Churchill Ettinger
1903-1985, American

Let's Go!
1903-1985, American

Framed etching measures 7 3/4 x 9 inches. Pencil signed and titled. Ed. 100. Artist copyright in the lower left corner.


Company Halt!
1903-1985, American

Framed etching measures 8 x 9 inches. Pencil signed and titled. Ed. 100. Artist copyright in the lower left corner.


Two Pairs
1903-1985, American

This etching by Churchill Ettinger measures 7 1/4 x 10 7/8 inches and is pencil signed and titled. AAA label included.


Butterballs
1903-1985, American

Etching, image size 7 3/4 x 10 3/4 inches, pencil signed and titled, published by the Associated American Artists with the original label.


Whistlers in a Gale
1903-1985, American

Etching, image size 7 1/2 x 11 1/2 inches, pencil signed and titled, published by the Associated American Artists, with the original label.


Broadbill in a Blow
1903-1985, American

Etching, image size 7 7/8 x 11 3/4 in, signed and titled in pencil, published by Associated American Artists, AAA label affixed to mat

Painting

Stone Arch Bridge
1864-1940, American

Landscape by the American artist, Charles Woodbury, measuring 9 1/4 x 13 1/4 inches, signed in the l.r. "Charles H. Woodbury Lynn '82", oil on board, 1882, unframed. Known for his oils, watercolors and etchings, Woodbury was predominately a self-taught artist who preferred "to work out his salvation with little help from others in his profession".

Print

Somerset Club, Boston
1869-1955, American

This street scene by Sears Gallagher measures 8 3/4 x 6 1/4 inches and is pencil signed on the lower left margin. Born in Boston, Gallagher studied drawing and watercolor locally, later refining his skills at the Academie Julian in Paris. He is best known for his images of historic sites and landmarks in Boston.

Drawing

The Old Peep Toad Mill
1854-1934, American

Watercolor on paper adhered to mat board, 8 x 10 1/4 inches, signed on the back and inscribed "Old Peep Toad Mill / North S[cit]uate, RI / Aug. 5, 1914." The town name is hard to make out, but there is an old Peep Toad Mill in East Killingly, Connecticut, not far from the Rhode Island state line. Hays had a studio in Providence, RI, and is known for painting bucolic subjects.