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Thomas Moran
1837-1926, American

The Rapids Above Niagara
1837-1926, American

This is a remarkable etching by Thomas Moran after his oil painting of the same name. The image measures 6 x 7 7/8 inches, 1886, printed on handmade watermarked Sweden paper, possibly an early proof. This print is initialed and numbered in the plate, pencil signed on the lower left margin. It is number 51 in the Klackner catalog, in which it is described as "A study of the great wave, remarkably vivid in effect." Thomas Moran was a leading artist of the American etching revival, and in 1877 was one of the founders of the New York Etching Club.


Montauk Ponds, Long Island
1837-1926, American

Etching, image size 3 1/2 x 7 1/2 inches, 1880, titled and dated with artist's monogram within the plate, a rare image not in the Gilcrease catalog.


Morning on the St. John's, Florida
$1250.00
1837-1926, American

Etching, image size 5 1/2 x 8 1/2 inches, 1881, cat: Klackner-56, pencil signed.


An Apple Orchard- Easthampton, Long Island
1837-1926, American

Etching with sepia colored ink, image size 11 1/2 x 17 1/2 inches, 1883, cat: Gilcrease- 45, plate signed, inscribed in reverse "Easthampton, Sep 21st, Mulford Orchard."


The White Squadron
$1200.00
1837-1926, American

Etching after Edward Moran, image size 19 3/4 x 29 5/8 inches, 1891, cat. Gilcrease-75, plate signed and dated lower right, remarque lower left. Copyrighted by Radtke, Lauckner & Co., NY.


Three Mile Harbor, Long Island
1837-1926, American

Etching, image size 4 1/4 x 6 inches, published 1880 by Klackner


From Longfellow's Poems
1837-1926, American

Wood engraving by John Andrews after Thomas Moran's illustration of Longfellow's Poems, image size 3 3/8 x 6 inches.


Pass at Glencoe
1837-1926, American

Etching, image size 3 1/16 x 5 15/16 inches, monogramed and dated 1882 in plate


In the Newark Meadows
1837-1926, American

Etching, 5 1/2 x 8 1/2 inches, 1879, G-24, plate signed

Painting

The Farmyard
1844-1902, American

Oil on canvas, 15 x 21 1/2 inches, c. 1880s, attributed to John Appleton Brown, partial monogram lower left corner, in a period frame. John Appleton Brown was born in Newburyport, Ma and studied painting with Albert T. Bricher and Benjamin C. Porter, then traveled to Paris to study with Emile Lambinet. He became known for his Barbizon inspired landscapes of New England and images of apple orchards, earning himself the nickname "Appleblossom Brown." Brown was a member of the Society of American Artists and the National Academy of Design.

Print

The Etcher
$145.00
1842-1888, French

Etching, image size 9 3/8 x 6 7/8 inches, plate signed l.r. "Rajon sc.", after an oil painting by Meissonier done in 1867.

Drawing

An Old Bridge
1846-1938, American

This two sided drawing by Stephen Parrish measures 6 5/8 x 10 3/8 inches. Done in black ink, c. 1890, with a Maxfield Parrish Jr. family stamp on the lower right and upper left in black ink. Another drawing of a homestead with split rail fence, possibly his own, in on the reverse.