ed. 250, pencil signed lower right


Two Silos
1900-1988, Italian-American

Etching, image size: 7 1/2 x 11 3/4 inches, cat. Embury 81, plate signed "L. Lucioni 42", published AAA 1943, ed. 250, pencil signed lower right


 Shadow and Substance
1900-1988, Italian-American

Etching, E85, 1945, image size 7 3/8 x 9 7/8 inches, AAA edition, pencil signed, framed.


Summer Shadows
1900-1988, Italian-American

Etching, image size 5 7/8 x 12 inches, 1946, published by AAA, edition 250, pencil signed. The gallery has more than one impression of this print.

Painting

End of the Day, Bride, Isle of Man
1916-2004, British

Watercolor, sight size 5 x 7 inches, 1977, signed "Lauder" l.r., identified on labels from Ruskin Gallery, Stratford-on-Avon, England, affixed to their backings. Lauder painted in the minimalist style of watercolor stating that "the scale of the work is appropriate to the medium of water color, for within this compass extreme subtleties can be made. What was anticipated in a painting was the "unseen", the "unexpected"."

Print

Portrait of a Victorian Woman
1869-1924, English

This matted and framed Victorian image, created in 1911, measures 12/1/2 x 10 1/2 inches. It is pencil signed in the lower right corner with a publishers blindstamp on the lower left margin. "Copyright Published January 1st, 1911, Vicars Brothers, 12 Old Bond Street, London." is printed across the top margin. Wilson was a master of the English mezzotint revival style of the early 1900's.

Drawing

Marie
1893-1986, American

Conte study, 1961, image size 13 x 10 1/4 inches, pencil signed, framed