Claude Duflos
c. 1665-1727

Les Disciples d'Emaus
c. 1665-1727

Engraving after Paul (Paolo) Veronese, image size 17 5/8 x 20 1/2 inches, sheet size 19 1/8 x 21 in, Randall Coll. #7014, Fogg Museum provenance


Le Maitre De Guitarre
c. 1665-1727

Engraving after J.E. Shenau, image size: 17 5/16 x 13 1/2 inches, sheet size:26 1/2 x 20 inches. Fogg Museum Provenance, J W Randall Collection #7061


Saint Cecile
c. 1665-1727

Engraving after P. Mignard, image size: 20 x 15 5/8 inches, Fogg Museum Provenance, J W Randall collection #7008

Painting

A Sunlit Path
1837-1908, American

Oil on canvas, 20 x 14 inches in a 25 by 18 1/2 gold period frame. Because this has only a partial signature we are only able to attribute this work to Alfred Bricher. Upon cleaning of the painting, a partial signature was revealed in the lower left. The technique and composition also is very similar to many well known works by this artist. There is an area at the lower edge of this painting which has been inpainted but not the signature...The frame appears to be the original one. We feel the setting of this work might be from Lake George N.Y.

Print

Union Bank
1940-, American

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.

Drawing

Children in Sandbox, 1973
1893-1986, American

Drawing, 1973, image size 8 1/2 x 11 1/2 inches, pencil signed