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Francisco Goya
1746-1828, Spanish

From "La Tauromaquia" (Bullfighting)
1746-1828, Spanish
From "La Tauromaquia" (Bullfighting)

Etching with aquatint, image size 8 3/8 x 12 inches, "La Tauromaquia" blindstamp, sheet size 13 7/8 x 17 3/4 inches. From the 5th edition, printed in 1921 in an edition of 200. From Goya's series of 33 etchings depicting various elements of bullfighting, first published in 1816. Seven more etchings were added posthumously by a later publisher, using images found on the backs of plates. A total of eight editions have been printed, the last by the Real Academia de San Fernando in 1984.


The Knife Sharpener
1746-1828, Spanish
The Knife Sharpener

Etching after Goya, image size: 7 3/8 x 5 3/8 inches, plate size: 9 x 7 inches, plate signed l.c., pencil signed "W Wuernle" lower left

Painting

House in the Pines
1861-1936, American
House in the Pines

Oil on board, 15 x 18 in, unsigned, from the collection of the Fuller Museum of Art, Brockton, Massachusetts. (on loan)

Print

Negro Huts in Wilmington, N.C.
1820-1903, American
Negro Huts in Wilmington, N.C.

Etching, image size 3 x 5 3/4 inches, c. 1880, plate signed l.r. "JM Falconer" and pencil signed l.r. "Falconer". Falconer was a Scottish-born American etcher, painter, and watercolorist. He belonged to the New York Etching Club, and was made an honorary member of the National Academy of Design in 1856. He is known for his picturesque sites of older buildings and rural ruins. Falconer was a friend of Thomas Cole, Asher Durand, Jasper Francis Cropsey and other artists of the Hudson River School.

Drawing

Still Life with Fruit
1893-1986, American
Still Life with Fruit

Pastel on paper, image size 15 x 18 inches, signed upper right