19th Century French

Dawn on the Seashore

This is an atmospheric 19th Century French painting attributed to Maxime Emile Louis Maufra (1861-1918). Oil on canvas, 8 3/4 x 14 inches, c. 1890s, unsigned, with a label on the back identifying the painting as Maufra's, framed. There is also a stamp on the back of the canvas "Blanchet 20 Rue Saint [Benoit?] Paris", a well known 19th century artist supply store. Although we cannot be certain of the artist, this is a well painted seascape with a subtle palette and lovely sense of light and atmosphere, and certainly appears to have been done by a very competent hand.

Chevaux au Repos

This is a beautiful original 19th century etching, possibly after a painting by French Barbizon artist Charles-Francois Daubigny. The image size is 7 3/4 x 5 1/8, unsigned, on a watermarked laid type paper. There is an inscription in French in the lower margin attributing this etching to Daubigny, but we were unable to find this image in the catalog of Daubigny's etchings.

"L'optique"   Peep Show

This is a very rare early French genre painting depicting a traveling vendor with his peep show in a country setting, with a mother and her children viewing the display titled "Le Vrai Jesus". Oil on canvas, 30 x 25 inches, overall frame size 41 x 36 inches, c. 1780s. This painting is unsigned, but it is exquisitely painted; the style and subject very reminiscent of the work of Louis Leopold Boilly (1761-1845). The painting was relined on aluminum and has some areas of inpainting, mostly the bottom edge and upper right, but overall is really quite presentable.


Watercolor on paper, 5 3/4 x 7 5/8 inches, circa 1863, monogram lower left

The Bibliophile

Pastel on blue-green toned paper, sight size 14 7/8 x 12 1/8 inches, c. 1840, unsigned, in the original gilt frame. (M)


Meadow in Bloom
1876-1936, American

Oil on artist board, 12 x 16 inches, c. 1930, unsigned. Born in Germany, Saling emigrated to America through Ellis Island in 1893 at the age of 17. He was a successful decorator and artist first in New York City, then in Hartford, Connecticut. In the late 1920s, he moved to Lyme, Connecticut, the setting for many of his landscapes. He was a member of many prestigious artist's groups, including the Salmagundi Club, the Connecticut Academy of Fine Arts, the Connecticut League of Art Students and the Springfield Art League.


John Churchill

Engraving after G. Kneller, image size 14 3/8 x 8 7/8 in, sheet 15 5/8 x 9 7/8 in


Christmas Card 1932
1872- c.1950, American

Ink and colored pencil drawing, 1932, image size 8 7/8 x 5 1/2 inches.