Featured Artwork
Title | Last Name | Price |
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1846-1938, American A By-Way in Trenton Etching, image size: 5 7/8 x 9 7/8 inches, 1881, #52, Cat. Schneider, edition of 38, pencil signed lower right
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1877-1945, Japanese A Couple of Mandarin Ducks Woodblock, image size 13 5/8 x 7 1/2 inches, artist signature l.r., Koson cat: K7.12.
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1896-1969, American A Covey of Quail Etching, image size 8 1/2 x 13 3/4 inches, 1947, pencil signed, dated and titled. Provenance: Haley and Steele, Boston. A covey of quail erupt from the bushes in this fine etching by sporting artist Aiden Lassell Ripley.
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1872-1941, French A la Barre Color aquatint, image size 10 1/8 x 7 3/4 inches, pencil signed and numbered 248/250
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1857-1945, British A South Coast Road, Pegwell Bay Etching, image size 5 1/2 x 10 1/2 inches, 1903, 2nd state, cat: Hardie-323, printed on cream laid paper, blindstamp l.r. margin, pencil signed.
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1891-1951, Polish/French Adam and Eve Etching, 11 1/4 x 8 5/8 inches, pencil signed lower right. He was involved in the foundation of the famed Atelier 17 studio, an important influence for many artists, including Pablo Picasso, Alberto Giacometti, and Marc Chagall.
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b. 1931, American Afternoon Lithograph, image size 13 1/2 x 10 inches, 1971, edition of 260, pencil signed and numbered, framed.
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1932-2009, American All-y, All-y In Free Gouache and graphite on paper, size 10 1/2 x 15 1/8 inches, signed lower left
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1894-1976, German-American Allegheny River Lock and Dam 2, under Construction Etching, image size 7 1/2 x 9 7/8 inches, 1933, pencil signed and numbered 47/100.
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19th Century, American American Field Sports - Retrieving Lithograph with hand coloring, image size 19 x 26 3/4 inches, 1857, inscribed in type l.l. "painted by A F Tait on stone by Ch Parsons", l.r. "Lith by Currier and Ives", titled, "American Field Sports - Retrieving". This print has a repaired tear on lower border and a few spots of touch up on the image, with borders of 1/2 an inch on three sides, more on the bottom.
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1882-1925, American Amour Lithograph, image size 17 3/4 x 14 inches, 1923, edition of 52, from the series "Men Like Gods," based on the novel by H G Wells. This image is printed by Bolton Brown with his signature l.l, pencil signed and titled by Bellows. In 1904 George Bellows left his hometown in Ohio to study at the New York School of Art under Robert Henri, becoming involved with Henri's "The Eight" as well as the Ashcan School. He became well known for his paintings and lithographs depicting scenes of everyday life in New York City, as well as his most famous boxing scenes.
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1883-1959, Scottish Approaching New York Etching, image size 15 x 8 1/2 inches, 1934, cat: Hardie- 269, ed. 80, signed and editioned in black ink, pencil titled along bottom of sheet, also plate signed and inscribed "McBey New York 22 October 1929". Ref: "Fine Prints of the Year 1934"
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1887-1953, American Aspiration, La Madeleine, Verneuil-Sur-Avre Etching, image size 15 1/2 x 10 inches, pencil signed and dated 1939, inscribed Roman numeral V in pencil and dedicated "To my friend Timothy Parforman in deep and lasting appreciation, from John Taylor Arms - 1943." Also called Fraternite, Egalite, Liberte.
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1908-1978, American Astor Lobby Showtime Lithograph, image size 8 3/4 x 11 1/8 inches, 1932, edition of 30 or fewer, cat: McCulloch-34, pencil signed and titled.
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1894-1976, German-American At Quarantine Etching, image size 10 3/8 x 7 3/4 inches, signed and titled in pencil
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