Arthur J.T. Briscoe
1873-1943, British

Sorting Fish
1873-1943, British

"Sorting Fish" by Arthur Briscoe depicts the hard working crew of the Brixham Trawler "Guess Again". Hand inked and editioned as 32/75, on blue toned laid paper. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them.


Drydock
1873-1943, British

This 1928 marine etching by the British printmaker Arthur Briscoe measures 12 1/8 x 8 7/8 inches, hand signed in ink and editioned as 7/75. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them.


Hauling the Net Aboard
1873-1943, British

This 1926 etching by master printmaker Arthur Briscoe measures 7 x 11 7/8 inches and is signed in ink and editioned as 38/75. Lable on backing with provenance from C.W. Kraushaar Galleries, NY. Members of the crew aboard the trawler "Guess Again" concentrate on hauling the days catch aboard. The forground figure is "Old Sam" a figure Briscoe used in many of his images. This richly inked image was exhibited at the Royal Academy in 1927.


Casting Her Off
1873-1943, British

This 1927 marine etching by the British printmaker Arthur Briscoe measures 9 7/8 x 15 7/8 inches, hand signed in inked and editioned as 58/75. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them.


Caulkins
1873-1943, British

This 1928 etching by the British printmaker Arthur Briscoe measures 7 x 11 3/8 inches, hand signed in ink and editioned as 32/75. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them.


All Hands
1873-1943, British

This is a very dramatic original etching by British Marine artist Arthur Briscoe. The image size is 8 3/8 x 15 3/8 inches, 1926, edition of 75, hand signed and numbered in ink. This etching is tastefully framed with what appear to be archival materials, provenance Egon and Joan Teichert Fine Prints, NY, label on the back of the frame. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century.


Bucko Mate
1873-1943, British

A powerful image of the "Bucko Mate" by the marine artist, Arthur Brisco. It measures 6 7/8 x 11 7/8 inches on laid paper. Published in 1926, it is ink signed and numbered. Cat: Hurst 152, framed. The "bucko mate" was the captains right-hand man who made sure the sailors towed the line. The great trading ships of the late 19th C. and into the early 20th C. were ruled by brute force. Many men met their deaths on these ships because they were driven to their limits and beyond in their quest to get to the California goldfields first.


Typhoon, The Burst Topsail
1873-1943, British

This dramatic scene by Arthur Brisco measures 8 x 11 3/4 inches and is ink signed and numbered. Published in 1924 on laid paper, cat: Hurst-94, framed. Briscoe was one of the finest marine artists' of the 20th. century. He studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them.


The Look-out, Sunrise
1873-1943, British

A beautiful image by the marine artist, Arthur Brisco, created in 1925. Signed and numbered in ink on Strasbourg Lily watermarked paper in an edition on 75, cat: Hurst 122.7, framed. Briscoe was one of the finest marine artists' of the 20th. century. He studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat.


Furling the Foresail
1873-1943, British

This etching by Arthur Briscoe measures 7 7/8 x 11 7/8 inches. Ink signed and numbered on cream laid paper, 1924. Cat: Hurst-85. Framed. Briscoe is known as one of the finest marine etcher of the 20th. century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. He studied at the Slade Art School and the Academy Julian in Paris.


Brixham Trawlers
1873-1943, British

"Brixham Trawlers" by Arthur Briscoe measures 5 3/8 x 13 7/8 inches, published in 1929 in an edition of 75. Printed in sepia toned ink on Whatman laid paper, it is ink signed and numbered and also plate signed, dated and titled. Briscoe is known as the finest marine etcher of the 20th. century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. He studied at the Slade Art School and the Academy Julian in Paris.


Making A Passage
1873-1943, British

Etching, drypoint, image size 6 1/8 x 9 1/4 inches, 1929, Hurst 75, ink signed and numbered "Arthur Briscoe" l.r., 68/75 l.l.

Painting

Autumn Landscape
1842-1937, American

Oil on academy board, image size 7 1/2 x 9 1/4 inches, attributed to Albert B. Insley, obscure signature in l.r., c. 1890. Period gilt frame. Lovely fall wooded scene with views of distant hills.

Print

Baigneuse Debout, A Mis-Jambes
1841-1919, French

This etching by Renoir measures 6 1/4 x 4 inches. Created in 1910 on laid paper, it is a late impression from the original plate from 1910. Delteil 23. Framed.

Drawing

Grove of Trees
1872- c.1950, American

A fine pencil sketch of a grove of trees with a landscape in the background by Dexter Dawes, measuring 7 1/2 x 11 inches on a medium weight drawing paper. Dawes summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs, drawings and paintings. He belonged to a number of associations including the National Arts Club.