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Peter Moran
1842-1914, American

Through the Meadows
1842-1914, American
Through the Meadows

This is a beautiful, richly inked original etching by Peter Moran, image size 13 x 19 7/8 inches, published in 1886 by Klackner. It is state IV/IV, cat: Wright-92, pencil signed and titled on the lower margin. This image is listed with the title "Through the Meadow Stream" in the Wright catalog, although there are several alternate titles including the one that appears on this impression.


Crossing the Ford
1842-1914, American
Crossing the Ford

Etching, image size 15 3/4 x 23 3/4 inches, c. 1886-87, cat: Wright-98, pencil signed l.r, remarque of a hay wagon l.l.


On the Road to Santa Fe
1842-1914, American
On the Road to Santa Fe

Etching, image size 11 1/2 x 17 1/2 inches, 1884, cat: Wright-72, plate signed, l.r. Published in "Selected Etchings by American Artists", Philadelphia, 1884.


The Forest of Capodimonte
1842-1914, American
The Forest of Capodimonte

Etching after F. Cortese, image size: 11 15/16 x 8 inches, Copyright 1887 Gebbie & Co., plate signed lower left


Mowing
1842-1914, American
Mowing

Etching, image size: 16 x 23 inches, 1887, published by Klackner, plate signed


Edge of the Swamp
1842-1914, American
Edge of the Swamp

Etching after William Lamb Picknell, image size 10 1/4 x 7 5/8 inches


Church of San Miguel, Santa Fe
1842-1914, American
Church of San Miguel, Santa Fe

Etching, image size 4 15/16 x 6 3/4 inches, plate signed lower left


Donkey Train
1842-1914, American
Donkey Train

Etching,imagesize: 6 1/2X9 1/2 inches, platesigned


The Returning Herd
1842-1914, American
The Returning Herd

An etching after a painting by Voltz, image size:, 8x9 3/4 inches, 1885, platesigned


Noonday Rest
1842-1914, American
Noonday Rest

etching, Image size: 3 1/2x5 1/2 inches, plate signed


Harvest, San Juan, New Mexico
1842-1914, American
Harvest, San Juan, New Mexico

Etching, 6 x 12 1/8 inches, 1883, cat: Wright- 62, plate signed, framed

Painting

Morning on the Cape
1858-1926, American
Morning on the Cape

This is an atmospheric early morning seaside scene by American artist William Worcester Churchill. Pastel on paper, sight size 12 x 18 inches, c. 1900, signed lower left, in a very fine period gilt frame. William Churchill was born and raised in Massachusetts, and attended the Boston Museum School before traveling to Paris to study with Leon Bonnat. When he returned to Boston he opened a studio on Irvington St. and began a very successful artistic career, becoming well known for his indoor scenes and portraits as well as his landscapes in oils and pastels.

Print

Coventry Harbor
20th C.
Coventry Harbor

etching, image size: 5 3/4x8 1/2

Drawing

All-y, All-y In Free
1932-2009, American
All-y, All-y In Free

Gouache and graphite on paper, size 10 1/2 x 15 1/8 inches, signed lower left