19th Century French

Dawn on the Seashore

This is an atmospheric 19th Century French painting attributed to Maxime Emile Louis Maufra (1861-1918). Oil on canvas, 8 3/4 x 14 inches, c. 1890s, unsigned, with a label on the back identifying the painting as Maufra's, framed. There is also a stamp on the back of the canvas "Blanchet 20 Rue Saint [Benoit?] Paris", a well known 19th century artist supply store. Although we cannot be certain of the artist, this is a well painted seascape with a subtle palette and lovely sense of light and atmosphere, and certainly appears to have been done by a very competent hand.


Chevaux au Repos

This is a beautiful original 19th century etching, possibly after a painting by French Barbizon artist Charles-Francois Daubigny. The image size is 7 3/4 x 5 1/8, unsigned, on a watermarked laid type paper. There is an inscription in French in the lower margin attributing this etching to Daubigny, but we were unable to find this image in the catalog of Daubigny's etchings.


Calais

Watercolor on paper, 5 3/4 x 7 5/8 inches, circa 1863, monogram lower left

Painting

The Country Manor
$1600.00
1808-1878, British

This is a very grand watercolor by noted British artist Joseph Nash (1808-1878). The sight size of this painting is 26 1/8 x 18 3/4 inches, it was painted in 1846 and is signed and dated in the lower right corner. Joseph Nash studied art and architecture with Augustus Charles Pugin, becoming known for his finely detailed images of British architecture, from cathedrals to castles and manors. He would very often place a group of people in the foreground of his compositions, in a way that brought life and energy to the architecture, as can be seen in this image.

Print

L'Epiphanie
1592-1635, French

Engraving from "Les Saintes" series, second state, image size: 3 5/8 x 2 inches

Drawing

Dover Market
1915-2010, Lithuanian-American

This pencil drawing by Jack Levine measures 5 1/2 x 5 inches. It is pencil signed on the lower right. Levine was best known for his satires on modern life and political corruption. Born in South Boston into a large family, his drawing abilities were apparent at an young age. At 14 he entered a painting program at Harvard and a few years later was employed in the Works Progress Administration. His lower class childhood was often a subject of his paintings and he became known for "telling it like it is".