Mary Nimmo Moran
1842-1899, American

Solitude
1842-1899, American

A beautiful original etching, this image measures 5 3/4 x 7 1/2 inches, 1880, plate signed and dated. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival. Known for her originality and boldness of her etchings, Mary Nimmo Moran was a member of the Society of Painter- Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.


Noonday, Hackensack Meadows
1842-1899, American

This is a very fine original etching, image size 5 5/8 x 8 5/8 inches, 1881, signed and dated in the plate. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival. Known for the originality and boldness of her etchings, Mary Nimmo Moran was a member of the Society of Painter- Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.


Gardiner's Bay from the Fresh Ponds, Long Island
1842-1899, American

An atmospheric image of Long Island, this etching measures 7 5/8 x 11 1/4 inches, 1884, signed and dated in the plate, framed. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival. Known for her originality and boldness of her etchings, Mary Nimmo Moran was a member of the Society of Painter- Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.


A California Forest
1842-1899, American

This 1888 etching by Mary Nimmo Moran measures 11 7/8 x 8 inches, plate signed and dated, after a painting by her husband, Thomas Moran. Mary Nimmo Moran was known for her originality and boldness in her etchings and was a member of the Society of Painter- Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.


Tween the Gloaming and the Mirk, When the Kye Came Hame
1842-1899, American

Etching in sepia toned ink, image size 7 3/8 x 11 1/4, 1883, plate signed and dated, l.l.

Painting

"L'optique"   Peep Show

This is a very rare early French genre painting depicting a traveling vendor with his peep show in a country setting, with a mother and her children viewing the display titled "Le Vrai Jesus". Oil on canvas, 30 x 25 inches, overall frame size 41 x 36 inches, c. 1780s. This painting is unsigned, but it is exquisitely painted; the style and subject very reminiscent of the work of Louis Leopold Boilly (1761-1845). The painting was relined on aluminum and has some areas of inpainting, mostly the bottom edge and upper right, but overall is really quite presentable.

Print

Along The Houstantonic
1829-1904, American

etching, 5x8, plate signed,

Drawing

Three Figures
1899-1974, American

Graphite on paper, image size 18 1/4 x 18 3/4 inches, signed in pencil lower left, framed