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Featured Artwork

Titlesort iconLast NamePrice
A By-Way in Trenton
1846-1938, American

Etching, image size: 5 7/8 x 9 7/8 inches, 1881, #52, Cat. Schneider, edition of 38, pencil signed lower right

A Couple of Mandarin Ducks
1877-1945, Japanese

Woodblock, image size 13 5/8 x 7 1/2 inches, artist signature l.r., Koson cat: K7.12.

A South Coast Road, Pegwell Bay
1857-1945, British

Etching, image size 5 1/2 x 10 1/2 inches, 1903, 2nd state, cat: Hardie-323, printed on cream laid paper, blindstamp l.r. margin, pencil signed.

A Water Meadow
1818-1910, British

An atmospheric early proof by Sir Francis Seymour Haden, this scene is of the river Test outside the town of Romsey, near Southampton Bay. The image size is 5 7/8 x 8 7/8 inches, published in 1859, state II/IV, cat: Schneiderman-23. This original etching features a very rich impression with beautiful plate tone, printed on a laid type paper.

Adam and Eve
1891-1951, Polish/French

Etching, 11 1/4 x 8 5/8 inches, pencil signed lower right. He was involved in the foundation of the famed Atelier 17 studio, an important influence for many artists, including Pablo Picasso, Alberto Giacometti, and Marc Chagall.

Adoration of the Magi
1494-1533, Dutch

A spectacular original copper engraving, this image measures 11 7/8 x 17 1/8 inches, printed on a watermarked laid type paper with thread margins, cat: Bartsch-37. The plate was engraved in 1513, this impression printed c. 1580, as identified on the back of the sheet. Provenance: Achenbach Foundation for Graphic Arts, stamp on verso. Lucas van Leyden was one of the preeminent engravers of the Renaissance period, and was a colleague and friendly rival of Albrecht Durer. This engraving is included in the collections of the National Gallery, Washington D.C. and the Museum of Fine Arts, Boston.

Aggstein Castle
1881-1962, Austrian

Etching and aquatint in colors, image size 16 x 22 1/2 inches, 1914, cat: Lorenz-32, remarque in lower left margin, pencil signed by the artist, framed.

All-y, All-y In Free
1932-2009, American

Gouache and graphite on paper, size 10 1/2 x 15 1/8 inches, signed lower left

Allegheny River Lock and Dam 2, under Construction
1894-1976, German-American

Etching, image size 7 1/2 x 9 7/8 inches, 1933, pencil signed and numbered 47/100.

American Field Sports - Retrieving
19th Century, American

Lithograph with hand coloring, image size 19 x 26 3/4 inches, 1857, inscribed in type l.l. "painted by A F Tait on stone by Ch Parsons", l.r. "Lith by Currier and Ives", titled, "American Field Sports - Retrieving". This print has a repaired tear on lower border and a few spots of touch up on the image, with borders of 1/2 an inch on three sides, more on the bottom.

Amour
1882-1925, American

This lithograph by George Bellows measures 17 3/4 x 14 inches and is house in a fine gilt frame with a linen liner. Created in 1923 in an edition of 52, from the series "Men Like Gods," based on the novel by H.G. Wells. It is #158 in the Mason catalog. This image is printed by Bolton Brown with his signature on the lower left and is pencil signed and titled by Bellows and also plate signed. In 1904 George Bellows left his hometown in Ohio to study at the New York School of Art under Robert Henri, becoming involved with Henri's "The Eight" as well as the Ashcan School.

An Egyptian Mirror
1865-1945, British

This is a very fine etching by noted British artist D. Y. Cameron, titled "An Egyptian Mirror." The image size is 11 7/ x 6 7/8 inches, it was created in 1909 and is number 408 in the Rinder catalog, pencil signed. Sir David Cameron was considered one of the greatest British etchers of the early 20th century. He was born in Glasgow, Scotland and began studying art at the Glasgow Art School before moving on to the Edinburgh School of Art. He was a member of the Royal Academy, the Royal Society of Painter-Etchers, the Royal Society of Painters in Water-Colours, and the Royal Scottish Academy.

An Iris for Lisa
1922-2000, American

A superb original etching and aquatint in colors, this image measures 17 3/4 x 11 3/4 inches, published in 1970 in an edition of 130 by CFA Graphics, NY, cat: Fern & O'Sullivan- 584, pencil signed and numbered. Baskin was an important artist in the mid 20th century, known for his evocative wood engravings, lithographs, and etchings. In the era of abstract expressionism, Baskin’s work tended toward the representational with a strong classical influence, which is particularly evident in his images of flowers and the natural world.

Approaching New York
$1450.00
1883-1959, Scottish

Etching, image size 15 x 8 1/2 inches, 1934, cat: Hardie- 269, ed. 80, signed and editioned in black ink, pencil titled along bottom of sheet, also plate signed and inscribed "McBey New York 22 October 1929". Ref: "Fine Prints of the Year 1934"

Aspiration, La Madeleine, Verneuil-Sur-Avre
1887-1953, American

Etching, image size 15 1/2 x 10 inches, pencil signed and dated 1939, inscribed Roman numeral V in pencil and dedicated "To my friend Timothy Parforman in deep and lasting appreciation, from John Taylor Arms - 1943." Also called Fraternite, Egalite, Liberte.

Painting

End of the Day, Bride, Isle of Man
1916-2004, British

Watercolor, sight size 5 x 7 inches, 1977, signed "Lauder" l.r., identified on labels from Ruskin Gallery, Stratford-on-Avon, England, affixed to their backings. Lauder painted in the minimalist style of watercolor stating that "the scale of the work is appropriate to the medium of water color, for within this compass extreme subtleties can be made. What was anticipated in a painting was the "unseen", the "unexpected"."

Print

Persenbeug Castle, Austria
1881-1962, Austrian

Color etching and aquatint, image size 16 x 22 1/2 inches, 1929, pencil signed, l.c. "Luigi Kasimir", on wove paper. A beautiful colored aquatint etching of the famous Persenbeug Castle situated along the banks of the Danube River. Framed.

Drawing

View From a Country Road
1872- c.1950, American

This drawing by Dexter Dawes measures 18 3/4 x 24 3/4 inches. It is signed in the lower right corner. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his drawings and lithographs. He belonged to a number of associations including the National Arts Club.