Charles Adams Platt
1861-1933, American

Pier at Larmor
1861-1933, American

This a very fine original etching by American artist Charles Adams Platt, image size 8 1/2 x 14 1/4 inches, 1885, cat: Rice-62, signed and dated in the plate, pencil signed. A richly inked impression with beautiful plate tone, printed on a cream colored Japan type paper with ample margins. C. A. Platt was born in New York and studied art at the National Academy of Design, the Art Students League and the Academie Julian. He was a very successful painter and etcher, known for his delicately rendered New England landscapes and harbor scenes.


Low Tide, Honfleur
1861-1933, American

This is an atmospheric etching in sepia ink, image size 4 3/8 x 6 inches, 1887, cat: Rice-84, signed and dated in the plate. C. A. Platt was born in New York and studied art at the National Academy of Design, the Art Students League and the Academie Julian. He was a very successful painter and etcher, known for his delicately rendered New England landscapes; and was also a very talented architect. He was close friends with fellow New England etcher Stephen Parrish and was a member of Saint-Gaudens' Cornish Art Colony.


Honfleur
1861-1933, American

This original etching by Charles Adams Platt measures 5 1/2 x 7 7/8 inches and was created in 1887. Plate signed, titled and dated.


Canal Boats and Tugs
1861-1933, American

Etching, image size 4 1/4 x 6 7/8 inches, 1887, cat: Rice-85, plate signed and dated. A rich impression in sepia ink.


Connecticut River
1861-1933, American

Etching, image size 10 3/4 x 18 3/8 inches, 1885, cat: Rice-71, pencil signed. C. A. Platt was born in New York and studied art at the National Academy of Design, the Art Students League and the Academie Julian. He was a very successful painter and etcher, known for his delicately rendered New England landscapes; and was also a very talented architect. He was close friends with fellow New England etcher Stephen Parrish and was a member of Saint-Gaudens' Cornish Art Colony.


Mud Boats on the Thames
1861-1933, American

Etching in sepia ink, image size 6 x 10 7/8 inches, 1883, cat: Rice-44, plate signed and dated, l.r.


Provincial Fishing Village
1861-1933, American

Etching, image size 13 1/4 x 24 3/4 inches, 1882, cat. Platt 40, pencil signed


A Windmill
1861-1933, American

Etching, image size 4 x 5 3/4 inches, cat. Platt 54, 1884, plate signed.


Provincial Fishing Village
1861-1933, American

Etching, image size 2 6/8 x 4 7/8 inches, cat. Platt 40 1/2 or 40a, a trial proof sketch of Platt 40, plate signed.


Two Sloops, East River
1861-1933, American

Etching, image size 11 1/2 x 18 1/4 inches, 1889, pencil signed, published by Wunderlick, New York.


The East River Bridge - Brooklyn Bridge
1861-1933, American

Etching, 1888, image size: 6 3/4 x 10 7/8 inches, plate signed

Painting

The Road Home
1829-1913, Canadian/American

Oil on panel, 9 x 11 inches, 1874, signed and dated lower right, in a period gilt frame. This is a wonderful tonalist view of a horse drawn hay wagon bound for home in the bleak cold of winter. This painting is by well known Canadian painter Francois B. De Blois. His formal art education includes studies in Europe (c.1870) under Charles-François Daubigny (see AskART) probably in Paris or Auvers sur Oise a suburb to the north of Paris; and under Vincenzo Marinelli (see AskART) in Naples, Italy.

Print

Romeyn De Hoogh
1922-2000, American

This woodcut by Leonard Baskin of the 19th C. Dutch etcher, Romeyn De Hoogh measures 26 1/4 x 13 3/4 inches and is pencil signed. Printed in an edition of 50, it was created c. 1968, on handmade, green toned paper.

Drawing

Christmas Card 1933
1872- c.1950, American

Ink and watercolor drawing, 1933, image size 7 1/2 x 8 3/8 inches.