Peter Moran
1842-1914, American

Spring
1842-1914, American

This is a beautiful original etching of a farmer plowing a field with a team of oxen. The image size is 3 1/2 x 5 5/8 inches, 1875, unsigned. A rich impression on a medium weight laid type paper.


Noonday
1842-1914, American

A finely detailed original etching by Peter Moran, this image measures 7 3/4 x 10 5/8 inches, 1887, state II/III, cat: Wright- 94, with the separate frog remarque lower left, pencil signed. Peter Moran was one of the foremost artists of the American etching revival of the late 19th century. He was known for his images of cows and farm animals, as well as his atmospheric scenes of the American Southwest.


The Pool, 1884
1842-1914, American

This richly inked and finely detailed Moran etching measures 7 7/8 x 11 5/8 inches. Pencil signed with frog remarque on lower right margin. Cat: Wright-70, fourth state. Part of the "Twenty Original American Etchings" series published by the Cassell Publishing Co. Peter Moran was a well known American painter and etcher and one of the foremost artists of the American etching revival of the late 19th century. He was known for his images of cows and farm animals, as well as his atmospheric scenes of the American Southwest.


Through the Meadows
1842-1914, American

This is a beautiful, richly inked original etching by Peter Moran, image size 13 x 19 7/8 inches, published in 1886 by Klackner. It is state IV/IV, cat: Wright-92, pencil signed and titled on the lower margin. This image is listed with the title "Through the Meadow Stream" in the Wright catalog, although there are several alternate titles including the one that appears on this impression.


Crossing the Ford
1842-1914, American

Etching, image size 15 3/4 x 23 3/4 inches, c. 1886-87, cat: Wright-98, pencil signed l.r, remarque of a hay wagon l.l.


On the Road to Santa Fe
1842-1914, American

Etching, image size 11 1/2 x 17 1/2 inches, 1884, cat: Wright-72, plate signed, l.r. Published in "Selected Etchings by American Artists", Philadelphia, 1884.


The Forest of Capodimonte
1842-1914, American

Etching after F. Cortese, image size: 11 15/16 x 8 inches, Copyright 1887 Gebbie & Co., plate signed lower left


Mowing
1842-1914, American

Etching, image size: 16 x 23 inches, 1887, published by Klackner, plate signed


Edge of the Swamp
1842-1914, American

Etching after William Lamb Picknell, image size 10 1/4 x 7 5/8 inches


Church of San Miguel, Santa Fe
1842-1914, American

Etching, image size 4 15/16 x 6 3/4 inches, plate signed lower left


Donkey Train
1842-1914, American

Etching,imagesize: 6 1/2X9 1/2 inches, platesigned


The Returning Herd
1842-1914, American

An etching after a painting by Voltz, image size:, 8x9 3/4 inches, 1885, platesigned


Noonday Rest
1842-1914, American

etching, Image size: 3 1/2x5 1/2 inches, plate signed


Harvest, San Juan, New Mexico
1842-1914, American

Etching, 6 x 12 1/8 inches, 1883, cat: Wright- 62, plate signed, framed

Painting

Barbizon Landscape with a Country Road
1841-1916, American

Oil on canvas, 18 x 23 1/2 inches, in a very fine period gilt and gesso frame. There is a partial obscure signature and date in the painting lower right, the early label on the back is from the gallery of Charles G. Calder who was a well known Providence, R.I. painting dealer, also on the back is a partial label from Whitaker studios. This is a fine Barbizon style landscape painting by American artist George William Whitaker. Whitaker was a teacher and important painter in Providence R.I. and was known as an American tonalist, influenced by George Inness and Alexander Wyant.

Print

Philadelphia 1935
b. 1911, American

Etching, image size: 5 x 6 7/8 inches, pencil signed and titled

Drawing

Christmas Card 1934
1872- c.1950, American

Ink and colored pencil drawing, 1934, image size 7 3/4 x 4 3/4 inches.