Featured Artwork

Titlesort iconLast NamePrice
A By-Way in Trenton
1846-1938, American

Etching, image size: 5 7/8 x 9 7/8 inches, 1881, #52, Cat. Schneider, edition of 38, pencil signed lower right

A Country Road at Twilight
1833-1927, American

This is a fine Barbizon inspired landscape by American artist William Parsons Winchester Dana. Oil on canvas, 11 x 17 inches, 1909, signed and dated in the lower right corner, in a period gilt frame. Dana was born in Boston and as a young man spent some time at sea before traveling to Paris to study at the Ecole de Beaux Artes. He became known for his seascapes and images of the French landscape, which he often painted in a luminous softly lit style, greatly influenced by the French Barbizon school of painting.

A Couple of Mandarin Ducks
1877-1945, Japanese

Woodblock, image size 13 5/8 x 7 1/2 inches, artist signature l.r., Koson cat: K7.12.

A Jersey Vraic Cart
1886-1966, British

This is a remarkably rich original etching by British artist Edmund Blampied. The image size is 8 1/2 x 11 inches, published in 1939 for the Print Club of Cleveland, hand signed in ink in the lower margin. Edmund Blampied was a very successful artist and illustrator in early 20th century Britain. He illustrated many books and magazines, but is best known for his remarkable skills as a printmaker. He was an important figure in the 'British Etching Revival' of the early 20th century, and was elected to the Royal Society of Painter-Etchers and Engravers in 1920.

A Pair of Rockport Scenes
1888 - 1954, American

A great pair of New England harbor scenes by Rockport artist Anthony Thieme. Both paintings are oil on canvas, 8 x 10 inches, c. 1935, both signed "A. Thieme"in the lower right corner, in matching frames. One of the most popular artists associated with the Rockport School, Anthony Thieme was born in Rotterdam, Holland. His early training in fine art was with George Hackler at the Royal Academie of Fine Arts in the Hague; he later studied at the German Academy and with Italian masters Garlobini and Mancini.

A South Coast Road, Pegwell Bay
1857-1945, British

Etching, image size 5 1/2 x 10 1/2 inches, 1903, 2nd state, cat: Hardie-323, printed on cream laid paper, blindstamp l.r. margin, pencil signed.

Adam and Eve
1891-1951, Polish/French

Etching, 11 1/4 x 8 5/8 inches, pencil signed lower right. He was involved in the foundation of the famed Atelier 17 studio, an important influence for many artists, including Pablo Picasso, Alberto Giacometti, and Marc Chagall.

All-y, All-y In Free
20th c., American

Gouache and graphite on paper, size 10 1/2 x 15 1/8 inches, signed lower left

Allegheny River Lock and Dam 2, under Construction
1894-1976, German-American

Etching, image size 7 1/2 x 9 7/8 inches, 1933, pencil signed and numbered 47/100.

American Field Sports - Retrieving
19th Century, American

Lithograph with hand coloring, image size 19 x 26 3/4 inches, 1857, inscribed in type l.l. "painted by A F Tait on stone by Ch Parsons", l.r. "Lith by Currier and Ives", titled, "American Field Sports - Retrieving". This print has a repaired tear on lower border and a few spots of touch up on the image, with borders of 1/2 an inch on three sides, more on the bottom.

Amour
1882-1925, American

This lithograph by George Bellows measures 17 3/4 x 14 inches and is house in a fine gilt frame with a linen liner. Created in 1923 in an edition of 52, from the series "Men Like Gods," based on the novel by H.G. Wells. It is #158 in the Mason catalog. This image is printed by Bolton Brown with his signature on the lower left and is pencil signed and titled by Bellows and also plate signed. In 1904 George Bellows left his hometown in Ohio to study at the New York School of Art under Robert Henri, becoming involved with Henri's "The Eight" as well as the Ashcan School.

An Egyptian Mirror
1865-1945, British

This is a very fine etching by noted British artist D. Y. Cameron, titled "An Egyptian Mirror." The image size is 11 7/ x 6 7/8 inches, it was created in 1909 and is number 408 in the Rinder catalog, pencil signed. Sir David Cameron was considered one of the greatest British etchers of the early 20th century. He was born in Glasgow, Scotland and began studying art at the Glasgow Art School before moving on to the Edinburgh School of Art. He was a member of the Royal Academy, the Royal Society of Painter-Etchers, the Royal Society of Painters in Water-Colours, and the Royal Scottish Academy.

An Iris for Lisa
1922-2000, American

A superb original etching and aquatint in colors, this image measures 17 3/4 x 11 3/4 inches, published in 1970 in an edition of 130 by CFA Graphics, NY, cat: Fern & O'Sullivan- 584, pencil signed and numbered. Baskin was an important artist in the mid 20th century, known for his evocative wood engravings, lithographs, and etchings. In the era of abstract expressionism, Baskin’s work tended toward the representational with a strong classical influence, which is particularly evident in his images of flowers and the natural world.

Approaching New York
$1450.00
1883-1959, Scottish

Etching, image size 15 x 8 1/2 inches, 1934, cat: Hardie- 269, ed. 80, signed and editioned in black ink, pencil titled along bottom of sheet, also plate signed and inscribed "McBey New York 22 October 1929". Ref: "Fine Prints of the Year 1934"

Aspiration, La Madeleine, Verneuil-Sur-Avre
1887-1953, American

Etching, image size 15 1/2 x 10 inches, pencil signed and dated 1939, inscribed Roman numeral V in pencil and dedicated "To my friend Timothy Parforman in deep and lasting appreciation, from John Taylor Arms - 1943." Also called Fraternite, Egalite, Liberte.

Painting

New England Farm in Spring
1848-1923, American

This is a luminous springtime landscape by New Hampshire artist William Preston Phelps. Oil on canvas, 12 x 18 inches, c. 1890s, signed in the lower right corner, in an ornate period gilt frame, with a label from the Godwin Gallery. Known as the "Painter of Monadnock", Phelps lived most of his life in Dublin and Chesham, NH, with the exception of several years he spent studying art in Europe. He painted many scenes of the area landscape of farms, fields and forests, many of which were set against the backdrop of the majestic Mount Monadnock.

Print

Late Summer Bouquet
20th c., American

Color etching, image size: 9 3/4 x 7 7/8 inches, numbered 32/16, pencil signed and titled.

Drawing

House on a Hill
1916-, American

Watercolor on paper, 13 3/8 x 10 1/2 inches, titled, signed and dated in pen on reverse, inscribed Westchester County N.Y., Nov 30, '33