Charles Mielatz
1864-1919, American

Dewey Triumphal Arch
1864-1919, American

This elegant and detailed etching by Charles Mielatz measures 14 3/4 x 10 7/8 inches. Created in 1899 in a very small edition of 25 proofs, it depicts the American Naval Arch on the corner of 5th Avenue and 23rd Street in New York City. It is plate signed and dated and also pencil signed. On the lower margin is a pencil sketch of a US Navy battleship. Born in Germany and arriving in the US as a young boy, Mielatz went on to study at the Chicago School of Design. His first prints were of the New England landscape but after visiting NYC the urban landscape became his subject of choice.


Snowy Landscape
1864-1919, American

This etching by Charles Mielatz measures 3 x 4 1/2 inches. Created in 1907, it is plate signed and dated and also pencil signed on the lower margin. Mielatz was born in Germany in 1864. After arriving in the US he attended the Chicago School of Design. Meilatz studied different artistic mediums but after an introduction to etching by J.J. Callahan he came to love the etching process and devoted his time exclusively to it. For fifteen years he was the chief Instructor in etching at the National Academy of Design in NY.


Old Mill Near Newport Rhode Island
1864-1919, American

Etching, image size 9 x 6 7/8 inches, 1887, plate signed and dated.


Evening Row
1864-1919, American

Etching, image size 8 7/16 x 21 7/8 inches, pub. 1888 by Fishel, Adler & Schwaltz, New York, plate signed l.l., "Mielatz", pencil signed l.r., "Chas F.W. Mielatz". remarque l.l. of a group of violets.


In Newport Harbor
1864-1919, American

Etching, image size 4 3/4 x 7 inches, pencil signed, framed


Victory
1864-1919, American

Etching, image size 4 7/8 x 3 1/2 inches, twice signed and dated 1918 in the plate, pencil signed.


Chinese Carp
1864-1919, American

Etching, image size 20 x 9 inches, 1887, remarque lower left, pencil signed lower right, published by Klackner, New York


City Hall, New York
1864-1919, American

Etching, image size: 12 1/8 x 8 3/4 inches, pencil signed lower right


Grazing Sheep
1864-1919, American

Etching, image size: 8 3/8 x 10 1/2 inches, 1911, pencil signed bottom center


Along the Hudson
1864-1919, American

Etching, image size: 7 7/8 x 10 3/8 inches, 1911, pencil signed


The Tombs
1864-1919, American

Etching, image size: 10 15/16 x 7 15/16 inches, #5, pencil signed


Marsh at Sunset
1864-1919, American

Etching, image size: 4 11/16 x 13 5/8 inches, pencil signed


Whalers in Harbor
1864-1919, American

Etching, image size 11 1/8 x 15 7/8 inches, plate signed, inscribed "etched by Mielatz"


Sunset Nantucket
1864-1919, American

Etching, image size 12 7/8 x 18 7/8 inches, plate signed

Painting

Lake in the Mountains
1813-1891, American

Oil on canvas, 20 x 30 inches, c. 1875, signed "SL Gerry," l.l, in what appears to be the original gilt frame. Samuel Gerry was a self-taught artist known for his majestic mountain landscapes, especially of the White Mountains in New Hampshire. Although he didn't have much formal training, he was greatly influenced by the work of Thomas Cole and A. B Durand, as well as some artists of the European schools. In the 1840s, Gerry was considered the leader of the White Mountain School of landscape painters.

Print

Sweet is the Hour of Rest
1843-1903, American

Etching, image size 7 x 11 1/4 inches

Drawing

Pastoral Scene

Ink and wash, image size 9 3/4 x 13 7/8 inches, inscribed on reverse "J. Bosch 1773 in de manier van N. Berchem met stoffazie na A.v.d.Velde" (In the manner of Nicolae Berchem [Dutch, 1620-1683] and Adriaen van de Velde [Dutch, 1636-1672]), framed.