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Louis C. Rosenberg
1890-1983, American

Santa Cecilia, Guadelupe, Spain
1890-1983, American

This drypoint etching by Louis Conrad Rosenberg measures 8 1/4 x 6 7/8 inches. Created in 1925, it is pencil signed in the lower right. Rosenberg studied architecture at the University of Oregon before moving into architectural etching, studying at the American Academy in Rome and the Royal College of Art in London. The majority of his work was of European buildings with historic significance.


Carrera del Darro
1890-1983, American

This drypoint etching of the Carrera del Darro, one of the oldest streets in Granada, measures 6 5/8 x 7 3/4 inches. Created in 1935, it is pencil signed on the lower right. Rosenberg studied architecture at the University of Oregon before moving into architectural etching, studying at the American Academy in Rome and the Royal College of Art in London. The majority of his work was of European buildings with historic significance.


Venetian Scene
1890-1983, American

This etching by Louis C. Rosenberg measures 4 7/8 x 6 3/8 inches. Published in 1925, it is plate signed and dated and also pencil signed on the lower right border. Rosenberg studied architecture at the University of Oregon before moving into architectural etching, studying at the American Academy in Rome and the Royal College of Art in London. The majority of his work was of European buildings with historic significance.


Straasburg Cathedral
1890-1983, American

Etching, image size 10 1/4 x 6 1/2 inches, first state, pencil signed by the artist with the inscription "1st state, one trial only, selected by the artist for [*** *****] collection".


Taxco, Mexico
1890-1983, American

Etching, image size 6 1/4 x 8 3/8 inches, pencil signed l.c. "Louis C Rosenberg", with the original label from Kennedy & Co. of NY.


Town Entrance
1890-1983, American

Miniature etching, image size 3 3/4 x 3 inches, pencil signed


Town of Morenberg
1890-1983, American

Etching, image size 8 11/16 x 7 11/16 inches, 1938, pencil signed, initialed and dated in the plate


Washington, the Planter
1890-1983, American

Etching, image size: 9 x 12 3/4 inches, 1932, pencil signed

Painting

The Breakers
1897-1970, American

Oil on masonite, 20 x 24 inches, c. 1950, signed "A R Herrick," in the original frame built by the artist. Herrick was a well known artist in Westmoreland, NH, specializing in plein air landscapes and seascapes of New England. He was a member of the Copley Society of Boston, the Connecticut Academy of Arts and the North Shore Art Association. This dynamic image of crashing surf was most likely painted near Rockport, MA.

Print

Le Pecheur
1818-1898, French

Etching with remarque, image size 10 1/5 x 15 1/4 inches, c. 1870, plate signed l.l. "Appian", indecipherable pencil signature l.r. indicates that this is a copy of an etching by Appian.

Drawing

Landscape at Twilight
1864-1929, American

pastel, sight size 9 X 12 1/4 inches, c. 1910, unsigned, attributed to AC Goodwin. Spring twilight landscape. (M)