Charles Adams Platt
1861-1933, American

Interior of Fish Houses
1861-1933, American

A remarkable original etching by American artist and architect C. A. Platt, image size 4 7/8 x 7 3/4 inches, 1881, cat: Rice- 22, plate signed and dated, pencil signed. Illustrated in the Grolier Club catalog. Platt was born in New York and studied art at the National Academy of Design, the Art Students League and the Academie Julian. He was a very successful painter and etcher, known for his delicately rendered New England landscapes and harbor scenes. He was also a talented architect and a member of the Saint-Gaudens Art Colony in Cornish, NH.


Pier at Larmor
1861-1933, American

This a very fine original etching by American artist Charles Adams Platt, image size 8 1/2 x 14 1/4 inches, 1885, cat: Rice-62, signed and dated in the plate, pencil signed. A richly inked impression with beautiful plate tone, printed on a cream colored Japan type paper with ample margins. C. A. Platt was born in New York and studied art at the National Academy of Design, the Art Students League and the Academie Julian. He was a very successful painter and etcher, known for his delicately rendered New England landscapes and harbor scenes.


Low Tide, Honfleur
1861-1933, American

This is an atmospheric etching in sepia ink, image size 4 3/8 x 6 inches, 1887, cat: Rice-84, signed and dated in the plate. C. A. Platt was born in New York and studied art at the National Academy of Design, the Art Students League and the Academie Julian. He was a very successful painter and etcher, known for his delicately rendered New England landscapes; and was also a very talented architect. He was close friends with fellow New England etcher Stephen Parrish and was a member of Saint-Gaudens' Cornish Art Colony.


Honfleur
1861-1933, American

This original etching by Charles Adams Platt measures 5 1/2 x 7 7/8 inches and was created in 1887. Plate signed, titled and dated.


Canal Boats and Tugs
1861-1933, American

Etching, image size 4 1/4 x 6 7/8 inches, 1887, cat: Rice-85, plate signed and dated. A rich impression in sepia ink.


Connecticut River
1861-1933, American

Etching, image size 10 3/4 x 18 3/8 inches, 1885, cat: Rice-71, pencil signed. C. A. Platt was born in New York and studied art at the National Academy of Design, the Art Students League and the Academie Julian. He was a very successful painter and etcher, known for his delicately rendered New England landscapes; and was also a very talented architect. He was close friends with fellow New England etcher Stephen Parrish and was a member of Saint-Gaudens' Cornish Art Colony.


Mud Boats on the Thames
1861-1933, American

Etching in sepia ink, image size 6 x 10 7/8 inches, 1883, cat: Rice-44, plate signed and dated, l.r.


Provincial Fishing Village
1861-1933, American

Etching, image size 13 1/4 x 24 3/4 inches, 1882, cat. Platt 40, pencil signed


A Windmill
1861-1933, American

Etching, image size 4 x 5 3/4 inches, cat. Platt 54, 1884, plate signed.


Provincial Fishing Village
1861-1933, American

Etching, image size 2 6/8 x 4 7/8 inches, cat. Platt 40 1/2 or 40a, a trial proof sketch of Platt 40, plate signed.


Two Sloops, East River
1861-1933, American

Etching, image size 11 1/2 x 18 1/4 inches, 1889, pencil signed, published by Wunderlick, New York.


The East River Bridge - Brooklyn Bridge
1861-1933, American

Etching, 1888, image size: 6 3/4 x 10 7/8 inches, plate signed

Painting

The Old Peep Toad Mill
1854-1934, American

Watercolor on paper adhered to mat board, 8 x 10 1/4 inches, signed on the back and inscribed "Old Peep Toad Mill / North S[cit]uate, RI / Aug. 5, 1914." The town name is hard to make out, but there is an old Peep Toad Mill in East Killingly, Connecticut, not far from the Rhode Island state line. Hays had a studio in Providence, RI, and is known for painting bucolic subjects.

Print

The Sleeping Congregation
1744-1818, English

Engraving dated Jan 1, 1809, after a painting by Hogarth, published by Longmon, Hurst, Rees and Orme

Drawing

The Artist's Daughter
1893-1986, American

Silverpoint on gessoed board with black, white, and red chalk, 9 3/8 x 7 1/4 inches, c. 1960, unsigned.