James David Smillie
1833-1909, American

My Colored Neighbor's Hen Yard   (Large Image)
1833-1909, American

Etching, image size 8 1/2 x 14 1/2 inches, 1884, plate signed l.l. "Smillie Sep '83.Op.30." and inscribed in the plate l.r. "My Colored Neighbor's Hen Yard, etched from Nature, Montrose, Penna.", pencil signed l.r. "James D. Smillie, April 1884".


The Old Homestead
1833-1909, American

Watercolor on paper, image size 4 7/8 x 8 1/8 inches, pencil signed lower right, framed. (M)


My Colored Neighbor's Hen Yard   (Small Image)
1833-1909, American

Etching, image size 3 1/8 x 5 inches, pencil signed, framed


A Fallow Field, Montrose, Pa.
1833-1909, American

Etching, image size 5 3/4 x 11 9/16 inches, dated and signed in plate "A fallow field Etched from nature - Montrose Penna, Oct. 9th '83."


Two Children Playing
1833-1909, American

etching, 8 3/4x7, plate signed


Landscape with Sheep
1833-1909, American

Etching after Charles Jacques, 7 3/4 x 6 1/4 inches, plate signed


The Sundial
1833-1909, American

etching, 1883, 4 1/4x6 1/2, plate signed


The Apology
1833-1909, American

1882, etching, 7 1/4x5 1/4, plate signed


At Marblehead Neck
1833-1909, American

etching, 5x11 3/4, plate signed

Painting

Summer Landscape
1855-1927, German/American

Oil on canvas, 14 x 20 inches, signed lower left. Marie Osthaus Griffith was the older sister of Edmund Henry Osthaus, one of the most successful painters of hunting dogs in the United States in the 19th century.

Print

Squash and Gourds
1907-1982, British/American

Framed wood engraving, pencil signed, titled, and editioned. Edition of 50. Engraving measures 5 x 7 1/2 inches in a black 14 3/4 x 18 3/4 inch frame.

Drawing

The Country Manor
$1600.00
1808-1878, British

This is a very grand watercolor by noted British artist Joseph Nash (1808-1878). The sight size of this painting is 26 1/8 x 18 3/4 inches, it was painted in 1846 and is signed and dated in the lower right corner. Joseph Nash studied art and architecture with Augustus Charles Pugin, becoming known for his finely detailed images of British architecture, from cathedrals to castles and manors. He would very often place a group of people in the foreground of his compositions, in a way that brought life and energy to the architecture, as can be seen in this image.