Francisco Goya
1746-1828, Spanish

The Prisoner
1746-1828, Spanish

This is an evocative original etching by Spanish artist Francisco Goya, also titled "The Captivity is as Barbarous as the Crime". The image size is 3 13/16 x 2 7/8 inches, c. 1810, published by the Gazettes des Beaux-Arts, printed by Delatre, Paris.


The Knife Sharpener
1746-1828, Spanish

Etching after Goya, image size: 7 3/8 x 5 3/8 inches, plate size: 9 x 7 inches, plate signed l.c., pencil signed "W Wuernle" lower left

Painting

Path to the Shed
1835-1913, American

A verdant New England landscape by Massachusetts artist Edward Burrill, oil on canvas, 9 x 12 inches, 1885, signed and dated in the lower left corner, framed. Edward Burrill was a Northshore artist known for his landscapes and coastal scenes. He worked out of a Boston studio for a time but was primarily based in Lynn, MA, and knew many of the important artists of the day, including John J. Enneking, Winslow Homer and Joseph Cole. He exhibited his work regularly at the Boston Art Club for many years, also showing his work at the Silas Barton Gallery and the Lynn Art Club.

Print

Sunset, Gowanus Bay
1843-1903, American

Etching, image size 6 3/8 x 9 1/4 inches, plate signed and dated 1880

Drawing

A Young Man
1940-, American

Crayon and watercolor on paper, 11 3/4 x 8 7/8 inches, signed "K. Bokov", l.l.