Mary Nimmo Moran
1842-1899, American

Conway Castle, Wales
1842-1899, American

A very fine original etching by Mary Nimmo Moran, image size 6 5/8 x 9 1/2 inches, 1885, published in Germany, plate signed and dated in reverse. A rich impression on a medium weight wove type paper with ample margins.


Tween the Gloaming and the Mirk, When the Kye Came Hame
1842-1899, American

This is a rare pencil signed impression by Mary Nimmo Moran, etching, roulette and mezzotint, image size 7 3/8 x 11 3/8 inches, 1883, plate signed and dated, pencil signed. A beautiful impression in sepia ink with ample margins. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival.


Twilight East Hampton
1842-1899, American

A beautiful twilight etching of East Hampton, NY by the American artist, Mary Nimmo Moran, measuring 7 3/4 x 11 7/8 inches, a very rare image, pencil signed, 1880, exhibited at the New York Etching Club in 1882. Moran made a smaller version of this image which is much more common. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival.


Noonday, Hackensack Meadows
1842-1899, American

This is a very fine original etching, image size 5 5/8 x 8 5/8 inches, 1881, signed and dated in the plate. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival. Known for the originality and boldness of her etchings, Mary Nimmo Moran was a member of the Society of Painter- Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.


Gardiner's Bay from the Fresh Ponds, Long Island
1842-1899, American

An atmospheric image of Long Island, this etching measures 7 5/8 x 11 1/4 inches, 1884, signed and dated in the plate, framed. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival. Known for her originality and boldness of her etchings, Mary Nimmo Moran was a member of the Society of Painter- Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.


A California Forest
1842-1899, American

This 1888 etching by Mary Nimmo Moran measures 11 7/8 x 8 inches, plate signed and dated, after a painting by her husband, Thomas Moran. Mary Nimmo Moran was known for her originality and boldness in her etchings and was a member of the Society of Painter- Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.


Tween the Gloaming and the Mirk, When the Kye Came Hame
1842-1899, American

Etching in sepia toned ink, image size 7 3/8 x 11 1/4, 1883, plate signed and dated, l.l.

Painting

Portrait of Miss Davenport
1856-1939, German

Oil on Academy Board, 12 x 9 inches, signed and inscribed "M. v. Schmaedel/M√ľnchen" lower right, period frame. The sitter is identified in a copy of a letter dated August 3, 1905, from Seth Mendell to William C. Davenport, President of The Machinists' Bank, Taunton, Massachusetts, in an envelope affixed to the back of the painting. Provenance: Estate of N. David Scotti, Providence, Rhode Island.

Print

Peeking In
Active 1940's, American/Cleveland

Etching/aquatint,ca.1940,edition of less than 10,6X8 3/4",pencil signed

Drawing

Study of Greek Statue

This early European drawing in red crayon, c. 1600, is unidentified. It has a watermark of a fleur de lis with a "M" above it. The sheet size measures 14 3/4 x 10 inches.