Sir Frank Brangwyn
1867-1956, British

St. Martin's Bridge
1867-1956, British

This richly inked etching of St. Martin's Bridge near Toledo, Spain, by Sir Frank Brangwyn, measures 19 3/4 x 23 3/4 inches, pencil signed, 1923, printed in two color ink, black and brown. Sir Frank Brangwyn was one of the most important British artists of the early 20th century. A member of the Royal Academy, the Royal Watercolor Society, and the Royal Society of British Artists, he was knighted in 1924.


Bargemen
1867-1956, British

Etching, image size 9 7/8 x 7 7/8 inches, c. 1930, pencil signed.


Porte De Gand
1867-1956, British

Etching, image size 15 1/2 x 14 inches, 1906, Gaunt 63, pencil signed l.r.


The Meat Market
1867-1956, British

Etching, image size 10 7/8 x 12 inches, 1906, cat: Gaunt-69, pencil signed.


The Hot Oven
1867-1956, British

Lithograph, image size 9 3/4 x 8 1/2 inches, c. 1920, printed by T. Way, proof before publication in "The Studio," pencil signed.

Painting

Meadow in Bloom
1876-1936, American

Oil on artist board, 12 x 16 inches, c. 1930, unsigned. Born in Germany, Saling emigrated to America through Ellis Island in 1893 at the age of 17. He was a successful decorator and artist first in New York City, then in Hartford, Connecticut. In the late 1920s, he moved to Lyme, Connecticut, the setting for many of his landscapes. He was a member of many prestigious artist's groups, including the Salmagundi Club, the Connecticut Academy of Fine Arts, the Connecticut League of Art Students and the Springfield Art League.

Print

Vienna, Danube Landscape
1881-1962, Austrian

This is as atmospheric original etching with aquatint by Luigi Kasimir. The image size is 15 7/8 x 22 3/8 inches, c. 1920, cat: Lorenz-24, pencil signed, framed. Kasimir studied at the Vienna Academy of Art, although much of his etching technique was self taught and learned through working from nature. He specialized in atmospheric images of architecture, city scenes and landscapes; some bustling with people and automobiles, others quite timeless and serene. Kasimir developed his own technique, which was much more suited to the particular clarity of his compositions.

Drawing

River View with Cottages
1844-1920, American

Charcoal drawing, image size 10 3/8 x 16 5/8 inches, unsigned