Mary Nimmo Moran
1842-1899, American

Conway Castle, Wales
1842-1899, American

A very fine original etching by Mary Nimmo Moran, image size 6 5/8 x 9 1/2 inches, 1885, published in Germany, plate signed and dated in reverse. A rich impression on a medium weight wove type paper with ample margins.


Tween the Gloaming and the Mirk, When the Kye Came Hame
1842-1899, American

This is a rare pencil signed impression by Mary Nimmo Moran, etching, roulette and mezzotint, image size 7 3/8 x 11 3/8 inches, 1883, plate signed and dated, pencil signed. A beautiful impression in sepia ink with ample margins. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival.


Twilight East Hampton
1842-1899, American

A beautiful twilight etching of East Hampton, NY by the American artist, Mary Nimmo Moran, measuring 7 3/4 x 11 7/8 inches, a very rare image, pencil signed, 1880, exhibited at the New York Etching Club in 1882. Moran made a smaller version of this image which is much more common. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival.


Noonday, Hackensack Meadows
1842-1899, American

This is a very fine original etching, image size 5 5/8 x 8 5/8 inches, 1881, signed and dated in the plate. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival. Known for the originality and boldness of her etchings, Mary Nimmo Moran was a member of the Society of Painter- Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.


Gardiner's Bay from the Fresh Ponds, Long Island
1842-1899, American

An atmospheric image of Long Island, this etching measures 7 5/8 x 11 1/4 inches, 1884, signed and dated in the plate, framed. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival. Known for her originality and boldness of her etchings, Mary Nimmo Moran was a member of the Society of Painter- Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.


A California Forest
1842-1899, American

This 1888 etching by Mary Nimmo Moran measures 11 7/8 x 8 inches, plate signed and dated, after a painting by her husband, Thomas Moran. Mary Nimmo Moran was known for her originality and boldness in her etchings and was a member of the Society of Painter- Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.


Tween the Gloaming and the Mirk, When the Kye Came Hame
1842-1899, American

Etching in sepia toned ink, image size 7 3/8 x 11 1/4, 1883, plate signed and dated, l.l.

Painting

Landscape with Sheep
1809-1889, Belgian

This is a beautiful painting of a ewe and her lambs in a summer meadow, with mallard ducks swimming nearby. It is painted with oils on panel and measures 5 1/2 x 7 5/8 inches, 1860, signed and dated lower right, in a period gilt frame. There is an inscription in French on the back of the board, written in the artist's hand, but we have been unable to decipher it. Van Severdonck was a Belgian artist known for his small scale landscapes and images of farm animals, especially sheep.

Print

Strange Bird
1911-2012, American 20th century

"Strange Bird", lithograph, 1947, edition of 300, pencil signed and titled: Printed on an orange toned wove type paper. Image size is 9 7/8X13 inches. Reference: Cole 93

Drawing

Debussy's Clouds
1924-, American

Watercolor on paper, image size 13 1/4 x 18 1/8 inches, 1950, signed and titled in pencil, l.r. This is a study for the painting, "Debussy's Clouds," which was featured on the program for the Kansas City Philharmonic Orchestra's concert in December 1950.