Philip Little
1857-1942, American, known for scenes of coastal New England

Schooners At Anchor
1857-1942, American, known for scenes of coastal New England

Etching, image size 5 5/8 x 10 inches, 1915, pencil signed l.r. "Philip Little", plate signed and dated l.r. "Philip Little 1915".


Village scene in England
1857-1942, American, known for scenes of coastal New England

Etching,image size,13 1/2X8 1/2",plate signed


Chinese Junks
1857-1942, American, known for scenes of coastal New England

Etching, 1924, image size: 7 7/8X9 7/8", pencil signed and titled


When Spain was great upon the Sea
1857-1942, American, known for scenes of coastal New England

Etching,1927,image size 9 3/4X11 3/4",pencil signed and titled


Breaking to Windward
1857-1942, American, known for scenes of coastal New England

Etching,image size,9 7/8X12",pencil signed,titled: 1924


Lynn Harbor
1857-1942, American, known for scenes of coastal New England

Etching, image size 4 15/16 x 7 7/8 inches, 1915, pencil signed


England And Spain 1720
1857-1942, American, known for scenes of coastal New England

Etching,image size,9 7/8X11 7/8",pencil signed and titled,1927

Painting

The Rocky Cove
1877-1967, American

Watercolor on paper, sight size 11 x 14 3/8 inches, c. 1930s, signed lower left, framed. Carroll Bill was an artist and architect, studying at Harvard Architectural School. He was a member of many artist's associations, including the Boston Architectural Club, the Boston Society of Architects, the Boston Society of Watercolor Painters, the New York Society of Watercolor Painters, the New York Watercolor Club and the Springfield Art League. (M)

Print

Nydia
1835-1915, American

Etching after a painting by George Fuller, image size 20 3/4 x 13 1/4 inches, signed in plate "S.J. Ferris Etch 1883" and "G Fuller Pinxt 1882", remarque lower center, copyright 1884 by Klackner, NY.

Drawing

The Village Church
20th Century, American

This is a quaint rural scene of a small village church, scratchboard, sight size 2 3/8 x 3 3/8 inches, 1948, initialed and dated in the image, pencil signed on the window mat, framed.