James McBey
1883-1959, Scottish

Havana Harbor
1883-1959, Scottish

This is a beautiful sun drenched scene of Havana, Cuba by Scottish artist James McBey. Etching, image size 6 7/8 x 12 7/8 inches, 1940, plate signed and dated, hand signed and numbered "XXXVIII" in ink. Born into poverty McBey was primarily self-taught, becoming a very well respected artist and leading figure of the British Etching Revival. He traveled extensively throughout Europe, America and the Middle East, creating remarkable etchings of the places he visited.


New York from Weehawken
$1450.00
1883-1959, Scottish

A remarkable etching by James McBey of the New York City skyline from Weehawken, NJ, this etching measures 8 x 14 7/8 inches, 1940, cat: Hardie-277, plate signed and dated, hand signed and numbered "XXVII" in ink. Born into poverty McBey was primarily self-taught, becoming a very well respected artist and leading figure of the British Etching Revival. He traveled extensively throughout Europe, America and the Middle East, creating remarkable etchings of the places he visited. McBey lived in New York for several years, and his images of the city are considered some of his finest work.


New York Harbor
$1450.00
1883-1959, Scottish

This is a great original etching of the lower Manhattan skyline from across the East River in Brooklyn. Image size 10 1/4 x 15 inches, 1941, edition of 65, hand signed and numbered "XLVII" in ink. Born into poverty McBey was primarily self-taught, becoming a very well respected artist and leading figure of the British Etching Revival. He traveled extensively throughout Europe, America and the Middle East, creating remarkable etchings of the places he visited. McBey lived in New York for several years, and his images of the city are considered some of his finest work.


The Deserted Palace
$1600.00
1883-1959, Scottish

This is an atmospheric Venice scene by Scottish artist James McBey. Etching, image size 8 1/8 x 9 7/8 inches, 1925, edition of 80, cat: Hardie-236, hand signed in ink and numbered "XIV", on a blue toned paper, provenance David David, Philadelphia. Born into poverty McBey was primarily self-taught, becoming a very well respected artist and leading figure of the British Etching Revival. He traveled extensively throughout Europe, America and the Middle East, creating remarkable etchings of the places he visited.


Approaching New York
$1450.00
1883-1959, Scottish

Etching, image size 15 x 8 1/2 inches, 1934, cat: Hardie- 269, ed. 80, signed and editioned in black ink, pencil titled along bottom of sheet, also plate signed and inscribed "McBey New York 22 October 1929". Ref: "Fine Prints of the Year 1934"

Painting

The Old Mill
1833-1894, American

This is a lush, finely detailed landscape by Henry W. Kemper, painted in 1865, signed and dated on the lower left corner. Oil on canvas, 16 x 14 inches, in the original period gilt frame. Kemper paints a very peaceful image of this long forgotten mill. In this verdant summer scene, a traveler approaches the mill from the darkness of the forest just as the sun peeks through passing storm clouds.

Print

The Woman in the Temple
1859-1921, Scottish

This is a very fine original etching by Scottish artist William Strang. The image size is 9 7/8 x 6 7/8 inches, published in 1883 in an edition of 60, cat: University of Glasgow-35, pencil signed below the image, titled and inscribed 'first plate' in the lower margin. A very classically styled composition of a biblical scene, this etching features a rich impression with nice plate tone.

Drawing

Church Fair Bill
1872- c.1950, American

A sketch of a church fair bill with Mt. Monadnock in the background by Dexter Dawes measures 10 1/4 x 5 5/8 inches.