Maurice De Vlaminck
1876-1958, French

L'Epicerie (The Grocery)
1876-1958, French

Etching, image size 3 3/4 x 6 1/2 inches, Flammarion 135, 1927, part of the Visage des Maison series, pencil signed.


La Mairie (Town Hall)
1876-1958, French

Etching, image size 4 x 6 1/2 inches, 1927, Flammarion 125, part of the Visage des Maisons series, pencil signed.


Le Pont sur l'Oise a Mery
1876-1958, French

Lithograph, image size 9 1/2 x 13 1/4 inches, 1st state of 2, cat. Walterskirchen-187, framed, pencil signed lower right


Bretoncelles
1876-1958, French

Etching, image size: 6 1/2 x 10 inches, pencil signed lower right


Frontispiece from 'Les Hommes Abandonnes'
1876-1958, French

Etching, image size 5 1/8 x 3 3/4 in, 1927, outside of the edition of 300, inscribed 'Vlaminck 21/75' in pencil, framed


L' Eglise de Fessanvilliers
1876-1958, French

Etching, blind stamp Marcel Guiot -Paris- EDITEUR, image size 6 9/16 x 10 inches, pencil signed


L' Epave II
1876-1958, French

Lithograph, image size: 7 1/2 x 5 3/4 inches, from "Les Hommes Abandonnes," framed

Painting

Rockport Harbor
1897-1970, American

Oil on board painting of Rockport Harbor, circa 1940. The image measures 12X16 inches, signed A.R. Herrick lower right, framed, excellent condition

Print

Portrait of a Young Woman
1890-1975, British

White line etching, image size 5 3/8 x 3 3/8 inches, c. 1922, pencil signed. This print is numbered 6/50, although far fewer than 50 proofs were actually printed.

Drawing

The Old Peep Toad Mill
1854-1934, American

Watercolor on paper adhered to mat board, 8 x 10 1/4 inches, signed on the back and inscribed "Old Peep Toad Mill / North S[cit]uate, RI / Aug. 5, 1914." The town name is hard to make out, but there is an old Peep Toad Mill in East Killingly, Connecticut, not far from the Rhode Island state line. Hays had a studio in Providence, RI, and is known for painting bucolic subjects.