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Thomas Moran
1837-1926, American

The Rapids Above Niagara
1837-1926, American
The Rapids Above Niagara

This is a remarkable etching by Thomas Moran after his oil painting of the same name. The image measures 6 x 7 7/8 inches, 1886, printed on handmade watermarked Sweden paper, possibly an early proof. This print is initialed and numbered in the plate, pencil signed on the lower left margin. It is number 51 in the Klackner catalog, in which it is described as "A study of the great wave, remarkably vivid in effect." Thomas Moran was a leading artist of the American etching revival, and in 1877 was one of the founders of the New York Etching Club.


Montauk Ponds, Long Island
1837-1926, American
Montauk Ponds, Long Island

Etching, image size 3 1/2 x 7 1/2 inches, 1880, titled and dated with artist's monogram within the plate, a rare image not in the Gilcrease catalog.


Morning on the St. John's, Florida
$1250.00
1837-1926, American
Morning on the St. John's, Florida

Etching, image size 5 1/2 x 8 1/2 inches, 1881, cat: Klackner-56, pencil signed.


An Apple Orchard- Easthampton, Long Island
1837-1926, American
An Apple Orchard- Easthampton, Long Island

Etching with sepia colored ink, image size 11 1/2 x 17 1/2 inches, 1883, cat: Gilcrease- 45, plate signed, inscribed in reverse "Easthampton, Sep 21st, Mulford Orchard."


The White Squadron
$1200.00
1837-1926, American
The White Squadron

Etching after Edward Moran, image size 19 3/4 x 29 5/8 inches, 1891, cat. Gilcrease-75, plate signed and dated lower right, remarque lower left. Copyrighted by Radtke, Lauckner & Co., NY.


Three Mile Harbor, Long Island
1837-1926, American
Three Mile Harbor, Long Island

Etching, image size 4 1/4 x 6 inches, published 1880 by Klackner


From Longfellow's Poems
1837-1926, American
From Longfellow's Poems

Wood engraving by John Andrews after Thomas Moran's illustration of Longfellow's Poems, image size 3 3/8 x 6 inches.


Pass at Glencoe
1837-1926, American
Pass at Glencoe

Etching, image size 3 1/16 x 5 15/16 inches, monogramed and dated 1882 in plate


In the Newark Meadows
1837-1926, American
In the Newark Meadows

Etching, 5 1/2 x 8 1/2 inches, 1879, G-24, plate signed

Painting

Monadnock  View
1872- c.1950, American
Monadnock View

This hilltop view of Mt. Monadnock by Dexter Dawes, measures 10 1/4 x 13 3/4 inches and is pencil signed and dated 1932. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.

Print

Self Portrait Sir Joshua Reynolds
1739-1813, British
Self Portrait Sir Joshua Reynolds

Mezzotint after J.Reynolds by Valentine Green, 1780,plate mark measures 19X15", water stains bottom edge of the sheet outside of the plate mark. plate signed

Drawing

Hollyhocks
1872- c.1950, American
Hollyhocks

This pencil/pastel drawing by Dexter Dawes measures 24 1/4 x 18 1/2 inches and is dated "July 30, 1927" on the lower right corner. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for much of his subject matter in his drawings. He belonged to a number of associations including the National Arts Club