Peter Moran
1842-1914, American

Spring
1842-1914, American

This is a beautiful original etching of a farmer plowing a field with a team of oxen. The image size is 3 1/2 x 5 5/8 inches, 1875, unsigned. A rich impression on a medium weight laid type paper.


Noonday
1842-1914, American

A finely detailed original etching by Peter Moran, this image measures 7 3/4 x 10 5/8 inches, 1887, state II/III, cat: Wright- 94, with the separate frog remarque lower left, pencil signed, framed. Peter Moran was one of the foremost artists of the American etching revival of the late 19th century. He was known for his images of cows and farm animals, as well as his atmospheric scenes of the American Southwest.


The Pool, 1884
1842-1914, American

This richly inked and finely detailed Moran etching measures 7 7/8 x 11 5/8 inches. Pencil signed with frog remarque on lower right margin. Cat: Wright-70, fourth state. Part of the "Twenty Original American Etchings" series published by the Cassell Publishing Co. Peter Moran was a well known American painter and etcher and one of the foremost artists of the American etching revival of the late 19th century. He was known for his images of cows and farm animals, as well as his atmospheric scenes of the American Southwest.


A Showery Day
1842-1914, American

Etching, image size 3 x 5 1/8 inches, published in 1875, cat: Wright-6, unsigned. According to Wright, this was one of Moran's earliest etchings, and most likely one of the fifteen etchings that Moran exhibited at the 1876 Centennial Exhibition in Philadelphia.


A Showery Day
1842-1914, American

This is an early etching by Peter Moran, image size 3 x 5 1/8 inches, published in 1875, cat: Wright-6, pencil signed. Peter Moran was a well known American painter and etcher and one of the foremost artists of the American etching revival of the late 19th century. He was known for his images of cows and farm animals, as well as his atmospheric scenes of the American Southwest. According to Wright, this image was most likely one of the fifteen etchings that Moran exhibited at the 1876 Centennial Exhibition in Philadelphia.


Through the Meadows
1842-1914, American

This is a beautiful, richly inked original etching by Peter Moran, image size 13 x 19 7/8 inches, published in 1886 by Klackner. It is state IV/IV, cat: Wright-92, pencil signed and titled on the lower margin. This image is listed with the title "Through the Meadow Stream" in the Wright catalog, although there are several alternate titles including the one that appears on this impression.


Crossing the Ford
1842-1914, American

Etching, image size 15 3/4 x 23 3/4 inches, c. 1886-87, cat: Wright-98, pencil signed l.r, remarque of a hay wagon l.l.


On the Road to Santa Fe
1842-1914, American

Etching, image size 11 1/2 x 17 1/2 inches, 1884, cat: Wright-72, plate signed, l.r. Published in "Selected Etchings by American Artists", Philadelphia, 1884.


The Forest of Capodimonte
1842-1914, American

Etching after F. Cortese, image size: 11 15/16 x 8 inches, Copyright 1887 Gebbie & Co., plate signed lower left


Mowing
1842-1914, American

Etching, image size: 16 x 23 inches, 1887, published by Klackner, plate signed


Edge of the Swamp
1842-1914, American

Etching after William Lamb Picknell, image size 10 1/4 x 7 5/8 inches


Church of San Miguel, Santa Fe
1842-1914, American

Etching, image size 4 15/16 x 6 3/4 inches, plate signed lower left


Donkey Train
1842-1914, American

Etching,imagesize: 6 1/2X9 1/2 inches, platesigned


The Returning Herd
1842-1914, American

An etching after a painting by Voltz, image size:, 8x9 3/4 inches, 1885, platesigned


Noonday Rest
1842-1914, American

etching, Image size: 3 1/2x5 1/2 inches, plate signed


Harvest, San Juan, New Mexico
1842-1914, American

Etching, 6 x 12 1/8 inches, 1883, cat: Wright- 62, plate signed, framed

Painting

Early Autumn
1857 - 1915, American

This is a very atmospheric landscape by William C. Fitler, oil on canvas, 10 x 8 inches, c. 1890, signed in the lower left corner, in a period carved walnut frame. Born and raised in Philadelphia, Fitler studied at the Pennsylvania Academy of Fine Arts and was known for his tonalist inspired landscapes of New York and New England. He exhibited his work widely in the late 19th century, including at the National Academy, the Brooklyn Art Club, the Boston Art Club, the Pennsylvania Academy, and the Art Institute of Chicago.

Print

Renee a Bicyclette (Un Debut)
1875-1963, French

Drypoint and aquatint etching, image size 15 3/4 x 11 3/4 inches, 1906, numbered 14/50 l.l., pencil signed l.r., published by Sagot, Paris, with the blindstamp l.r. A richly inked impression with ample margins.

Drawing

Study of Greek Statue

This early European drawing in red crayon, c. 1600, is unidentified. It has a watermark of a fleur de lis with a "M" above it. The sheet size measures 14 3/4 x 10 inches.