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Featured Artwork

Titlesort iconLast NamePrice
A By-Way in Trenton
1846-1938, American

Etching, image size: 5 7/8 x 9 7/8 inches, 1881, #52, Cat. Schneider, edition of 38, pencil signed lower right

A Couple of Mandarin Ducks
1877-1945, Japanese

Woodblock, image size 13 5/8 x 7 1/2 inches, artist signature l.r., Koson cat: K7.12.

A Covey of Quail
1896-1969, American

Etching, image size 8 1/2 x 13 3/4 inches, 1947, pencil signed, dated and titled. Provenance: Haley and Steele, Boston. A covey of quail erupt from the bushes in this fine etching by sporting artist Aiden Lassell Ripley.

A la Barre
1872-1941, French

Color aquatint, image size 10 1/8 x 7 3/4 inches, pencil signed and numbered 248/250

A South Coast Road, Pegwell Bay
1857-1945, British

Etching, image size 5 1/2 x 10 1/2 inches, 1903, 2nd state, cat: Hardie-323, printed on cream laid paper, blindstamp l.r. margin, pencil signed.

A Water Meadow
1818-1910, British

An atmospheric early proof by Sir Francis Seymour Haden, this scene is of the river Test outside the town of Romsey, near Southampton Bay. The image size is 5 7/8 x 8 7/8 inches, published in 1859, state II/IV, cat: Schneiderman-23. This original etching features a very rich impression with beautiful plate tone, printed on a laid type paper.

Adam and Eve
1891-1951, Polish/French

Etching, 11 1/4 x 8 5/8 inches, pencil signed lower right. He was involved in the foundation of the famed Atelier 17 studio, an important influence for many artists, including Pablo Picasso, Alberto Giacometti, and Marc Chagall.

Adoration of the Magi
1494-1533, Dutch

A spectacular original copper engraving, this image measures 11 7/8 x 17 1/8 inches, printed on a watermarked laid type paper with thread margins, cat: Bartsch-37. The plate was engraved in 1513, this impression printed c. 1580, as identified on the back of the sheet. Provenance: Achenbach Foundation for Graphic Arts, stamp on verso. Lucas van Leyden was one of the preeminent engravers of the Renaissance period, and was a colleague and friendly rival of Albrecht Durer. This engraving is included in the collections of the National Gallery, Washington D.C. and the Museum of Fine Arts, Boston.

Aggstein Castle
1881-1962, Austrian

Etching and aquatint in colors, image size 16 x 22 1/2 inches, 1914, cat: Lorenz-32, remarque in lower left margin, pencil signed by the artist, framed.

All-y, All-y In Free
1932-2009, American

Gouache and graphite on paper, size 10 1/2 x 15 1/8 inches, signed lower left

Allegheny River Lock and Dam 2, under Construction
1894-1976, German-American

Etching, image size 7 1/2 x 9 7/8 inches, 1933, pencil signed and numbered 47/100.

American Field Sports - Retrieving
19th Century, American

Lithograph with hand coloring, image size 19 x 26 3/4 inches, 1857, inscribed in type l.l. "painted by A F Tait on stone by Ch Parsons", l.r. "Lith by Currier and Ives", titled, "American Field Sports - Retrieving". This print has a repaired tear on lower border and a few spots of touch up on the image, with borders of 1/2 an inch on three sides, more on the bottom.

Amour
1882-1925, American

This lithograph by George Bellows measures 17 3/4 x 14 inches and is house in a fine gilt frame with a linen liner. Created in 1923 in an edition of 52, from the series "Men Like Gods," based on the novel by H.G. Wells. It is #158 in the Mason catalog. This image is printed by Bolton Brown with his signature on the lower left and is pencil signed and titled by Bellows and also plate signed. In 1904 George Bellows left his hometown in Ohio to study at the New York School of Art under Robert Henri, becoming involved with Henri's "The Eight" as well as the Ashcan School.

An Egyptian Mirror
1865-1945, British

This is a very fine etching by noted British artist D. Y. Cameron, titled "An Egyptian Mirror." The image size is 11 7/ x 6 7/8 inches, it was created in 1909 and is number 408 in the Rinder catalog, pencil signed. Sir David Cameron was considered one of the greatest British etchers of the early 20th century. He was born in Glasgow, Scotland and began studying art at the Glasgow Art School before moving on to the Edinburgh School of Art. He was a member of the Royal Academy, the Royal Society of Painter-Etchers, the Royal Society of Painters in Water-Colours, and the Royal Scottish Academy.

Approaching New York
$1450.00
1883-1959, Scottish

Etching, image size 15 x 8 1/2 inches, 1934, cat: Hardie- 269, ed. 80, signed and editioned in black ink, pencil titled along bottom of sheet, also plate signed and inscribed "McBey New York 22 October 1929". Ref: "Fine Prints of the Year 1934"

Painting

Study of Hooded Figures
1890 - 1951, Vienna

Ink wash drawing, image size 14 x 16 inches, pencil signed and dated '43. Tischler studied at L'Academy de Vienne under Franz Rumpler, and exhibited his work throughout Europe in the 1920s and 1930s, at museums in Rotterdam, Amsterdam, and Vienna.

Print

Sacred Bridge at Nikko
1870-1949, Japanese

Color woodblock, image size 10 1/8 x 15 3/8 inches, 1937, Doi Hangaten publisher, Yokoi printer, Doi watermark in the upper right corner of the sheet, publisher and printer seals in the margins, artist's seal in the lower left of the image. Tsuchiya Koitsu was apprenticed at the age of 15 to the artist Kobayashi Kiyochica in Tokyo, with whom he worked and lived for almost 20 years. He became known for his remarkable landscape prints in the Shin-Hanga style of Japanese art.

Drawing

Tulips and Fruit Stllife
1893-1986, American

Watercolor, image size 17 X 12 inches, pencil signed