Maurice De Vlaminck
1876-1958, French

L'Epicerie (The Grocery)
1876-1958, French

Etching, image size 3 3/4 x 6 1/2 inches, Flammarion 135, 1927, part of the Visage des Maison series, pencil signed.


La Mairie (Town Hall)
1876-1958, French

Etching, image size 4 x 6 1/2 inches, 1927, Flammarion 125, part of the Visage des Maisons series, pencil signed.


Le Pont sur l'Oise a Mery
1876-1958, French

Lithograph, image size 9 1/2 x 13 1/4 inches, 1st state of 2, cat. Walterskirchen-187, framed, pencil signed lower right


Bretoncelles
1876-1958, French

Etching, image size: 6 1/2 x 10 inches, pencil signed lower right


Frontispiece from 'Les Hommes Abandonnes'
1876-1958, French

Etching, image size 5 1/8 x 3 3/4 in, 1927, outside of the edition of 300, inscribed 'Vlaminck 21/75' in pencil, framed


L' Eglise de Fessanvilliers
1876-1958, French

Etching, blind stamp Marcel Guiot -Paris- EDITEUR, image size 6 9/16 x 10 inches, pencil signed


L' Epave II
1876-1958, French

Lithograph, image size: 7 1/2 x 5 3/4 inches, from "Les Hommes Abandonnes," framed

Painting

Rockport Harbor
1897-1970, American

Oil on board painting of Rockport Harbor, circa 1940. The image measures 12X16 inches, signed A.R. Herrick lower right, framed, excellent condition

Print

La Grande Bergère
1887-1943, French

Print 61 in an edition of 75. Signed in the lower left, editioned in the lower right. Plate initialed and dated "1926" in the lower right. Second state. Catalog: Laboureur 323. The image depicts the cliffs along the coast of Penestin, France. Plate measures 9 1/2 x 6 1/4 inches on 15 x 9 5/8 inch watermarked wove type paper. Collector's stamp on back. This print has very fine engraved lines and a very whimsical style. Laboureur studied at the Academie Julian under Auguste Lepere before traveling extensively throughout Germany, Italy and Greece.

Drawing

The Gathering Crowd
1881-1939, American

This is an original ink drawing on paper, image size 6 7/8 x 11 inches, 1933, signed and dated in the lower right corner. Hopper Emory was born in Baltimore, Maryland and had a successful career in banking before he turned exclusively to his artwork. He traveled to England where he studied at the Heatherly School of Art in London, then returned to Maryland where he became known for his delicately rendered architectural and maritime etchings.