Thomas Moran
1837-1926, American

Communipaw, N.J.
1837-1926, American

Etching, image size 3 1/8 x 4 7/8 inches, 1885, titled and inscribed in pencil. This image is Moran's small version of a larger etching that he exhibited at the New York Etching Club in 1886.


The Half Dome - View From Moran Point
1837-1926, American

This beautifully etched image by Thomas Moran measures 11 5/8 x 8 inches, is plate signed and dated. Thomas Moran was a leading artist of the American etching revival, and in 1877 was one of the founders of the New York Etching Club. Moran was known for his experimentation in all aspects of the etching process, and his ability to beautifully capture the atmosphere and energy of the American landscape.


Sunrise - The Pond, Easthampton
1837-1926, American

A finely detailed original etching, this image measures 4 1/2 x 7 1/8 inches, published by Klackner in 1883, cat: Gilcrease-47, monogrammed in the plate. Thomas Moran was a leading artist of the American etching revival, and in 1877 was one of the founders of the New York Etching Club. Moran was known for his experimentation in all aspects of the etching process, and his ability to beautifully capture the atmosphere and energy of the American landscape.


From Longfellow's Poems
1837-1926, American

Wood engraving by John Andrews after Thomas Moran's illustration of Longfellow's Poems, image size 3 3/8 x 6 inches.


In the Newark Meadows
1837-1926, American

Etching, 5 1/2 x 8 1/2 inches, 1879, G-24, plate signed

Painting

Portrait of a Woman
1906-1992, American

This watercolor on paper measures 18 x 15 inches, c. 1930, signed on the l.r., possibly a self-portrait.

Print

Long Cove
1906-1978, American

An atmospheric scene of Rockport, Massachusetts, this is one of Wengenroth's early lithographs, published in 1935 in a small edition of 50 impressions. The image size is 7 7/8 x 12 1/4 inches, cat: Stuckey-51, pencil signed. Stow Wengenroth was one of the preeminent lithographers of 20th century America, known for his atmospheric, incredibly detailed images of the New England landscape and coastline. He studied at the Art Students League and the Grand Central School of Art in New York, and in the summers studied with John Carlson in Woodstock NY and George Ennis in Eastport ME.

Drawing

Rocky Outcropping
1872- c.1950, American

A fine pencil drawing by Dexter Dawes done on a heavy weight paper. It measures 7 5/8 x 11 inches. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.