Thomas Moran
1837-1926, American

The Half Dome - View From Moran Point
1837-1926, American

This beautifully etched image by Thomas Moran measures 11 5/8 x 8 inches, is plate signed and dated. Thomas Moran was a leading artist of the American etching revival, and in 1877 was one of the founders of the New York Etching Club. Moran was known for his experimentation in all aspects of the etching process, and his ability to beautifully capture the atmosphere and energy of the American landscape.


Sunrise - The Pond, Easthampton
1837-1926, American

A finely detailed original etching, this image measures 4 1/2 x 7 1/8 inches, published by Klackner in 1883, cat: Gilcrease-47, monogrammed in the plate. Thomas Moran was a leading artist of the American etching revival, and in 1877 was one of the founders of the New York Etching Club. Moran was known for his experimentation in all aspects of the etching process, and his ability to beautifully capture the atmosphere and energy of the American landscape.


Montauk Ponds, Long Island
1837-1926, American

Etching, image size 3 1/2 x 7 1/2 inches, 1880, titled and dated with artist's monogram within the plate, a rare image not in the Gilcrease catalog.


Morning on the St. John's, Florida
$1250.00
1837-1926, American

Etching, image size 5 1/2 x 8 1/2 inches, 1881, cat: Klackner-56, pencil signed.


An Apple Orchard- Easthampton, Long Island
1837-1926, American

Etching with sepia colored ink, image size 11 1/2 x 17 1/2 inches, 1883, cat: Gilcrease- 45, plate signed, inscribed in reverse "Easthampton, Sep 21st, Mulford Orchard."


The White Squadron
$1200.00
1837-1926, American

Etching after Edward Moran, image size 19 3/4 x 29 5/8 inches, 1891, cat. Gilcrease-75, plate signed and dated lower right, remarque lower left. Copyrighted by Radtke, Lauckner & Co., NY.


Three Mile Harbor, Long Island
1837-1926, American

Etching, image size 4 1/4 x 6 inches, published 1880 by Klackner


From Longfellow's Poems
1837-1926, American

Wood engraving by John Andrews after Thomas Moran's illustration of Longfellow's Poems, image size 3 3/8 x 6 inches.


Pass at Glencoe
1837-1926, American

Etching, image size 3 1/16 x 5 15/16 inches, monogramed and dated 1882 in plate


In the Newark Meadows
1837-1926, American

Etching, 5 1/2 x 8 1/2 inches, 1879, G-24, plate signed

Painting

Surf, Monhegan
1869-1955, American

A brilliant seascape by the renowned artist, Sears Gallagher. Created c. 1920, sight size is 13 1/4 x 19 1/4 inches and is signed by the artist on the lower right. On the back of the sheet, written in the artist hand, is the title and the artists signature. Known for his etchings and watercolors of historic streets and landmarks in and around Boston, he also had a love of marine settings and created many scenes of coastal Maine, especially Monhegan Island.

Print

Pap of Glencoe
1865-1945, British

A very fine original etching of the mountain near Glencoe, in the Scottish Highlands by Scottish artist D Y Cameron. The image size is 3 3/8 x 4 3/8 inches, published in 1915 in an edition of about 50 impressions, pencil signed. Cameron was born in Scotland and studied at the Glasgow School of Art and at the Edinburgh School of Art, becoming one of the great artist of the British etching revival of the early 20th century.

Drawing

Edge of the Field
1872- c.1950, American

This landscape drawing by Dexter Dawes measures 18 1/2 x 24 1/2 inches and is signed in the lower right corner. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and drawings. He belonged to a number of associations including the National Arts Club.