Mary Nimmo Moran
1842-1899, American

Solitude
1842-1899, American

A beautiful original etching, this image measures 5 3/4 x 7 1/2 inches, 1880, plate signed and dated. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival. Known for her originality and boldness of her etchings, Mary Nimmo Moran was a member of the Society of Painter- Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.


Noonday, Hackensack Meadows
1842-1899, American

This is a very fine original etching, image size 5 5/8 x 8 5/8 inches, 1881, signed and dated in the plate. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival. Known for the originality and boldness of her etchings, Mary Nimmo Moran was a member of the Society of Painter- Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.


Gardiner's Bay from the Fresh Ponds, Long Island
1842-1899, American

An atmospheric image of Long Island, this etching measures 7 5/8 x 11 1/4 inches, 1884, signed and dated in the plate, framed. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival. Known for her originality and boldness of her etchings, Mary Nimmo Moran was a member of the Society of Painter- Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.


A California Forest
1842-1899, American

This 1888 etching by Mary Nimmo Moran measures 11 7/8 x 8 inches, plate signed and dated, after a painting by her husband, Thomas Moran. Mary Nimmo Moran was known for her originality and boldness in her etchings and was a member of the Society of Painter- Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.


Tween the Gloaming and the Mirk, When the Kye Came Hame
1842-1899, American

Etching in sepia toned ink, image size 7 3/8 x 11 1/4, 1883, plate signed and dated, l.l.

Painting

Cabin by the Lake
1854-1927, American

This is a luminous scene of a cabin by a still lake with the glowing colors of the setting sun lingering in the sky, casting blue shadows over summer landscape. Pastel on paper, sight size 12 3/4 x 17 inches, c. 1900, signed in the lower right corner. This pastel comes tastefully displayed in a period maple frame. Clarence Braley was a Massachusetts artist who specialized in pastel and watercolor landscapes. He was a member of the New Bedford Art Association and exhibited his work at the Boston Art Club and the Art Institute of Chicago. (M)

Print

A Message from the Sea
20th Century, American

Etching, image size 10 3/4 x 6 7/8 inches, pencil signed.

Drawing

Christmas Card
1872- c.1950, American

Ink drawing, image size 7 1/2 x 4 3/4 inches.