Peter Moran
1842-1914, American

A Showery Day
1842-1914, American

Etching, image size 3 x 5 1/8 inches, published in 1875, cat: Wright-6, unsigned. According to Wright, this was one of Moran's earliest etchings, and most likely one of the fifteen etchings that Moran exhibited at the 1876 Centennial Exhibition in Philadelphia.


A Showery Day
1842-1914, American

This is an early etching by Peter Moran, image size 3 x 5 1/8 inches, published in 1875, cat: Wright-6, pencil signed. Peter Moran was a well known American painter and etcher and one of the foremost artists of the American etching revival of the late 19th century. He was known for his images of cows and farm animals, as well as his atmospheric scenes of the American Southwest. According to Wright, this image was most likely one of the fifteen etchings that Moran exhibited at the 1876 Centennial Exhibition in Philadelphia.


Through the Meadows
1842-1914, American

This is a beautiful, richly inked original etching by Peter Moran, image size 13 x 19 7/8 inches, published in 1886 by Klackner. It is state IV/IV, cat: Wright-92, pencil signed and titled on the lower margin. This image is listed with the title "Through the Meadow Stream" in the Wright catalog, although there are several alternate titles including the one that appears on this impression.


Crossing the Ford
1842-1914, American

Etching, image size 15 3/4 x 23 3/4 inches, c. 1886-87, cat: Wright-98, pencil signed l.r, remarque of a hay wagon l.l.


On the Road to Santa Fe
1842-1914, American

Etching, image size 11 1/2 x 17 1/2 inches, 1884, cat: Wright-72, plate signed, l.r. Published in "Selected Etchings by American Artists", Philadelphia, 1884.


The Forest of Capodimonte
1842-1914, American

Etching after F. Cortese, image size: 11 15/16 x 8 inches, Copyright 1887 Gebbie & Co., plate signed lower left


Mowing
1842-1914, American

Etching, image size: 16 x 23 inches, 1887, published by Klackner, plate signed


Edge of the Swamp
1842-1914, American

Etching after William Lamb Picknell, image size 10 1/4 x 7 5/8 inches


Church of San Miguel, Santa Fe
1842-1914, American

Etching, image size 4 15/16 x 6 3/4 inches, plate signed lower left


Donkey Train
1842-1914, American

Etching,imagesize: 6 1/2X9 1/2 inches, platesigned


The Returning Herd
1842-1914, American

An etching after a painting by Voltz, image size:, 8x9 3/4 inches, 1885, platesigned


Noonday Rest
1842-1914, American

etching, Image size: 3 1/2x5 1/2 inches, plate signed


Harvest, San Juan, New Mexico
1842-1914, American

Etching, 6 x 12 1/8 inches, 1883, cat: Wright- 62, plate signed, framed

Painting

Cambrians
1916-2004, British

Watercolor, sight size 5 1/8 x 9 1/8 inches, 1972, signed by the artist l.r., identified on labels from Ruskin Gallery, Stratford-on-Avon, England, affixed to their backings. Cambrians is a largely unspoiled area of Mid Wales. Lauder painted in the minimalist style of watercolor stating that "the scale of the work is appropriate to the medium of water color, for within this compass extreme subtleties can be made. What was anticipated in a painting was the "unseen", the "unexpected"."

Print

The Vision of Ezekiel
1684 - 1756, French

Engraving after Raphael; prov.Randall 3739;According to Thies "Baron Rumohr (Italienische Forschungen, III.p.119) considers it, mentioning this very engraving, a very fine repetition or duplicate, and by no means a mere copy, of the well known picture, for the Cabinet Crozat, Np 28."

Drawing

Walk in the Park
1907-1998, American

Pencil, image size 4 3/4 x 3 7/8 inches, 1935, pencil signed within the image, red collectors seal l.l.