Charles Adams Platt
1861-1933, American

Rye, Sussex
1861-1933, American

This rare, pencil signed etching by the American artist, Charles A. Platt measures 6 x 9 inches, edition of 250, part of a portfolio created by the NY Etching Club in 1884. Platt was a very successful painter and etcher, known for his delicately rendered New England landscapes and harbor scenes. He was also a talented architect and a member of the Saint-Gaudens Art Colony in Cornish, NH.


Interior of Fish Houses
1861-1933, American

A remarkable original etching by American artist and architect C. A. Platt, image size 4 7/8 x 7 3/4 inches, 1881, cat: Rice- 22, plate signed and dated, pencil signed. Illustrated in the Grolier Club catalog. Platt was born in New York and studied art at the National Academy of Design, the Art Students League and the Academie Julian. He was a very successful painter and etcher, known for his delicately rendered New England landscapes and harbor scenes. He was also a talented architect and a member of the Saint-Gaudens Art Colony in Cornish, NH.


Pier at Larmor
1861-1933, American

This a very fine original etching by American artist Charles Adams Platt, image size 8 1/2 x 14 1/4 inches, 1885, cat: Rice-62, signed and dated in the plate, pencil signed. A richly inked impression with beautiful plate tone, printed on a cream colored Japan type paper with ample margins. C. A. Platt was born in New York and studied art at the National Academy of Design, the Art Students League and the Academie Julian. He was a very successful painter and etcher, known for his delicately rendered New England landscapes and harbor scenes.


Low Tide, Honfleur
1861-1933, American

This is an atmospheric etching in sepia ink, image size 4 3/8 x 6 inches, 1887, cat: Rice-84, signed and dated in the plate. C. A. Platt was born in New York and studied art at the National Academy of Design, the Art Students League and the Academie Julian. He was a very successful painter and etcher, known for his delicately rendered New England landscapes; and was also a very talented architect. He was close friends with fellow New England etcher Stephen Parrish and was a member of Saint-Gaudens' Cornish Art Colony.


Honfleur
1861-1933, American

This original etching by Charles Adams Platt measures 5 1/2 x 7 7/8 inches and was created in 1887. Plate signed, titled and dated.


Canal Boats and Tugs
1861-1933, American

Etching, image size 4 1/4 x 6 7/8 inches, 1887, cat: Rice-85, plate signed and dated. A rich impression in sepia ink.


Connecticut River
1861-1933, American

Etching, image size 10 3/4 x 18 3/8 inches, 1885, cat: Rice-71, pencil signed. C. A. Platt was born in New York and studied art at the National Academy of Design, the Art Students League and the Academie Julian. He was a very successful painter and etcher, known for his delicately rendered New England landscapes; and was also a very talented architect. He was close friends with fellow New England etcher Stephen Parrish and was a member of Saint-Gaudens' Cornish Art Colony.


Mud Boats on the Thames
1861-1933, American

Etching in sepia ink, image size 6 x 10 7/8 inches, 1883, cat: Rice-44, plate signed and dated, l.r.


Provincial Fishing Village
1861-1933, American

Etching, image size 13 1/4 x 24 3/4 inches, 1882, cat. Platt 40, pencil signed


A Windmill
1861-1933, American

Etching, image size 4 x 5 3/4 inches, cat. Platt 54, 1884, plate signed.


Provincial Fishing Village
1861-1933, American

Etching, image size 2 6/8 x 4 7/8 inches, cat. Platt 40 1/2 or 40a, a trial proof sketch of Platt 40, plate signed.


Two Sloops, East River
1861-1933, American

Etching, image size 11 1/2 x 18 1/4 inches, 1889, pencil signed, published by Wunderlick, New York.


The East River Bridge - Brooklyn Bridge
1861-1933, American

Etching, 1888, image size: 6 3/4 x 10 7/8 inches, plate signed

Painting

Cloudy Skies
1844-1942, American

A lovely watercolor by the American artist, Horace Burdick. It measures 6 3/4 x 8 3/4 inches and is matted. Burdick attended the Museum School of Fine Arts in Boston and was known throughout his career as a portrait and landscape painter. He did many White Mountain scenes as well as New England coastal scenes. This image is from the artists' estate.

Print

Velasquez
1922-2000, American

A rare artist's proof by Leonard Baskin, this woodcut was published c. 1963 in a small edition of 50 impressions. Cat: Fern & O'Sullivan-458, pencil signed and inscribed "Artist's Proof". In the era of abstract expressionism, Leonard Baskin’s work was always representational, with a strong classical influence. He drew inspiration from many artists of the past, and in the 1950s and 1960s created series of portraits of the artists he admired including this image of Spanish Baroque artist Diego Velasquez.

Drawing

Treetops
1872- c.1950, American

A fine sketch by Dexter Dawes measuring 10 3/4 x 7 1/2 inches on medium weight drawing paper. A small unfinished sketch of trees is on the reverse. Dawes spent many summers in the Marlboro, NH area drawing and painting the incredible natural beauty that surrounded him.