Peter Moran
1842-1914, American

Noonday
1842-1914, American

A finely detailed original etching by Peter Moran, this image measures 7 3/4 x 10 5/8 inches, 1887, state II/III, cat: Wright- 94, with the separate frog remarque lower left, pencil signed, framed. Peter Moran was one of the foremost artists of the American etching revival of the late 19th century. He was known for his images of cows and farm animals, as well as his atmospheric scenes of the American Southwest.


The Pool, 1884
1842-1914, American

This richly inked and finely detailed Moran etching measures 7 7/8 x 11 5/8 inches. Pencil signed with frog remarque on lower right margin. Cat: Wright-70, fourth state. Part of the "Twenty Original American Etchings" series published by the Cassell Publishing Co. Peter Moran was a well known American painter and etcher and one of the foremost artists of the American etching revival of the late 19th century. He was known for his images of cows and farm animals, as well as his atmospheric scenes of the American Southwest.


A Showery Day
1842-1914, American

Etching, image size 3 x 5 1/8 inches, published in 1875, cat: Wright-6, unsigned. According to Wright, this was one of Moran's earliest etchings, and most likely one of the fifteen etchings that Moran exhibited at the 1876 Centennial Exhibition in Philadelphia.


A Showery Day
1842-1914, American

This is an early etching by Peter Moran, image size 3 x 5 1/8 inches, published in 1875, cat: Wright-6, pencil signed. Peter Moran was a well known American painter and etcher and one of the foremost artists of the American etching revival of the late 19th century. He was known for his images of cows and farm animals, as well as his atmospheric scenes of the American Southwest. According to Wright, this image was most likely one of the fifteen etchings that Moran exhibited at the 1876 Centennial Exhibition in Philadelphia.


Through the Meadows
1842-1914, American

This is a beautiful, richly inked original etching by Peter Moran, image size 13 x 19 7/8 inches, published in 1886 by Klackner. It is state IV/IV, cat: Wright-92, pencil signed and titled on the lower margin. This image is listed with the title "Through the Meadow Stream" in the Wright catalog, although there are several alternate titles including the one that appears on this impression.


Crossing the Ford
1842-1914, American

Etching, image size 15 3/4 x 23 3/4 inches, c. 1886-87, cat: Wright-98, pencil signed l.r, remarque of a hay wagon l.l.


On the Road to Santa Fe
1842-1914, American

Etching, image size 11 1/2 x 17 1/2 inches, 1884, cat: Wright-72, plate signed, l.r. Published in "Selected Etchings by American Artists", Philadelphia, 1884.


The Forest of Capodimonte
1842-1914, American

Etching after F. Cortese, image size: 11 15/16 x 8 inches, Copyright 1887 Gebbie & Co., plate signed lower left


Mowing
1842-1914, American

Etching, image size: 16 x 23 inches, 1887, published by Klackner, plate signed


Edge of the Swamp
1842-1914, American

Etching after William Lamb Picknell, image size 10 1/4 x 7 5/8 inches


Church of San Miguel, Santa Fe
1842-1914, American

Etching, image size 4 15/16 x 6 3/4 inches, plate signed lower left


Donkey Train
1842-1914, American

Etching,imagesize: 6 1/2X9 1/2 inches, platesigned


The Returning Herd
1842-1914, American

An etching after a painting by Voltz, image size:, 8x9 3/4 inches, 1885, platesigned


Noonday Rest
1842-1914, American

etching, Image size: 3 1/2x5 1/2 inches, plate signed


Harvest, San Juan, New Mexico
1842-1914, American

Etching, 6 x 12 1/8 inches, 1883, cat: Wright- 62, plate signed, framed

Painting

View Near High Tor
1812-1879, American

Watercolor, image size 9 1/2 x 9 3/4 inches, 1855. Hill started his career as an aquatint engraver in his father's studio before moving on to watercolors and landscape painting. At the age of 21 he was entered into the National Academy of Design. In this beautiful landscape notice his use of stippling and tiny brushstroke work that create the layers of color, shadow and light. Later in life he was one of the founding members of the Society for the Advancement of Truth in Art. His work is found in the Brooklyn Museum, the Hood Museum of Art and the Metropolitan Museum of Art.

Print

London Bridge
1846-1938, American

Large edition, august, 1884, 11 1/2x18 1/4, dedicated to Henry Voigt in pencil lower right margin, pencil signed, and framed

Drawing

White Pine
1872- c.1950, American

This drawing by Dexter Dawes measures 21 1/4 x 14 1/2 inches and is dated "July 7, 1929" on the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and drawings. He belonged to a number of associations including the National Arts Club