Featured Artwork

Titlesort iconLast NamePrice
52nd Street and Third Avenue
1899-1985, German/American

A great New York etching by Bauhaus artist Walter Drewes, image size 11 7/9 x 7 3/4 inches, 1931, pencil signed, numbered and dated. Walter Drewes was a leader in the abstract movement of American art, and is often credited with bringing much of the Bauhaus aesthetic to America in the mid 20th century. Born in Germany, Drewes was drafted into the German Army at age 18 and served on the Western Front during WWI.

A By-Way in Trenton
1846-1938, American

Etching, image size: 5 7/8 x 9 7/8 inches, 1881, #52, Cat. Schneider, edition of 38, pencil signed lower right

A Couple of Mandarin Ducks
1877-1945, Japanese

Woodblock, image size 13 5/8 x 7 1/2 inches, artist signature l.r., Koson cat: K7.12.

A Jersey Vraic Cart
1886-1966, British

This is a very richly inked original etching, image size 8 5/8 x 11 1/8 inches, 1939, published by the Print Club, Cleveland, Ohio, plate signed and dated, pencil signed. Edmund Blampied was a very successful artist and illustrator in early 20th century Britain. He illustrated many books and magazines, but is best known for his remarkable skills as a printmaker. He was an important figure in the 'British Etching Revival' of the early 20th century, and was elected to the Royal Society of Painter-Etchers and Engravers in 1920.

A Pair of Florals
1900-1971, British

This is a beautiful pair of floral still life color etchings by Elyse Ashe Lord. The image size of each is 9 x 7 inches, edition of 75, c. 1940s, pencil signed and numbered, in matching Asian styled period gilt frames, likely the originals. Elyse Lord lived her entire life in Britain and although her work shows a strong Asian influence, she never actually traveled the continent. Her inspiration instead came from Chinese literature, artwork and her own imagination.

A Peasant Woman
$425.00
1861-1931, German

A rare original etching by German Impressionist artist Lesser Ury, image size 6 1/2 x 5 3/ 8 inches, c. 1920, edition of 100, pencil signed. There is a repaired tear along the entire top margin, but it does not affect the image and will be easily covered by a window mat.

A South Coast Road, Pegwell Bay
1857-1945, British

Etching, image size 5 1/2 x 10 1/2 inches, 1903, 2nd state, cat: Hardie-323, printed on cream laid paper, blindstamp l.r. margin, pencil signed.

A Sunny Day
1860-1943, American

A beautiful sun drenched scene by Walter MacEwen, etching, image size 10 x 5 7/8 inches, c. 1910, printed by Delatre, pencil signed. Born in Chicago, MacEwen traveled to Europe to study art, first in Munich with Frank Duveneck, then in Paris with Corman and Robert-Fleury. He stayed in Europe for many years with studios in both Paris and Holland, where he was also a founding member of the Egmond Artist Colony. Primarily a painter, MacEwen was known for his impressionistic portraits and genre scenes which were quite well received in both Europe and America.

A Winter's Day, Windsor, N. S.
1846-1938, American

An atmospheric winter scene by Stephen Parrish, etching, image size 6 x 8 inches, plate size 8 1/2 x 10 inches, 1887, state I/II, cat: Schneider-125, plate signed and pencil signed, with the remarque in the lower margin. Stephen Parrish was one of the leading American etchers of the late 19th century, known for his atmospheric images of the rugged New England and Nova Scotia coastlines.

Adam and Eve
1891-1951, Polish/French

Etching, 11 1/4 x 8 5/8 inches, pencil signed lower right. He was involved in the foundation of the famed Atelier 17 studio, an important influence for many artists, including Pablo Picasso, Alberto Giacometti, and Marc Chagall.

Adrianus Stalbent
1599-1641, European

This is an original engraving by Paulus Pontius after the painting by Anthony Van Dyck. The image size is 9 5/8 x 6 3/4 inches, c. 1700s, inscribed "Ant. van Dyck pinxit" and "Paul. du pont sculpt" in the lower left margin, with the title and a phrase in Latin below the image, with the original Kennedy Gallery label. Stalbent was a Flemish landscape painter and friend of Anthony Van Dyck when this portrait was painted.

All Hands
1873-1943, British

This is a very dramatic original etching by British Marine artist Arthur Briscoe. The image size is 8 3/8 x 15 3/8 inches, 1926, edition of 75, hand signed and numbered in ink. This etching is tastefully framed with what appear to be archival materials, provenance Egon and Joan Teichert Fine Prints, NY, label on the back of the frame. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century.

All-y, All-y In Free
20th c., American

Gouache and graphite on paper, size 10 1/2 x 15 1/8 inches, signed lower left

American Field Sports - Retrieving
19th Century, American

Lithograph with hand coloring, image size 19 x 26 3/4 inches, 1857, inscribed in type l.l. "painted by A F Tait on stone by Ch Parsons", l.r. "Lith by Currier and Ives", titled, "American Field Sports - Retrieving". This print has a repaired tear on lower border and a few spots of touch up on the image, with borders of 1/2 an inch on three sides, more on the bottom.

Amour
1882-1925, American

This lithograph by George Bellows measures 17 3/4 x 14 inches and is house in a museum quality custom frame with a linen liner. Created in 1923 in an edition of 52, from the series "Men Like Gods," based on the novel by H.G. Wells. It is #158 in the Mason catalog. This image is printed by Bolton Brown with his signature on the lower left and is pencil signed and titled by Bellows and also plate signed. In 1904 George Bellows left his hometown in Ohio to study at the New York School of Art under Robert Henri, becoming involved with Henri's "The Eight" as well as the Ashcan School.

Painting

The Road Home
1829-1913, Canadian/American

Oil on panel, 9 x 11 inches, 1874, signed and dated lower right, in a period gilt frame. This is a wonderful tonalist view of a horse drawn hay wagon bound for home in the bleak cold of winter. This painting is by well known Canadian painter Francois B. De Blois. His formal art education includes studies in Europe under Charles-François Daubigny, probably in Paris or Auvers sur Oise a suburb to the north of Paris; and under Vincenzo Marinelli in Naples, Italy.

Print

Harlem River Bridge
1905-1963, American

Lithograph, image size 9 1/2 x 13 3/4 inches, c. 1940, pencil signed and titled. Tanzer was active in New York during the depression and a member of the WPA.

Drawing

Nude Study, Reclining
1893-1986, American

Drawing, image size 8 3/4 x 11 5/8 inches, pencil signed