James McBey
1883-1959, Scottish

Gerona
1883-1959, Scottish

Signed and numbered in ink. Plate signed and dated in the lower right. C. 1921. Plate measures 7 3/8 x 12 7/8 on 8 3/4 x 15 inch laid type paper. Catalog: Hardie 213. Print 8 in an edition of 76. Born into poverty, McBey was primarily self-taught, becoming a very well respected artist and leading figure of the British Etching Revival. He traveled extensively throughout Europe, America and the Middle East, creating remarkable etchings of the places he visited. This print has a unique perspective as well as a rich drypoint burr.


Distant Salute
1883-1959, Scottish

Etching from his Venice series of etchings. Done in 1925. Number 21 out of the edition of 80, This etching appears in the Hardie catalog as image number 250. The image measures 7 1/8 x 15 3/4 inches. J Whatman watermark laid-type paper. Collector's annotations in pencil at the lower edge of the sheet.


The Deserted Palace
$1600.00
1883-1959, Scottish

A fine atmospheric scene of Venice by Scottish artist James McBey. The image size is 8 1/8X9 7/8 inches, created and printed in 1925 in an edition of 80. Hardie-236, hand signed in ink and numbered XIV, printed on a cold toned paper. Archival matboard and framed.


Sunset At Cattawade, Suffolk
1883-1959, Scottish

A lovely scene of evening light descending upon the village of Cattawade, by the Scottish artist, James McBey, measuring 6 1/4 x 10 7/8 inches, inked signed, pencil titled and dated, 1923, cat: Hardie-217, collectors stamp on back. Born into poverty McBey was primarily self-taught, becoming a very well respected artist and leading figure of the British Etching Revival. He traveled extensively throughout Europe, America and the Middle East, creating remarkable etchings of the places he visited.


Havana Harbor
1883-1959, Scottish

This is a beautiful sun drenched scene of Havana, Cuba by Scottish artist James McBey. Etching, image size 6 7/8 x 12 7/8 inches, 1940, plate signed and dated, hand signed and numbered "XXXVIII" in ink. Born into poverty McBey was primarily self-taught, becoming a very well respected artist and leading figure of the British Etching Revival. He traveled extensively throughout Europe, America and the Middle East, creating remarkable etchings of the places he visited.


New York from Weehawken
$1450.00
1883-1959, Scottish

A remarkable etching by James McBey of the New York City skyline from Weehawken, NJ, this etching measures 8 x 14 7/8 inches, 1940, cat: Hardie-277, plate signed and dated, hand signed and numbered "XXVII" in ink. Born into poverty McBey was primarily self-taught, becoming a very well respected artist and leading figure of the British Etching Revival. He traveled extensively throughout Europe, America and the Middle East, creating remarkable etchings of the places he visited. McBey lived in New York for several years, and his images of the city are considered some of his finest work.


Approaching New York
$1450.00
1883-1959, Scottish

Etching, image size 15 x 8 1/2 inches, 1934, cat: Hardie- 269, ed. 80, signed and editioned in black ink, pencil titled along bottom of sheet, also plate signed and inscribed "McBey New York 22 October 1929". Ref: "Fine Prints of the Year 1934"

Painting

The Homestead
1848-1923, American

William Preston Phelps was a plein air painter. In 1876, he travelled to Europe and began studying at the Royal Academy of Art in Munich. He later moved to New York and then back to Europe with his friend William Meritt Chase.

Framed oil on canvas, 24 x 36 inches. Signed in the lower left. The subject is likely his family homestead in Chesham, New Hampshire.

Print

Harbor Scene
1811-1892, British

Etching, image size 5 1/2 x 11 inches, pencil signed l.r. "W. Douglas Macleod".

Drawing

Debussy's Clouds
1924-, American

Watercolor on paper, image size 13 1/4 x 18 1/8 inches, 1950, signed and titled in pencil, l.r. This is a study for the painting, "Debussy's Clouds," which was featured on the program for the Kansas City Philharmonic Orchestra's concert in December 1950.