Francisco Goya
1746-1828, Spanish

The Prisoner
1746-1828, Spanish

This is an evocative original etching by Spanish artist Francisco Goya, also titled "The Captivity is as Barbarous as the Crime". The image size is 3 13/16 x 2 7/8 inches, c. 1810, published by the Gazettes des Beaux-Arts, printed by Delatre, Paris.


From "La Tauromaquia" (Bullfighting)
1746-1828, Spanish

Etching with aquatint, image size 8 3/8 x 12 inches, "La Tauromaquia",1816 with blindstamp, sheet size 13 7/8 x 17 3/4 inches. From the 5th edition out of 8, printed in 1921 in an edition of 200. La Tauromaquia is Goya's series of 33 etchings depicting various elements of bullfighting.


The Knife Sharpener
1746-1828, Spanish

Etching after Goya, image size: 7 3/8 x 5 3/8 inches, plate size: 9 x 7 inches, plate signed l.c., pencil signed "W Wuernle" lower left

Painting

Setting Sail, Early Morning
1850-1921, American

Oil on canvas, 12 x 20 inches, 1881, signed and dated, in a period gilt frame. As a young man, Johnson was a sailor and one of only twelve survivors aboard a ship that caught fire and sank of the coast of South Africa. He returned to his native Boston, Massachusetts, and studied art with marine painter William E. Norton. Johnson went on to become very well known for his nautical and marine paintings in the later part of the 19th century.

Print

Whalers in Harbor
1864-1919, American

Etching, image size 11 1/8 x 15 7/8 inches, plate signed, inscribed "etched by Mielatz"

Drawing

Cottage With Shutters
1872- c.1950, American

This pencil and watercolor sketch by Dexter Dawes measures 10 3/4 x 7 1/2 inches, done on a light gray, medium weight paper.