Featured Artwork

Titlesort iconLast NamePrice
52nd Street and Third Avenue
1899-1985, German/American

A great New York etching by Bauhaus artist Walter Drewes, image size 11 7/9 x 7 3/4 inches, 1931, pencil signed, numbered and dated. Walter Drewes was a leader in the abstract movement of American art, and is often credited with bringing much of the Bauhaus aesthetic to America in the mid 20th century. Born in Germany, Drewes was drafted into the German Army at age 18 and served on the Western Front during WWI.

A By-Way in Trenton
1846-1938, American

Etching, image size: 5 7/8 x 9 7/8 inches, 1881, #52, Cat. Schneider, edition of 38, pencil signed lower right

A Couple of Mandarin Ducks
1877-1945, Japanese

Woodblock, image size 13 5/8 x 7 1/2 inches, artist signature l.r., Koson cat: K7.12.

A Jersey Vraic Cart
1886-1966, British

This is a very richly inked original etching, image size 8 5/8 x 11 1/8 inches, 1939, published by the Print Club, Cleveland, Ohio, plate signed and dated, pencil signed. Edmund Blampied was a very successful artist and illustrator in early 20th century Britain. He illustrated many books and magazines, but is best known for his remarkable skills as a printmaker. He was an important figure in the 'British Etching Revival' of the early 20th century, and was elected to the Royal Society of Painter-Etchers and Engravers in 1920.

A Pair of Florals
1900-1971, British

This is a beautiful pair of floral still life color etchings by Elyse Ashe Lord. The image size of each is 9 x 7 inches, edition of 75, c. 1940s, pencil signed and numbered, in matching Asian styled period gilt frames, likely the originals. Elyse Lord lived her entire life in Britain and although her work shows a strong Asian influence, she never actually traveled the continent. Her inspiration instead came from Chinese literature, artwork and her own imagination.

A Peasant Woman
$425.00
1861-1931, German

A rare original etching by German Impressionist artist Lesser Ury, image size 6 1/2 x 5 3/ 8 inches, c. 1920, edition of 100, pencil signed. There is a repaired tear along the entire top margin, but it does not affect the image and will be easily covered by a window mat.

A Quiet Canal, Venice
1879-1964, American

Original etching by Roth, titled "A Quiet Canal, Venice" This etching was created and printed in 1906, the image measures 4 1/2 X 9 1/8 inches, hand signed and dated in pencil printed on a light weight laid type paper.

A South Coast Road, Pegwell Bay
1857-1945, British

Etching, image size 5 1/2 x 10 1/2 inches, 1903, 2nd state, cat: Hardie-323, printed on cream laid paper, blindstamp l.r. margin, pencil signed.

A Sunny Day
1860-1943, American

A beautiful sun drenched scene by Walter MacEwen, etching, image size 10 x 5 7/8 inches, c. 1910, printed by Delatre, pencil signed. Born in Chicago, MacEwen traveled to Europe to study art, first in Munich with Frank Duveneck, then in Paris with Corman and Robert-Fleury. He stayed in Europe for many years with studios in both Paris and Holland, where he was also a founding member of the Egmond Artist Colony. Primarily a painter, MacEwen was known for his impressionistic portraits and genre scenes which were quite well received in both Europe and America.

A Winter's Day, Windsor, N. S.
1846-1938, American

An atmospheric winter scene by Stephen Parrish, etching, image size 6 x 8 inches, plate size 8 1/2 x 10 inches, 1887, state I/II, cat: Schneider-125, plate signed and pencil signed, with the remarque in the lower margin. Stephen Parrish was one of the leading American etchers of the late 19th century, known for his atmospheric images of the rugged New England and Nova Scotia coastlines.

Adam and Eve
1891-1951, Polish/French

Etching, 11 1/4 x 8 5/8 inches, pencil signed lower right. He was involved in the foundation of the famed Atelier 17 studio, an important influence for many artists, including Pablo Picasso, Alberto Giacometti, and Marc Chagall.

Adrianus Stalbent
1599-1641, European

This is an original engraving by Paulus Pontius after the painting by Anthony Van Dyck. The image size is 9 5/8 x 6 3/4 inches, c. 1700s, inscribed "Ant. van Dyck pinxit" and "Paul. du pont sculpt" in the lower left margin, with the title and a phrase in Latin below the image, with the original Kennedy Gallery label. Stalbent was a Flemish landscape painter and friend of Anthony Van Dyck when this portrait was painted.

All Hands
1873-1943, British

This is a very dramatic original etching by British Marine artist Arthur Briscoe. The image size is 8 3/8 x 15 3/8 inches, 1926, edition of 75, hand signed and numbered in ink. This etching is tastefully framed with what appear to be archival materials, provenance Egon and Joan Teichert Fine Prints, NY, label on the back of the frame. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century.

All-y, All-y In Free
20th c., American

Gouache and graphite on paper, size 10 1/2 x 15 1/8 inches, signed lower left

Amston Pond
1889-1971, New England

An atmospheric original engraving on copper, image size 6 7/8 x 10 5/8 inches, 1947, cat: BPL-424, published by the Society of Print Connoisseurs with the blind stamp and the original label, pencil signed "TW Nason imp", the 'imp' indicating that Nason printed this impression himself.

Painting

Autumn Landscape

This early 20th. century oil painting by Rene de'l Arnet(?) measures 25 x 30 inches. This fine impressionistic water scene with sunlit fields in the distance is well painted using a subtle color palette with a nice tonal and textural range.

Print

Yamauba and Kintaro
$175.00
1790-1842, Japanese

Color woodblock, restrike of 19th centry image,image size 15 x 10 inches

Drawing

The Gathering Crowd
1881-1939, American

This is an original ink drawing on paper, image size 6 7/8 x 11 inches, 1933, signed and dated in the lower right corner. Hopper Emory was born in Baltimore, Maryland and had a successful career in banking before he turned exclusively to his artwork. He traveled to England where he studied at the Heatherly School of Art in London, then returned to Maryland where he became known for his delicately rendered architectural and maritime etchings.