Thomas Moran
1837-1926, American

Communipaw, N.J.
1837-1926, American

Etching, image size 3 1/8 x 4 7/8 inches, 1885, titled and inscribed in pencil. This image is Moran's small version of a larger etching that he exhibited at the New York Etching Club in 1886.


The Half Dome - View From Moran Point
1837-1926, American

This beautifully etched image by Thomas Moran measures 11 5/8 x 8 inches, is plate signed and dated. Thomas Moran was a leading artist of the American etching revival, and in 1877 was one of the founders of the New York Etching Club. Moran was known for his experimentation in all aspects of the etching process, and his ability to beautifully capture the atmosphere and energy of the American landscape.


Sunrise - The Pond, Easthampton
1837-1926, American

A finely detailed original etching, this image measures 4 1/2 x 7 1/8 inches, published by Klackner in 1883, cat: Gilcrease-47, monogrammed in the plate. Thomas Moran was a leading artist of the American etching revival, and in 1877 was one of the founders of the New York Etching Club. Moran was known for his experimentation in all aspects of the etching process, and his ability to beautifully capture the atmosphere and energy of the American landscape.


From Longfellow's Poems
1837-1926, American

Wood engraving by John Andrews after Thomas Moran's illustration of Longfellow's Poems, image size 3 3/8 x 6 inches.


In the Newark Meadows
1837-1926, American

Etching, 5 1/2 x 8 1/2 inches, 1879, G-24, plate signed

Painting

St. Nicholas Church
19th century

Ink Wash, image size 6 7/8 x 9 1/4 inches, 1774, information written on lower edge "Rodmel" and "Iford Oct. 17th, 1774.

Print

The Piazza - Glasgow  Exhibition
1876-1953, Scottish

Etching, image size 4 1/2 x 6 7/8 inches, 1901, Dodgson 101, edition of about 90, plate signed l.l. "Muirhead Bone". the published edition of 90 proofs was not pencil signed.

Drawing

Study
1899-1987, American

Pen and ink drawing, image size 7 3/4 x 10 inches, c. 1930, signed and initialed l.r.