Barry Moser
1940-, American

Premonitia Moon
1940-, American

A set of two intricately detailed original wood engravings, printed on one sheet of paper, image size 25 1/2 x 15 inches, 1974, edition of 200, pencil signed and numbered, framed.


Frederick Chopin
1940-, American

This exquisite illustration of Frederick Chopin by Barry Moser has a diameter of 17 1/2 inches on a sheet measuring 29 x 22 inches. It is pencil signed, numbered and titled. Print comes with paper label with artist provenance.


Garden of Satanic Delights
1940-, American

This is a gorgeous, richly detailed triptych wood engraving, image size 7 x 12 1/4 inches, published in an edition of 200, 1971, pencil signed. The delicate lines, strong contrast and energetic composition bring an extraordinary lifelike quality to the wild plants in this image, making them seem as if they are spilling forth from the page.


Man in a Metal Cage
1940-, American

This is a very dramatic triptych wood engraving, the overall image size is 6 3/4 x 9 3/8 inches, 1977, pencil signed. A verse accompanies the images "I threw away the memory of the lash... Yawning hells of time... Small fields where children wait..."


Landscape of Suicides
1940-, American

This is an evocative triptych wood engraving by Barry Moser with incredibly rich texture and detail. The image size is 7 x 10 inches, 1977, pencil signed.


The Lady and the Merman
1940-, American

A very cool triptych wood engraving by Barry Moser, image size 6 x 12 1/2 inches, 1977, pencil signed. This triptych is titled "The Lady and the Merman" and is accompanied by the following verse "He sailed off on his great ship... She sat there still as the rock... Up from the depths came the merman..."


Timing Devices
1940-, American

A dramatic triptych wood engraving, the three images are individually titled, "The Dump", "The Burying Ground", and "The Eucharist". The overall image size is 8 x 9 3/8 inches, 1977, pencil signed.


Premonitia
1940-, American

This is a truly stunning, lushly detailed original wood engraving by American artist Barry Moser. The image size is 13 3/4 x 15 inches, 1974, signed titled and dated within the image, pencil signed.


Palisades
1940-, American

A very fine wood engraving by Barry Moser, this image measures 4 7/8 x 3 1/2 inches, 1978, pencil signed.


Arisaema Triphyllum
1940-, American

A graceful image of the woodland plant 'arisaema triphyllum', commonly known as 'jack in the pulpit', by Barry Moser. This wood engraving measures 7 7/8 x 5 7/8 inches, 1978, pencil signed.


Deadly Nightshade
1940-, American

A delicately rendered original wood engraving by Barry Moser, this image measures 8 x 6 inches, published in 1977, pencil signed.


Icarus Gonistes
1940-, American

A beautiful original wood engraving by Barry Moser, inspired by the Greek myth of Icarus. This image measures approx. 11 1/2 x 8 inches, c. 1970s, published in an edition of 75, pencil signed and numbered.


Waiting For Gold
1940-, American

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.


Filling the Cradle
1940-, American

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.


Sutter's Mill
1940-, American

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.


Traveller With Mule
1940-, American

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.


Daylight
1940-, American

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 4 x 7 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.


Young Man at the Pool
1940-, American

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.


Loaded Carts
1940-, American

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.


Frontier Lady
1940-, American

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.


Off to the Mines
1940-, American

This wood engraving by Barry Moser is one of 25 from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. This series portrayed gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker studying under Leonard Baskin and Jack Coughlin.
$225.00


Union Bank
1940-, American

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.


Tiger Watching In Shadow
1940-, American

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.


At the Well
1940-, American

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 4 x 7 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.


Deadwood
1940-, American

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.


Rocking the Cradle
1940-, American

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 4 x 7 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.


San Francisco 1849
1940-, American

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 4 x 7 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.


Last Chance
1940-, American

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.


Overland Trails to California
1940-, American

This wood engraving by Barry Moser is one of 25 from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. This series portrayed gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker studying under Leonard Baskin and Jack Coughlin.


Around the Horn
1940-, American

This wood engraving by Barry Moser is one of 25 from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 4 x 7 inches and is pencil signed by the artist on the lower margin. This series portrayed gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker studying under Leonard Baskin and Jack Coughlin.


Hydraulicking
1940-, American

This wood engraving by Barry Moser is one of 25 from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. This series portrayed gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker studying under Leonard Baskin and Jack Coughlin.


The Trail of Tears
1940-, American

This wood engraving by Barry Moser is one of 25 from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. This series portrayed gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker studying under Leonard Baskin and Jack Coughlin.


To Pike's Peak
1940-, American

This wood engraving by Barry Moser is one of 25 images from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. These images all portrayed gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker studying under Leonard Baskin and Jack Coughlin.


Double-jacking
1940-, American

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.


Homestake Foundry
1940-, American

This 1985 image by Barry Moser titled "Homestake Foundry" measures 4 x 7 inches, in an edition of 350 and is pencil signed by the artist on the lower margin. This is a series of 25 images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin. In 1990 he became the "head of studio art" at the Rhode Island School of Design. His prints have been exhibited at the Berkshire Museum, the Los Angeles National Print Show and the Library of Congress National Print Exhibit.


The Compressed-air Drill
1940-, American

This wood engraving by Barry Moser is one of 25 from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 4 x 7 inches and is pencil signed by the artist on the lower margin. This series portrayed gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker studying under Leonard Baskin and Jack Coughlin.


The Sea Captain
1940-, American

Wood Engraving, image size: 6 1/2 x 5 3/4, pencil signed

Painting

Meadow in Bloom
1876-1936, American

Oil on artist board, 12 x 16 inches, c. 1930, unsigned. Born in Germany, Saling emigrated to America through Ellis Island in 1893 at the age of 17. He was a successful decorator and artist first in New York City, then in Hartford, Connecticut. In the late 1920s, he moved to Lyme, Connecticut, the setting for many of his landscapes. He was a member of many prestigious artist's groups, including the Salmagundi Club, the Connecticut Academy of Fine Arts, the Connecticut League of Art Students and the Springfield Art League.

Print

Antique Shop
1881-1940, American

This Earl Horter etching measures 7 3/8 x 7 1/8 inches and is pencil signed on the l.r. Created c. 1930 on medium weight paper. The image depicts a pleasantly cluttered entrance with skyscrapers surrounding it. Horter was born in the Philadelphia area, traveling widely, but known for his etched images of New York and Philadelphia. He was largely self-taught, but became a member of the Society of Illustrators at a young age. He exhibited at the Panama Pacific Exhibition in 1915, the Art Institute of Chicago in 1932, and at the Philadelphia Print Club during the 1930's.

Drawing

Children in Sandbox, 1973
1893-1986, American

Drawing, 1973, image size 8 1/2 x 11 1/2 inches, pencil signed