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Le Bassin Neuf a La Rochelle
$345.00

This finely done scene of a boat bassin in France's seaport city of La Rochelle measures 7 3/4 x 12 1/4 inches. Created in 1904, it is plate signed and titled and also pencil signed, titled and numbered. The paper is a heavy weight Arches with the publishers seal on the lower right corner, margins are wide with the total sheet size measuring 12 x 17 1/8 inches. Leheutre studied to be a painter but after seeing an exhibit of Whistler etchings exhibited in 1892 by Georges Petit, he switched from painting to printmaking concentrating primarily on landscapes or city scenes.


Le Moulin de Baires
$275.00

Etching, image size 7 5/8 x 11 1/2 inches, 1926, plate signed l.l. "G. Leheutre", pencil signed l.r. "G. Leheutre" and editioned as 23, publishers stamp "Sagot" l.r. Known as "the French Whistler", Leheutre switched from painting to printmaking after he saw Whistlers work. Member of the group of Nabis, Post-Impressionist avant-garde artists who set the pace for fine arts and graphic arts in France in the 1890's.


En Rade de Re
$275.00

Etching, image size 6 1/4 x 8 1/4 inches, 1928. editioned as 8, pencil signed l.r. "G Leheutre", publishers stamp l.r. "Sagot". Known as "the French Whistler", Leheutre switched from painting to printmaking after he saw Whistlers work. Member of the group of Nabis, Post-Impressionist avant-garde artists who set the pace for fine arts and graphic arts in France in the 1890's.


Le Matin au Lazaret - La Rochelle
$275.00

Etching, image size 7 3/8 x 10 7/8 inches, 1920, editioned as 42, plate and pencil signed l.r. "G Leheutre", publishers stamp "Sagot" l.r. Known as "the French Whistler", Leheutre switched from painting to printmaking after he saw Whistlers work. Member of the group of Nabis, Post-Impressionist avant-garde artists who set the pace for fine arts and graphic arts in France in the 1890's.


Le Pont de Bonnemort a La Rochelle
$275.00

Drypoint etching, image size 7 5/8 x 10 7/8 inches, c. 1910, 1st state of 3, inscribed "8 imp/no 8" and "1v etat" in pencil, pencil signed with Sagot blind stamp lower right, framed

Painting

Early Autumn
1857 - 1915, American

This is a very atmospheric landscape by William C. Fitler, oil on canvas, 10 x 8 inches, c. 1890, signed in the lower left corner, in a period carved walnut frame. Born and raised in Philadelphia, Fitler studied at the Pennsylvania Academy of Fine Arts and was known for his tonalist inspired landscapes of New York and New England. He exhibited his work widely in the late 19th century, including at the National Academy, the Brooklyn Art Club, the Boston Art Club, the Pennsylvania Academy, and the Art Institute of Chicago.

Print

Summer Sabbath (Vermont)
1896-1965, American

Wood engraving, image size 5 1/2 x 7 7/8 inches, c. 1946, cat. Springfield-77, initialed on block lower center, identified on reverse. Purchase Prize Winner First Annual National Fine Print Competition. Provenance: Museum of Fine Arts, Springfield, Mass.

Drawing

Church Fair Bill
1872- c.1950, American

A sketch of a church fair bill with Mt. Monadnock in the background by Dexter Dawes measures 10 1/4 x 5 5/8 inches.