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Chauncey Foster Ryder
1869-1949, American

December
1869-1949, American

Etching, drypoint, image size 6 7/8 x 8 7/8 inches, c. 1930, signed in pencil lower right ''Chauncey F. Ryder'', titled in pencil lower left "December". Exhibited at The Brooklyn Society of Etchers Fourteenth Annual Exhibition, Brooklyn Museum, January 1930 and at the Twelfth International Print Makers Exhibition, Los Angeles Museum Exposition Park, March 1931.


The Ledge
1869-1949, American

Etching, image size 6 1/2 x 8 1/4 inches, c. 1924, state II/II, cat: R.org-CFR-64, pencil signed l.r., titled in pencil on lower margin.


Lake of the Clouds
1869-1949, American

Etching, image size 6 3/8 x 8 3/8 inches, cat: R.org- CFR-129, pencil signed, l. r., titled in pencil on the lower margin.


Pine Trees at Edge of the Wood
1869-1949, American

Etching, image size 6 3/8 x 8 3/8 inches, c. 1924, state II/II, cat: R.org-CFR-117, unsigned.


Road and Cedar Tree
1869-1949, American

Etching, image size 6 1/2 x 8 3/8 inches, c. 1926, cat: R.org- CFR-125, pencil signed l.r., titled in pencil on lower margin.

Painting

Incredible British Tonalist Landscape
1820-1845, Active, British

Oil on canvas, 16 x 24 inches, signed and dated 1851 lower right. Although initially known for his sporting scenes his work really excels in his atmospheric landscapes. The powerful light of the sunset reflecting off the dark, rugged landscape suggests qualities similar to Joseph M.W. Turner, the father of British Romanticism. The human in this scene is of small consequence compared to the majestic beauty surrounding her. Jones exhibited work at the British Institute, The Royal Academy and the Royal Society of British Artists.

Print

Landscape With Cows
1823-1894, Scottish American

plate signed, 5x7

Drawing

Tree Study, 1905
1893-1986, American

Watercolor, 1905, image size 13 3/4 x 9 3/4 inches, pen signed