Mary Nimmo Moran
1842-1899, American

Conway Castle, Wales
1842-1899, American

A very fine original etching by Mary Nimmo Moran, image size 6 5/8 x 9 1/2 inches, 1885, published in Germany, plate signed and dated in reverse. A rich impression on a medium weight wove type paper with ample margins.


Tween the Gloaming and the Mirk, When the Kye Came Hame
1842-1899, American

This is a rare pencil signed impression by Mary Nimmo Moran, etching, roulette and mezzotint, image size 7 3/8 x 11 3/8 inches, 1883, plate signed and dated, pencil signed. A beautiful impression in sepia ink with ample margins. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival.


Twilight East Hampton
1842-1899, American

A beautiful twilight etching of East Hampton, NY by the American artist, Mary Nimmo Moran, measuring 7 3/4 x 11 7/8 inches, a very rare image, pencil signed, 1880, exhibited at the New York Etching Club in 1882. Moran made a smaller version of this image which is much more common. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival.


Noonday, Hackensack Meadows
1842-1899, American

This is a very fine original etching, image size 5 5/8 x 8 5/8 inches, 1881, signed and dated in the plate. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival. Known for the originality and boldness of her etchings, Mary Nimmo Moran was a member of the Society of Painter- Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.


Gardiner's Bay from the Fresh Ponds, Long Island
1842-1899, American

An atmospheric image of Long Island, this etching measures 7 5/8 x 11 1/4 inches, 1884, signed and dated in the plate, framed. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival. Known for her originality and boldness of her etchings, Mary Nimmo Moran was a member of the Society of Painter- Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.


A California Forest
1842-1899, American

This 1888 etching by Mary Nimmo Moran measures 11 7/8 x 8 inches, plate signed and dated, after a painting by her husband, Thomas Moran. Mary Nimmo Moran was known for her originality and boldness in her etchings and was a member of the Society of Painter- Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.


Tween the Gloaming and the Mirk, When the Kye Came Hame
1842-1899, American

Etching in sepia toned ink, image size 7 3/8 x 11 1/4, 1883, plate signed and dated, l.l.

Painting

The Rocky Cove
1877-1967, American

Watercolor on paper, sight size 11 x 14 3/8 inches, c. 1930s, signed lower left, framed. Carroll Bill was an artist and architect, studying at Harvard Architectural School. He was a member of many artist's associations, including the Boston Architectural Club, the Boston Society of Architects, the Boston Society of Watercolor Painters, the New York Society of Watercolor Painters, the New York Watercolor Club and the Springfield Art League. (M)

Print

Sergeant Major Patrick Gould
$245.00
19th Century, British

Mezzotint by John Young(Engraver in Mezzotint to H.R.H. the Prince of Wales) after the painting by George Watson, image size 19 1/2 x 11 3/4 inches, sheet size 22 1/2 x 14 1/4 inches, 1810. The full title reads, "Sergeant Major Patrick Gould, Royal Reg. Edin. Volunteers (Blue) 1794. Published by P. Carol Printseller, South Hanover Street, Edinburgh.

Drawing

All-y, All-y In Free
20th c., American

Gouache and graphite on paper, size 10 1/2 x 15 1/8 inches, signed lower left