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Le Bassin Neuf a La Rochelle
$345.00

This finely done scene of a boat bassin in France's seaport city of La Rochelle measures 7 3/4 x 12 1/4 inches. Created in 1904, it is plate signed and titled and also pencil signed, titled and numbered. The paper is a heavy weight Arches with the publishers seal on the lower right corner, margins are wide with the total sheet size measuring 12 x 17 1/8 inches. Leheutre studied to be a painter but after seeing an exhibit of Whistler etchings exhibited in 1892 by Georges Petit, he switched from painting to printmaking concentrating primarily on landscapes or city scenes.


Le Moulin de Baires
$275.00

Etching, image size 7 5/8 x 11 1/2 inches, 1926, plate signed l.l. "G. Leheutre", pencil signed l.r. "G. Leheutre" and editioned as 23, publishers stamp "Sagot" l.r. Known as "the French Whistler", Leheutre switched from painting to printmaking after he saw Whistlers work. Member of the group of Nabis, Post-Impressionist avant-garde artists who set the pace for fine arts and graphic arts in France in the 1890's.


En Rade de Re
$275.00

Etching, image size 6 1/4 x 8 1/4 inches, 1928. editioned as 8, pencil signed l.r. "G Leheutre", publishers stamp l.r. "Sagot". Known as "the French Whistler", Leheutre switched from painting to printmaking after he saw Whistlers work. Member of the group of Nabis, Post-Impressionist avant-garde artists who set the pace for fine arts and graphic arts in France in the 1890's.


Le Matin au Lazaret - La Rochelle
$275.00

Etching, image size 7 3/8 x 10 7/8 inches, 1920, editioned as 42, plate and pencil signed l.r. "G Leheutre", publishers stamp "Sagot" l.r. Known as "the French Whistler", Leheutre switched from painting to printmaking after he saw Whistlers work. Member of the group of Nabis, Post-Impressionist avant-garde artists who set the pace for fine arts and graphic arts in France in the 1890's.


Le Pont de Bonnemort a La Rochelle
$275.00

Drypoint etching, image size 7 5/8 x 10 7/8 inches, c. 1910, 1st state of 3, inscribed "8 imp/no 8" and "1v etat" in pencil, pencil signed with Sagot blind stamp lower right, framed

Painting

Landscape with Sheep and Chickens
1849-1931, Belgian

This is a beautiful dusky farmyard scene by Belgian artist Eugene Remy Maes, painted in oil on canvas, 15 3/4 x 23 3/4 inches, c. 1890, signed "Th van Sluys"(a pseudonym of Maes') in the lower right corner. An inscription on the back reads "Je soussigné declare aroir pacint le tableau ci contre -Th van Sluys". This painting comes in a remarkable period frame that has been recently regilded. Maes was born in the small village of Puurs, Belgium and moved to Antwerp as a young man. He specialized in images of farm animals, such as this twilight pastoral scene.

Print

Hauling by the Capstan, Yport, Normandie
1846-1938, American

Etching, image size: 4 5/8 x 8 1/4 inches, 1888, After de Neuville, signed in plate lower left, pencil signed lower right

Drawing

White Birch
1872- c.1950, American

Pen and ink by Dexter Dawes measuring 7 3/4 x 10 1/4 inches. "White Birches H. Hill June 29 - 1915" written in the artist hand on the lower margin.