Joseph Pennell
1857-1926, American

The Golden Cornice 1
1857-1926, American

Etching by the American artist, Joseph Pennell, measuring 11 x 8 inches, pencil signed, 1904, cat: Werth-349, repair tear within image. Pennell was an important American etcher, lithographer and illustrator. Good friends with James McNeill Whistler, he and his wife co-authored his biography. Pennell was known for his continued experimentation with technique and style, producing cityscapes, landscapes and marine scenes.


Edgar Thomson Works
1857-1926, American

This is a great industrial scene of the Edgar Thomson Works steel mill on the banks of the Monongahela River in East Pittsburgh, PA. Etching, image size 11 x 8 inches, published in 1909 in an edition of 90, cat: Wuerth-517, pencil signed. The Edgar Thomson Works was built in 1873 first producing was steel rails for the railroads. In 1995 the mill was designated a historic landmark and is still in operation today.


The West Front, Rouen Cathedral
1857-1926, American

This is a very atmospheric etching of the scaffolding and facade of Rouen Cathedral in France. Image size 10 7/8 x 8 3/8 inches, 1907, edition of 90, cat: Wuerth-470, pencil signed "JPennell imp", the 'imp' indicating that Pennell printed this image himself. A richly inked impression with beautiful plate tone.


Art and Industry, Chicago
1857-1926, American

This 1919 etching by the American artist Joseph Pennell measuring 9 7/8 x 11 7/8 inches and is pencil signed with the "imp" after his name indicating Pennell printed this image himself, cat: Wuerth 721, from his "Railway Series", edition of fifty proofs. Pennell was an important American etcher, lithographer and illustrator. Good friends with James McNeill Whistler, he and his wife co-authored his biography. Pennell was known for his continued experimentation with technique and style, producing cityscapes, landscapes and marine scenes.


The Great Gate, Lincoln's Inn
1857-1926, American

A rare artist proof, etched and printed by Joseph Pennell, measuring 8 5/8 x 11 inches, pencil signed, cat: Wuerth 364, probably 50 proofs, 1905. Pennell was an important American etcher, lithographer and illustrator. Good friends with James McNeill Whistler, he and his wife co-authored his biography. Pennell was known for his continued experimentation with technique and style, producing cityscapes, landscapes and marine scenes.


Trinity Church, From the River
1857-1926, American

This Joseph Pennell etching measures 11 3/4 x 8 3/8 inches, pencil signed, 1904, cat: Wuerth 324, probably in an edition of 25. Pennell was an important American etcher, lithographer and illustrator. Good friends with James McNeill Whistler, he and his wife co-authored his biography. Pennell was known for his continued experimentation with technique and style, producing cityscapes, landscapes and marine scenes. He also printed many of his own images.


The Square
1857-1926, American

This 1920 etching by the American artist Joseph Pennell measures 9 3/4 x 7 7/8 inches, pencil signed, edition of probably 50 proofs, cat: Wuerth 740. Pennell was an important American etcher, lithographer and illustrator. Good friends with James McNeill Whistler, he and his wife co-authored his biography. Pennell was known for his continued experimentation with technique and style, producing cityscapes, landscapes and marine scenes. He also printed many of his own images.


The Woolworth, Through the Arch
1857-1926, American

A great New York etching by Joseph Pennell, measuring 9 7/8 x 6 7/8 inches, published in 1921, cat: Wuerth-785, pencil signed "JoPennell imp", the "imp" indicating that Pennell printed this impression himself. This is a early trial proof of the published state.


Waterloo Bridge and Somerset House
1857-1926, American

A beautiful architectural cityscape by master printmaker, Joseph Pennell. Measuring 8 x 11 inches, it is pencil signed, publishers label included. Created in 1905 in an edition of probably 75, cat: Wuerth #379. Pennell was an important American etcher, lithographer and illustrator. Good friends with James McNeill Whistler, he and his wife co-authored his biography. Pennell was known for his continued experimentation with technique and style, producing cityscapes, landscapes and marine scenes. He also printed many of his own images.


