Featured Artwork

Titlesort iconLast NamePrice
A By-Way in Trenton
1846-1938, American

Etching, image size: 5 7/8 x 9 7/8 inches, 1881, #52, Cat. Schneider, edition of 38, pencil signed lower right

A Country Road at Twilight
1833-1927, American

This is a fine Barbizon inspired landscape by American artist William Parsons Winchester Dana. Oil on canvas, 11 x 17 inches, 1909, signed and dated in the lower right corner, in a period gilt frame. Dana was born in Boston and as a young man spent some time at sea before traveling to Paris to study at the Ecole de Beaux Artes. He became known for his seascapes and images of the French landscape, which he often painted in a luminous softly lit style, greatly influenced by the French Barbizon school of painting.

A Couple of Mandarin Ducks
1877-1945, Japanese

Woodblock, image size 13 5/8 x 7 1/2 inches, artist signature l.r., Koson cat: K7.12.

A Most Popular Gentleman
1870-1935, British

This is a very fine original etching by British artist Cecil Aldin. The image size is 9 7/8 x 7 7/8 inches, c. 1920, edition of 100, pencil signed and numbered. Aldin studied at the Royal College of Art in London and was a prolific illustrator and artist, and a founding member of the London Sketch Club. An avid huntsman, Aldin was known especially for his sporting and hunting scenes and his images of dogs, which he portrayed with a remarkable sense of character and spirit.

A South Coast Road, Pegwell Bay
1857-1945, British

Etching, image size 5 1/2 x 10 1/2 inches, 1903, 2nd state, cat: Hardie-323, printed on cream laid paper, blindstamp l.r. margin, pencil signed.

Adam and Eve
1891-1951, Polish/French

Etching, 11 1/4 x 8 5/8 inches, pencil signed lower right. He was involved in the foundation of the famed Atelier 17 studio, an important influence for many artists, including Pablo Picasso, Alberto Giacometti, and Marc Chagall.

All-y, All-y In Free
20th c., American

Gouache and graphite on paper, size 10 1/2 x 15 1/8 inches, signed lower left

American Field Sports - Retrieving
19th Century, American

Lithograph with hand coloring, image size 19 x 26 3/4 inches, 1857, inscribed in type l.l. "painted by A F Tait on stone by Ch Parsons", l.r. "Lith by Currier and Ives", titled, "American Field Sports - Retrieving". This print has a repaired tear on lower border and a few spots of touch up on the image, with borders of 1/2 an inch on three sides, more on the bottom.

Amour
1882-1925, American

This lithograph by George Bellows measures 17 3/4 x 14 inches and is house in a fine gilt frame with a linen liner. Created in 1923 in an edition of 52, from the series "Men Like Gods," based on the novel by H.G. Wells. It is #158 in the Mason catalog. This image is printed by Bolton Brown with his signature on the lower left and is pencil signed and titled by Bellows and also plate signed. In 1904 George Bellows left his hometown in Ohio to study at the New York School of Art under Robert Henri, becoming involved with Henri's "The Eight" as well as the Ashcan School.

An Egyptian Mirror
1865-1945, British

This is a very fine etching by noted British artist D. Y. Cameron, titled "An Egyptian Mirror." The image size is 11 7/ x 6 7/8 inches, it was created in 1909 and is number 408 in the Rinder catalog, pencil signed. Sir David Cameron was considered one of the greatest British etchers of the early 20th century. He was born in Glasgow, Scotland and began studying art at the Glasgow Art School before moving on to the Edinburgh School of Art. He was a member of the Royal Academy, the Royal Society of Painter-Etchers, the Royal Society of Painters in Water-Colours, and the Royal Scottish Academy.

An Iris for Lisa
1922-2000, American

A superb original etching and aquatint in colors, this image measures 17 3/4 x 11 3/4 inches, published in 1970 in an edition of 130 by CFA Graphics, NY, cat: Fern & O'Sullivan- 584, pencil signed and numbered. Baskin was an important artist in the mid 20th century, known for his evocative wood engravings, lithographs, and etchings. In the era of abstract expressionism, Baskin’s work tended toward the representational with a strong classical influence, which is particularly evident in his images of flowers and the natural world.

Approaching New York
$1450.00
1883-1959, Scottish

Etching, image size 15 x 8 1/2 inches, 1934, cat: Hardie- 269, ed. 80, signed and editioned in black ink, pencil titled along bottom of sheet, also plate signed and inscribed "McBey New York 22 October 1929". Ref: "Fine Prints of the Year 1934"

Aspiration, La Madeleine, Verneuil-Sur-Avre
1887-1953, American

Etching, image size 15 1/2 x 10 inches, pencil signed and dated 1939, inscribed Roman numeral V in pencil and dedicated "To my friend Timothy Parforman in deep and lasting appreciation, from John Taylor Arms - 1943." Also called Fraternite, Egalite, Liberte.

Astor Lobby Showtime
1908-1978, American

Lithograph, image size 8 3/4 x 11 1/8 inches, 1932, edition of 30 or fewer, cat: McCulloch-34, pencil signed and titled.

At Quarantine
1894-1976, German-American

Etching, image size 10 3/8 x 7 3/4 inches, signed and titled in pencil

Painting

Meadow in Bloom
1876-1936, American

Oil on artist board, 12 x 16 inches, c. 1930, unsigned. Born in Germany, Saling emigrated to America through Ellis Island in 1893 at the age of 17. He was a successful decorator and artist first in New York City, then in Hartford, Connecticut. In the late 1920s, he moved to Lyme, Connecticut, the setting for many of his landscapes. He was a member of many prestigious artist's groups, including the Salmagundi Club, the Connecticut Academy of Fine Arts, the Connecticut League of Art Students and the Springfield Art League.

Print

Corvara (Dolomites)
1881-1962, Austrian

Color etching, image size 13 1/2 x 13 1/4 inches, 1916, inscribed in the plate "Corvara 11 Feb. 1916," pencil signed.

Drawing

An Old Bridge
1846-1938, American

This two sided drawing by Stephen Parrish measures 6 5/8 x 10 3/8 inches. Done in black ink, c. 1890, with a Maxfield Parrish Jr. family stamp on the lower right and upper left in black ink. Another drawing of a homestead with split rail fence, possibly his own, in on the reverse.