Maurice De Vlaminck
1876-1958, French

L'Epicerie (The Grocery)
1876-1958, French

Etching, image size 3 3/4 x 6 1/2 inches, Flammarion 135, 1927, part of the Visage des Maison series, pencil signed.


La Mairie (Town Hall)
1876-1958, French

Etching, image size 4 x 6 1/2 inches, 1927, Flammarion 125, part of the Visage des Maisons series, pencil signed.


Le Pont sur l'Oise a Mery
1876-1958, French

Lithograph, image size 9 1/2 x 13 1/4 inches, 1st state of 2, cat. Walterskirchen-187, framed, pencil signed lower right


Bretoncelles
1876-1958, French

Etching, image size: 6 1/2 x 10 inches, pencil signed lower right


Frontispiece from 'Les Hommes Abandonnes'
1876-1958, French

Etching, image size 5 1/8 x 3 3/4 in, 1927, outside of the edition of 300, inscribed 'Vlaminck 21/75' in pencil, framed


L' Eglise de Fessanvilliers
1876-1958, French

Etching, blind stamp Marcel Guiot -Paris- EDITEUR, image size 6 9/16 x 10 inches, pencil signed


L' Epave II
1876-1958, French

Lithograph, image size: 7 1/2 x 5 3/4 inches, from "Les Hommes Abandonnes," framed

Painting

Portelet Bay, Jersey
1839-1909, English

Vibrant oil seascape, c. 1880, by British artist, Sarah Louisa Kilpack. Painting size measures 4 3/4 x 8 1/4 inches in a period frame that measures 10 x 13 inches, signed l.l., oil on paper on board, location written on backing. Born in London in 1839, Sarah Louisa Kilpack was recognized as a talented pianist and artist but after a series of misfortunes she gave up the piano and concentrated exclusively on her painting.

Print

Wilby Church
1887-1953, American

Etching, image size 4 1/4 x 2 3/8 inches, 1940, pencil signed ans dated l.c. "John Taylor Arms 1940", ed. 150.

Drawing

Calais

Watercolor on paper, 5 3/4 x 7 5/8 inches, circa 1863, monogram lower left