Thomas Moran
1837-1926, American

Communipaw, N.J.
1837-1926, American

Etching, image size 3 1/8 x 4 7/8 inches, 1885, titled and inscribed in pencil. This image is Moran's small version of a larger etching that he exhibited at the New York Etching Club in 1886.


The Half Dome - View From Moran Point
1837-1926, American

This beautifully etched image by Thomas Moran measures 11 5/8 x 8 inches, is plate signed and dated. Thomas Moran was a leading artist of the American etching revival, and in 1877 was one of the founders of the New York Etching Club. Moran was known for his experimentation in all aspects of the etching process, and his ability to beautifully capture the atmosphere and energy of the American landscape.


Sunrise - The Pond, Easthampton
1837-1926, American

A finely detailed original etching, this image measures 4 1/2 x 7 1/8 inches, published by Klackner in 1883, cat: Gilcrease-47, monogrammed in the plate. Thomas Moran was a leading artist of the American etching revival, and in 1877 was one of the founders of the New York Etching Club. Moran was known for his experimentation in all aspects of the etching process, and his ability to beautifully capture the atmosphere and energy of the American landscape.


From Longfellow's Poems
1837-1926, American

Wood engraving by John Andrews after Thomas Moran's illustration of Longfellow's Poems, image size 3 3/8 x 6 inches.


In the Newark Meadows
1837-1926, American

Etching, 5 1/2 x 8 1/2 inches, 1879, G-24, plate signed

Painting

View of Strasburg
$1450.00
active 1848-1874, British

Oil on canvas, 20 x 16 inches, signed "H. Foley" lower right. There is an inscription on the back of the canvas which appears to read "View of Strasburg."

Print

Autumn
1863-1937, British

Lithograph, image size 18 5/8 x 12 3/4 inches, 1917, edition of about 50, Delaney 84, pencil signed and annotated "No 84," initialed and dated in the plate

Drawing

Treetops
1872- c.1950, American

A fine sketch by Dexter Dawes measuring 10 3/4 x 7 1/2 inches on medium weight drawing paper. A small unfinished sketch of trees is on the reverse. Dawes spent many summers in the Marlboro, NH area drawing and painting the incredible natural beauty that surrounded him.