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Robert Nanteuil
1630-1678, French

Henri d'Orleans (II-e du nom), Duc de Longueville
1630-1678, French

Engraving after Philippe de Champagne, image size 10 3/8 x 7 3/16 inches, sheet size 10 5/8 x 7 1/2 inches, Randall 1612, Fogg Museum provenance


Charles Benoise
1630-1678, French

Engraving after Philippe de Champagne, image and sheet size (no borders) 13 x 10 3/8 in, 1651, Randall 1604, Fogg Museum provenance


Portrait of a Bishop or Cardinal, possibly Bishop Malier
1630-1678, French

Engraving after Velut. An inscription verso suggests that the subject might be Bishop Malier. Image size 12 7/8 x 10 13/16 in, sheet 13 x 11 in.

Painting

Setting Sail, Early Morning
1850-1921, American

Oil on canvas, 12 x 20 inches, 1881, signed and dated, in a period gilt frame. As a young man, Johnson was a sailor and one of only twelve survivors aboard a ship that caught fire and sank of the coast of South Africa. He returned to his native Boston, Massachusetts, and studied art with marine painter William E. Norton. Johnson went on to become very well known for his nautical and marine paintings in the later part of the 19th century.

Print

Marie of the Fields
1869-1952, British

Drypoint etching, image size 7 7/8 x 4 7/8 inches, edition of 100, 1919, Hardie 168, printed on wove paper, pencil signed with artist's blindstamp. This image is considered one of the artist's finest works.

Drawing

An Old Bridge
1846-1938, American

This two sided drawing by Stephen Parrish measures 6 5/8 x 10 3/8 inches. Done in black ink, c. 1890, with a Maxfield Parrish Jr. family stamp on the lower right and upper left in black ink. Another drawing of a homestead with split rail fence, possibly his own, in on the reverse.