Ronau William Woiceske
1887-1953, American

Mountain Pines
1887-1953, American

This atmospheric winter scene by the American artist, Ronau Woiceske measures 8 3/8 x 11 inches, pencil signed and titled. Woiceske was born in Bloomington Indiana and studied at the St Louis School of Fine Arts and at the Artist Colony in Woodstock, NY with Birge Harrison and John Carlson. He was involved in the WPA, and became known for his atmospheric etchings of snowy winter scenes. He was a member of the Philadelphia Print Club and the National Association of Etchers.


Refuge
1887-1953, American

This is a beautiful original drypoint etching of a flock of sheep taking shelter from a blustery winter day by American artist R. W. Woiceske. The image size is 9 3/8 x 14 1/8 inches, published c. 1940 in an edition of 50, pencil signed and titled. Woiceske was born in Bloomington Indiana and studied at the St Louis School of Fine Arts and at the Artist Colony in Woodstock, NY with Birge Harrison and John Carlson. He was involved in the WPA, and became known for his atmospheric etchings of snowy winter scenes.


Afternoon Shadows
1887-1953, American

Drypoint, image size 9 3/4 x 11 3/4 inches, 1937, edition of 50, signed and titled in pencil

Painting

Coastal View
1935 - ?, American

This original oil on canvas, c. 1950, by Robert Moskowitz mesures 12 x 16 inches. It is signed on the lower right and is framed. Moskowitz was heavily influenced by abstract expressionism and the work of Jasper Johns. Studying at the Pratt Institute of Art under Bradley Walker Tomlin and Adolph Gottlieb, he worked mainly in oils and pastels with architectural themes. His work has been exhibited at the Museum of Modern Art and the Hirshhorn Museum in Washington.

Print

Gardiner's Bay from the Fresh Ponds, Long Island
1842-1899, American

An atmospheric image of Long Island, this etching measures 7 5/8 x 11 1/4 inches, 1884, signed and dated in the plate, framed. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival. Known for her originality and boldness of her etchings, Mary Nimmo Moran was a member of the Society of Painter- Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.

Drawing

Study for the Angel's Head of DaVinci
1893-1986, American

Drawing, gold and silverpoint, image size 9 3/4 x 7 3/4 inches, signed and titled l.l. "silverpoint study for the angel's head of DaVinci", "Harriton", on artist board.