The Woolworth, Through the Arch
1857-1926, American

A great New York etching by Joseph Pennell, this etching measures 9 7/8 x 6 7/8 inches, published in 1921, cat: Wuerth-785, pencil signed "JoPennell imp", the "imp" indicating that Pennell printed this impression himself. In this image, Pennell uses a looser, almost impressionistic style which suggests the intricate details of the architecture and creates a strong sense of atmosphere and light.


Girard Trust Building, No. ll
1857-1926, American

This 1920 etching by Joseph Pennell measures 8 x 9 7/8 inches and is pencil signed. This wonderful scene of fast-paced life in downtown Philidelphia was printed in an edition of fifty. Cat: Wuerth 745.


Up to the Woolworth
1857-1926, American

This 1915 etching by Joseph Pennell measures 11 3/4 x 7 3/8 inches. Pencil signed on the l.r. in an edition of 75.


Tracks, Oberhausen
1857-1926, American

This is a fantastic scene of the railroad tracks and surrounding industrial buildings in Oberhausen, Germany by American artist Joseph Pennell. Etching, image size 9 3/8 x 12 1/2 inches, published in 1910 in an edition of 50 impressions, cat: Wuerth- 606, pencil signed "J. Pennell imp", the 'imp' indicating that Pennell printed this impression himself. This etching is printed on an early antique watermarked laid type paper with trimmed margins and a tab signature, in the style of Whistler.


Eleusis: The Pavement of the Temple
1857-1926, American

This is a gorgeous original lithograph of ancient Greek ruins by Joseph Pennell, from his series "In the Land of Temples", based on his travels through Greece and Italy. The image size is 16 1/2 x 21 3/4 inches, published in 1913 in a very small edition of 50, printed on a watermarked wove type paper, pencil signed. In his book "In the Land of Temples", Pennell writes of this print "Swept away is everything, mysteries and all— all that remains is the great pavement on which stand the stumps of columns; yet I doubt if it was finer ever.


The Temple of Jupiter, Evening
1857-1926, American

A truly remarkable original lithograph by Joseph Pennell, this image measures 21 1/8 x 16 5/8 inches, published in 1913 in a very small edition of 50, pencil signed, from Pennell's series of lithographs created in his travels through Italy and Greece. Printed on a cream colored laid type paper with the watermark "Ingres PMF Italia". In his book "In the Land of Temples", Pennell writes of this image, "Night was falling as I was coming back from drawing by the river Ilissos.


St. Clement Dames
1857-1926, American

This is a very rare early trial proof etching by Joseph Pennell, one of the foremost American etchers of the early 20th century. The plate size is 11 x 8 5/8 inches; the image itself measures 10 x 8 1/4 inches. It was created in 1906 and is pencil signed by both Pennell and Goulding, the printer. It is notated 'trial proof' in the lower right corner, the later published state of this image is #411 in the Wuerth catalog. As is typical of Pennell's prints, the margins are small, but adequate for proper presentation. This etching comes with original label from Frederick Keppel & Co, New York.


Hampton Court Palace
1857-1926, American

Created in 1906, this original etching by Joseph Pennell measures 6 1/2 x 11 inches. It is pencil signed on the lower margin, is #396 in the Wuerth catalogue and was probably done in an edition of 75. A publishers label is included with this image. Pennell did over 800 etching during his lifetime. His works were influenced by Meryon and Whistler, whose first biographer he became along with his wife. Much of his style and etching technique reflects Whistler's. His prints had many themes, including monuments, cities, factories and for one documentary series, the Panama Canal.


Flower Market and Butter Tower
1857-1926, American

This etching done in 1907 by Joseph Pennell measures 10 7/8 x 8 1/2 inches. It is pencil signed on the lower margin by the artist and is #463 in the Wuerth catalog. Known as an etcher, lithographer and illustrator, Pennell was also close friends with fellow artist James McNeill Whistler. He taught at the National Academy and the Art Students League of New York City.


Old and New Mills
1857-1926, American

Etching, image size 9 3/8 x 12 1/2 inches, 1910, edition of 50, cat: Wuerth-602, pencil signed and titled.


