Gustave Lehuetre
1861-1932, French

Le Bassin Neuf a La Rochelle
1861-1932, French

This finely done scene of a boat bassin in France's seaport city of La Rochelle measures 7 3/4 x 12 1/4 inches. Created in 1904, it is plate signed and titled and also pencil signed, titled and numbered. The paper is a heavy weight Arches with the publishers seal on the lower right corner, margins are wide with the total sheet size measuring 12 x 17 1/8 inches. Leheutre studied to be a painter but after seeing an exhibit of Whistler etchings exhibited in 1892 by Georges Petit, he switched from painting to printmaking concentrating primarily on landscapes or city scenes.


Le Moulin de Baires
1861-1932, French

Etching, image size 7 5/8 x 11 1/2 inches, 1926, plate signed l.l. "G. Leheutre", pencil signed l.r. "G. Leheutre" and editioned as 23, publishers stamp "Sagot" l.r. Known as "the French Whistler", Leheutre switched from painting to printmaking after he saw Whistlers work. Member of the group of Nabis, Post-Impressionist avant-garde artists who set the pace for fine arts and graphic arts in France in the 1890's.


En Rade de Re
1861-1932, French

Etching, image size 6 1/4 x 8 1/4 inches, 1928. editioned as 8, pencil signed l.r. "G Leheutre", publishers stamp l.r. "Sagot". Known as "the French Whistler", Leheutre switched from painting to printmaking after he saw Whistlers work. Member of the group of Nabis, Post-Impressionist avant-garde artists who set the pace for fine arts and graphic arts in France in the 1890's.


Le Matin au Lazaret - La Rochelle
1861-1932, French

Etching, image size 7 3/8 x 10 7/8 inches, 1920, editioned as 42, plate and pencil signed l.r. "G Leheutre", publishers stamp "Sagot" l.r. Known as "the French Whistler", Leheutre switched from painting to printmaking after he saw Whistlers work. Member of the group of Nabis, Post-Impressionist avant-garde artists who set the pace for fine arts and graphic arts in France in the 1890's.


Le Pont de Bonnemort a La Rochelle
1861-1932, French

Drypoint etching, image size 7 5/8 x 10 7/8 inches, c. 1910, 1st state of 3, inscribed "8 imp/no 8" and "1v etat" in pencil, pencil signed with Sagot blind stamp lower right, framed

Painting

The Breakers
1897-1970, American

Oil on masonite, 20 x 24 inches, c. 1950, signed "A R Herrick," in the original frame built by the artist. Herrick was a well known artist in Westmoreland, NH, specializing in plein air landscapes and seascapes of New England. He was a member of the Copley Society of Boston, the Connecticut Academy of Arts and the North Shore Art Association. This dynamic image of crashing surf was most likely painted near Rockport, MA.

Print

Cuenca, Spain
$275.00
1880 - 1968, American

Etching, image size 6 7/8 x 9 5/8 inches, c. 1915, pencil signed and titled. Kuehne was an American artist who studied in NYC before traveling extensively throughout Europe. After returning to the U.S. he became friends and colleagues with Edward Hopper, William Glackens and Charles Prendergast. From 1914-1917, Kuehne lived and worked in Spain creating many landscapes and architectural scenes, including this riverside vista of the city of Cuenca.

Drawing

Old Maple
1872- c.1950, American

A very nice pencil drawing of an old maple tree by the Marlboro artist, Dexter Dawes. It measures 10 1/4 x 7 7/8 inches on a sheet of medium weight drawing paper. "Ask ?" is written on the l.l. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.