Luigi Lucioni
1900-1988, Italian-American

Vermont Survival
1900-1988, Italian-American

A finely detailed original etching, image size 9 7/8 x 12 3/4 inches, published in 1960 by the Associated American Artists, cat: Embury-164, pencil signed. Lucioni was known for his remarkably detailed, textural etchings of the New England landscape, such as this image of an old Vermont barn and silo.


Moving Shadows
1900-1988, Italian-American

Etching, image size is 7 x 11 7/8 inches, published in 1942 by the Associated American artists, cat: Embury-73, pencil signed, with the original AAA label. Lucioni was known for his incredibly detailed, textural etchings of the New England landscape, such as this beautiful image of an old barn beneath a sky of quickly moving fairweather clouds.


Barn
1900-1988, Italian-American

Etching, image size 4 3/4 x 6 7/8 inches, 1966, cat: Embury- 147, pencil signed and dated. Known for his crisp lines and delicate texture and details, Lucioni gained worldwide attention as one of the great Regionalist artists.


Elms by the Lake
1900-1988, Italian-American

A finely detailed etching by Luigi Lucioni, this image measures 7 7/8 x 10 7/8 inches and was published by the Associated American Artists in 1938 in an edition of 152. It is pencil signed and is number 58 in the Embury catalog. This image is in excellent condition and features a rich impression printed with ample margins on a cream colored wove type paper. Lucioni was known for his remarkably detailed etchings of the New England landscape, and this image is a great example of the textures and sense of atmosphere that he could bring to life.


On the Road
1900-1988, Italian-American

Etching, image size 9 1/4 x 11 3/8 inches, 1952, edition of 250, cat: Embury-119, published by the AAA, plate signed and dated l.l, pencil signed l.r.


My Birthplace
1900-1988, Italian-American

Etching, image size 8 7/8 x 6 7/8 inches, pencil signed. Repaired tear upper right margin.


Sunlight Through the Clouds
1900-1988, Italian-American

Etching, image size: 6 1/2 x 9 7/8 inches, published by AAA 1944, ed. 250, cat. Embury-87, plate signed "L. Lucioni 43" lower left, pencil signed lower right, framed.


Weathered Barns
1900-1988, Italian-American

Etching, image size 7 1/2 x 12 3/8 inches, 1948, ed. 250, published by Associated American Artists, plate signed l.l., cat. Embury-106, pencil signed lower right, framed.


Tree Tapestry
1900-1988, Italian-American

Etching, image size: 9 x 10 3/4 inches, cat. Embury-94, 1945, published by AAA, ed. 250, pencil signed lower right


Two Silos
1900-1988, Italian-American

Etching, image size: 7 1/2 x 11 3/4 inches, cat. Embury 81, plate signed "L. Lucioni 42", published AAA 1943, ed. 250, pencil signed lower right


 Shadow and Substance
1900-1988, Italian-American

Etching, E85, 1945, image size 7 3/8 x 9 7/8 inches, AAA edition, pencil signed, framed.


Summer Shadows
1900-1988, Italian-American

Etching, image size 5 7/8 x 12 inches, 1946, published by AAA, edition 250, pencil signed. The gallery has more than one impression of this print.

Painting

Walden
1870-1959, American

Watercolor, image size 9 1/8 x 5 1/2 inches, signed l.r. "J. Watson Davis", publishers remarks are below image in pencil(not seen) and are taken from Henry David Thoreau's book "Walden" from the chapter "The Bean field" and read "I cherish them, I hoe them (early and late), I have an eye to them (and this is my) days work".

Print

Le Moulin de Baires
1861-1932, French

Etching, image size 7 5/8 x 11 1/2 inches, 1926, plate signed l.l. "G. Leheutre", pencil signed l.r. "G. Leheutre" and editioned as 23, publishers stamp "Sagot" l.r. Known as "the French Whistler", Leheutre switched from painting to printmaking after he saw Whistlers work. Member of the group of Nabis, Post-Impressionist avant-garde artists who set the pace for fine arts and graphic arts in France in the 1890's.

Drawing

The Bibliophile

Pastel on blue-green toned paper, sight size 14 7/8 x 12 1/8 inches, c. 1840, unsigned, in the original gilt frame. (M)