N. Y. From Orange St, Brooklyn
1857-1926, American

Etching, image size 9 7/8 x 7 inches, 1924, edition of 75, cat: Wuerth-847, as "Orange Street, Brooklyn," plate signed in reverse, titled in pencil at the bottom of the sheet, pencil signed.


Up to the Woolworth, (trial proof)
1857-1926, American

Etching, image size 11 3/4 x 7 3/8 inches, 1915, trial proof, edition of 75, pencil signed "J Pennell imp".


Hudson Avenue Foundations
1857-1926, American

Etching, image size 8 13/16 x 11 7/8 inches, Wuerth 807, printed on Arches wove paper, plate signed "JPennell 1923" pencil signed "J Pennell" l.c., private plate, etched for the Brooklyn Edison Co.


Portland, Longport
1857-1926, American

Etching on fine laid paper, 1909, image size 8 1/2 x 11 inches, edition of about 40, cat. Wuerth- 546, pencil signed "JoPennell imp" l.r., "Five Towns" l.l.


The Thames at Richmond
1857-1926, American

Etching, image size 8 5/8 x 11 inches, pencil signed


Chelsea Church, unpublished Artist's Proof
1857-1926, American

Etching, Artist's Proof with numerous fingerprints left during printing, image size 8 3/8 x 10 3/4 inches, not included in the Wuerth catalogue, inscribed in the plate lower left "Chelsea Church," pencil signed


Olympia
1857-1926, American

Etching, image size 10 3/8 x 18 1/8 inches, 1913, cat. Wuerth-655, pencil signed


The Bridges, from Brooklyn
1857-1926, American

Etching, image size 9 7/8 x 6 7/8 inches, 1921, cat. Wuerth 782 and the cover, pencil signed.


The Foreign Office
1857-1926, American

Etching, image size: 10 7/8 x 8 3/8 inches, 1904, edition of probably 25, cat. Wuerth-297, pencil signed lower center.


Pineapple Street
1857-1926, American

Etching, image size: 9 7/8 x 6 7/8 inches, 1924, cat. Wuerth-837, edition of probably 75, pencil signed lower right


Upper Fifth Ave, New York City
1857-1926, American

Etching, image size: 12 x 8 3/8 inches, 1904, edition of probably 50, cat. Wuerth-323, pencil signed lower center.


St. Dunstan's, Fleet Street
1857-1926, American

Etching, image size: 11 x 7 3/8 inches, 1903, ed. probably 50, cat. Wuerth-269, pencil signed lower left.


St. Paul's, New York
1857-1926, American

Etching, image size: 11 x 8 1/2 inches, 1915, cat. Wuerth-678, pencil signed lower right


New York, From Brooklyn Bridge
1857-1926, American

Etching, image size 11 x 8 3/8 in, 1908, signed and inscribed "JoPennell imp" in pencil, edition of about 150 (Wuerth, 490)


Great Cranes, South Kensington
1857-1926, American

Etching, image size: 8 3/4 x 11 inches, 1903, edition of about 50 (Wuerth 288), pencil signed and titled


The Bridge at Alcantra, Toledo
1857-1926, American

Etching, image size 10 x 7 7/8 inches, cat. W-322, unsigned

Painting

The Old Road
$575.00
19th Century, British

This original landscape by H. Wayland depicts a child walking along a peaceful country lane. An oil on canvas measuring 12 x 23 inches with the artists' signature in the lower right and a brass plaque with the artists name on the lower center. It appears to be housed in its original frame. Title is on the reverse.

Print

Two Courtesans
$125.00
1578-1670, Japanese

Color Woodblock, image size: 14 1/8 x 9 5/8 inches, restrike

Drawing

Pastoral Scene

Ink and wash, image size 9 3/4 x 13 7/8 inches, inscribed on reverse "J. Bosch 1773 in de manier van N. Berchem met stoffazie na A.v.d.Velde" (In the manner of Nicolae Berchem [Dutch, 1620-1683] and Adriaen van de Velde [Dutch, 1636-1672]), framed.