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Arthur Bowen Davies
1862-1928, American

Olympic Game
1862-1928, American

This is a very cool lithograph on zinc, image size 12 5/8 x 17 7/8 inches, 1919-1920, from a very small edition of 27 or fewer impressions, cat: Czestochowski-134, printed by Bolton Brown, pencil signed. Provenance: The Cleveland Museum of Art. Davies was a truly remarkable artist of the late 19th and early 20th centuries known for his dreamlike etchings and lithographs.


Circling Doves
1862-1928, American

This transfer lithograph by Arthur Davies measures 16 5/8 x 11 9/16 inches in an edition of 25 or less. Created in 1921, it is signed by the artist on the lower margin. Printed on medium weight paper, it is #189 in the Czestochowski catalog. Davies was known for his unique decorative style, often visualized in a fantasy world of female figures. One of the most respected and successful American artists, he was a member of the "Eight" and was the principal organizer of the 1913 Armory Show.


Maenads
1862-1928, American

Etching with aquatint, image size 7 7/8 x 10 7/8 inches, 1918-1919, state VII/VIII, cat: Czestochowski-69, alternate title "Far Prospect," pencil signed, framed. Davies was a truly remarkable artist of the late 19th and early 20th centuries known for his dreamlike etchings and lithographs.


The Urn
1862-1928, American

Lithograph with lithotint, image size 10 3/4 x 15 3/4 inches, 1919-1920, edition of 25 or less, cat: Czestochowski-149, pencil signed.


On Willow Brook
1862-1928, American

Transfer lithograph, 11 1/2 x 18 inches, ed. 25, 1924, only state, printed by George C. Miller, alternatively titled "Spring Dance," cat. Czestochowski-211, pencil signed lower right


Angled Beauty
1862-1928, American

Soft ground etching and aquatint, 8 x 11 7/8 inches, 1918, IV state, edition of about 21, printed by Ernest Haskell, cat. Czestochowski-60, alternatively titled "Autumn", pencil signed lower right.


Dominion
1862-1928, American

Lithograph, image size: 12 7/16 x 9 9/16 inches, c. 1919-1920, numbered 19/33, pencil signed by the printer Bolton Brown l.l., pencil signed by the artist l.r., cat. Czestochowski-127, provenance: Baldwin-Wallace College


Brothers
1862-1928, American

Soft Ground etching with aquatint,1918, small edition,cat.C-61,image size: 8 7/8X5 7/8",printed by Ernest Haskell


Afternoon
1862-1928, American

Lithograph,1921,6X5",pencil signed


The Enchanted Dream
1862-1928, American

Transfer lithograph,1924,image size: 10X15",pencil signed


Clouds
1862-1928, American

Lithograph,image size,7X12 1/4",1919,inscribed in pencil,"Geo.Miller Printed"

Painting

Walden
1870-1959, American

Watercolor, image size 9 1/8 x 5 1/2 inches, signed l.r. "J. Watson Davis", publishers remarks are below image in pencil(not seen) and are taken from Henry David Thoreau's book "Walden" from the chapter "The Bean field" and read "I cherish them, I hoe them (early and late), I have an eye to them (and this is my) days work".

Print

Black Spruce
1876-1925, American

This very fine original etching by Ernest Haskell features a richly inked impression and exquisitely delicate lines. The image is size 9 7/8 x 7 7/8 inches, it was published in 1912, and is pencil signed, titled in lower margin. This etching was number 125 in the 1916 exhibition of Haskell's work at Art Institute of Chicago. Ernest Haskell was born in Connecticut and in the early 20th century spent time in both New York and Paris.

Drawing

Calais

Watercolor on paper, 5 3/4 x 7 5/8 inches, circa 1863, monogram lower left