John Winkler
1894-1979, American

Standard Fisheries
1894-1979, American

This 1941 etching by John Winkler measures 13 1/2 x 8 1/4 inches and is pencil signed. Winkler was originally from Austria coming to America at the age 16. After various jobs he impulsively enrolled in the San Francisco Art Institute and soon discovered his talent as an etcher. He became good friends with John Taylor Arms as well as Arthur Heintzelman. His works are found in many major museums throughout the US and Europe.


Telegraph Hill Wharves and Goats
1894-1979, American

A very fine etching of the hills above San Francisco Bay by John Winkler. Created in 1919, it measures 6 x 8 1/2 inches, is pencil signed and printed in an edition of 35. Winkler did a series of etchings portraying everyday life in the aftermath of the 1906 San Francisco earthquake.


Main Boon - Hay Schooner
1894-1979, American

This fine original etching by John Winkler measures 4 x 6 1/4 inches and is pencil signed and numbered. Winkler attended the San Francisco Art Institute and became enamored with the art of etching. Known for his simplistic line, he was often compared to Whistler. He became good friends with fellow etchers, John Taylor Arms as well as Arthur Heintzelman. His works are found in major museums throughout the US and Europe.


Telegraph Hill Wharves
1894-1979, American

This original etching by John Winkler measures 3 3/4 x 5 5/8 inches and is pencil signed on the lower margin. Winkler was originally from Austria coming to America at age 16 looking for adventure. After various jobs he impulsively enrolled in the San Francisco Art Institute and soon discovered his talent as an etcher. He became good friends with John Taylor Arms as well as Arthur Heintzelman. His works are found in major museums throughout the US and Europe.


The Constitutional Convention, 1787
1894-1979, American

Etching, 1932, image size: 9 1/4 x 13 1/2 inches, pencil signed

Painting

The Old Mill
1833-1894, American

This is a lush, finely detailed landscape by Henry W. Kemper, painted in 1865, signed and dated on the lower left corner. Oil on canvas, 16 x 14 inches, in the original period gilt frame. Kemper paints a very peaceful image of this long forgotten mill. In this verdant summer scene, a traveler approaches the mill from the darkness of the forest just as the sun peeks through passing storm clouds.

Print

Portrait of Mary Woolstonecraft
1852 - 1931, American

Wood Engraving, after a painting by John Opie, image size 6 5/8 x 5 inches, plate dated 1898, printed by Bauer 1902, pencil signed

Drawing

Dust Storm
$1250.00
1896-1970, American

C. 1941. An early study for the well-known lithograph of the same name. The lithograph was an advertisement for Purlator Oil Filters in the 1941 Saturday Evening Post. Charcoal and ink on paper. Signed "Rob" in the lower right. Image size 10 1/2 x 10 1/2 inches on 12 x 12 inch medium weight wove type paper. An incredibly sharp drawing with dramatic chiaroscuro.