Thomas Moran
1837-1926, American

The Half Dome - View From Moran Point
1837-1926, American

This beautifully etched image by Thomas Moran measures 11 5/8 x 8 inches, is plate signed and dated. Thomas Moran was a leading artist of the American etching revival, and in 1877 was one of the founders of the New York Etching Club. Moran was known for his experimentation in all aspects of the etching process, and his ability to beautifully capture the atmosphere and energy of the American landscape.


Sunrise - The Pond, Easthampton
1837-1926, American

A finely detailed original etching, this image measures 4 1/2 x 7 1/8 inches, published by Klackner in 1883, cat: Gilcrease-47, monogrammed in the plate. Thomas Moran was a leading artist of the American etching revival, and in 1877 was one of the founders of the New York Etching Club. Moran was known for his experimentation in all aspects of the etching process, and his ability to beautifully capture the atmosphere and energy of the American landscape.


From Longfellow's Poems
1837-1926, American

Wood engraving by John Andrews after Thomas Moran's illustration of Longfellow's Poems, image size 3 3/8 x 6 inches.


In the Newark Meadows
1837-1926, American

Etching, 5 1/2 x 8 1/2 inches, 1879, G-24, plate signed

Painting

Portrait of a Gentleman

Framed portrait c. 1840, painting measures 30 1/2 x 25 inches, attributed to Henry Inman. Boston school, Boston canvas stamp on back which dates to 1846.

Print

Viba
1890-1978, English

This is an elegant portrait of the wife of composer Bobby Hazelton Ross by British printmaker Gerald Brockhurst. Etching, image size 8 3/8 x 6 3/4 inches, published in an edition of 111 in 1929, pencil signed. Born in England and found to be artistically talented at an early age, Gerald Brockhurst attended the Royal Academy Schools. A scholarship enabled him to study in France and Italy where the work of the great masters, especially Botticelli and da Vinci, had a lasting influenced on him.

Drawing

The Artist's Daughter
1893-1986, American

Silverpoint on gessoed board with black, white, and red chalk, 9 3/8 x 7 1/4 inches, c. 1960, unsigned.