Now Located in Peterborough, NH!

Our new showroom in Peterborough NH in the center of Depot Square is now open! Please stop by and visit us!

Recent Acquisitions


Cabin by the Lake
1854-1927, American

This is a luminous scene of a cabin by a still lake with the glowing colors of the setting sun lingering in the sky, casting blue shadows over summer landscape. Pastel on paper, sight size 12 3/4 x 17 inches, c. 1900, signed in the lower right corner. This pastel comes tastefully displayed in a period maple frame. Clarence Braley was a Massachusetts artist who specialized in pastel and watercolor landscapes. He was a member of the New Bedford Art Association and exhibited his work at the Boston Art Club and the Art Institute of Chicago.


Low Tide, Bay of Fundy
1846-1938, American

This is a very fine atmospheric etching of fishermen's houses along the Canadian coastline, with two small children playing on a boat in the foreground. The image size is 11 3/4 x 18 3/4 inches, published in 1881, cat: Schneiderman- 64, signed and titled in the plate. Stephen Parrish was one of the leading American etchers of the late 19th century, known for his atmospheric images of the rugged New England and Nova Scotia coastlines. This etching is one of Parrish's finest prints; in his 1886 book 'Etching in America', J.R.W. Hitchcock wrote, "Nothing that Mr.


Hamburg Harbor
1881-1962, Austrian

This is a remarkable original etching and aquatint of Hamburg Harbor in Germany. The image size is 15 5/8 x 22 3/4 inches, published in 1914 in an edition of 100 impressions, pencil signed and numbered, framed. This image is printed using two plates, one in black ink and one in gray ink to create a chiaroscuro effect with beautiful tonal range and rich contrast. Luigi Kasimir studied at the Vienna Academy of Art, although much of his etching technique was self taught and learned through working from nature.


Baldpate
1903-1985, American

This early etching by Churchill Ettinger measures 11 x 8 1/4 inches. It is pencil signed and titled with an attached AAA label with artist provenance.


Scissorbills
1903-1985, American

This etching by Churchill Ettinger measures 7 3/4 x 11 5/8 inches. It is pencil signed and titled on the lower margin and has an AAA label with artist provenance.


River View in Summer
1876-1960

This 1920 etching by Adolphe Beaufrere measures 5 1/2 x 7 3/4 inches. Plate signed and dated l.r.


Sur La Plage a Larmor
1876-1960

This 1929 etching and drypoint by Adolphe Beaufrere of a beach resort, measures 5 3/4 x 6 3/4 inches. It is pencil signed and numbered with a blindstamp of the publisher, Sagot, on the lower right.


Le Point Suspendu
1876-1960

Wonderful etching by Adolphe Beaufrere depicting everyday life on a river. Measuring 7 1/2 x 10 3/4 inches in an edition of 60, it is pencil signed with a blindstamp of the publisher, Sagot, on the lower right.


Orchard
1860-1929, American

"Orchard" by Edith Penman measures 6 3/4 x 6 7/8 inches. Created in 1890 in an edition of ~60 on japan vellum in brown ink with wide, full margins. Printed by the artist and published by Christian Klackner. Pencil signed on the lower right with publisher's address in the plate.


Moorings
1860-1929, American

This 1890 etching by Edith Penman measures 6 3/4 x 6 3/4 inches in an edition of 60. It is pencil signed by the artist on the lower margin with the address of the publisher, Christian Klackner, in the plate. This image was printed by the artist in black ink on cream wove paper.


Santa Cecilia, Guadelupe, Spain
1890-1983, American

This drypoint etching by Louis Conrad Rosenberg measures 8 1/4 x 6 7/8 inches. Created in 1925, it is pencil signed in the lower right. Rosenberg studied architecture at the University of Oregon before moving into architectural etching, studying at the American Academy in Rome and the Royal College of Art in London. The majority of his work was of European buildings with historic significance.


Carrera del Darro
1890-1983, American

This drypoint etching of the Carrera del Darro, one of the oldest streets in Granada, measures 6 5/8 x 7 3/4 inches. Created in 1935, it is pencil signed on the lower right. Rosenberg studied architecture at the University of Oregon before moving into architectural etching, studying at the American Academy in Rome and the Royal College of Art in London. The majority of his work was of European buildings with historic significance.


River Landscape
1860-1929, American

This 1888 etching by Edith Penman measures 5 1/8 x 9 inches in an edition of 60 or fewer. Signed by the artist in the lower right with the dated, copyright address of the publisher, Christian Klackner, lower center. This image was printed by the artist on light laid paper with full margins.


An Old Bridge
1846-1938, American

This two sided drawing by Stephen Parrish measures 6 5/8 x 10 3/8 inches. Done in black ink, c. 1890, with a Maxfield Parrish Jr. family stamp on the lower right and upper left in black ink. Another drawing of a homestead with split rail fence, possibly his own, in on the reverse.


Shepherdess at Sunset
1859-1938, American

A beautiful, Barbizon inspired twilight scene, this etching measures 16 1/8 x 20 1/4 inches, published in 1888 by Klackner, New York, plate signed and dated, pencil signed, with two remarques in the lower margin. William Lathrop was the son of a midwest farmer and throughout his life worked as both an artist and a farmer. As a young man he moved to New York, and began creating etchings, many of which were published by Klackner. In the late 1880s he traveled to London and Paris, and inspired by the European countryside concentrated on painting in oils and watercolors.


January Thaw
1860-1929, American

Etching by Edith Penman after the painting by Julian Rix. Image size 7 1/2 x 21 7/8 inches, published in 1890 by Klackner, New York, pencil signed by both Penman and Rix.


Still Life with Peonies
1897-1970, American

A vibrant still life by New England artist Arthur Herrick, oil on canvas, 25 x 30 inches, c. 1950, signed, in the original frame. Herrick studied at The New School of Design in Boston and was an illustrator and designer before taking up painting. He lived in Westmoreland, NH and specialized in plein air landscapes of New Hampshire and Vermont, as well as scenes of the Rockport and Gloucester area of Massachusetts.


Outbreak
1867-1945, German

This is an evocative etching by German Expressionist artist Kathe Kollwitz. The image size is 19 x 22 3/4 inches, plate size 20 1/4 x 23 1/2 inches, sheet size 23 7/8 x 26 1/2 inches, from Kollwitz's 'Peasant War' series. Originally published in 1903, this image is from a 1921 restrike, plate signed, dated 1902 in the plate, 1921 below the image. There are no publisher's marks on the sheet, but there is a clear plate mark around the image.


Church at Montague, Massachusetts
1897-1970, American

This is an idyllic scene of a small village church by New England artist Arthur Herrick. Oil on canvas, 16 x 20 inches, c. 1950, signed in the lower right corner, in the original frame. Herrick studied at The New School of Design in Boston and was an illustrator and designer before taking up painting. He lived in Westmoreland, NH and specialized in plein air landscapes of New Hampshire and Vermont, as well as scenes of the Rockport and Gloucester area of Massachusetts.


Barns in Autumn
1897-1970, American

This is a great scene of a warm autumn day in New England by Arthur Herrick. Painted in oils on masonite, this painting measures 20 x 30 inches, c. 1950s, signed in the lower left corner, in the original frame. Herrick studied at The New School of Design in Boston and was an illustrator and designer before taking up painting. He lived in Westmoreland, NH and specialized in plein air landscapes of New Hampshire and Vermont, as well as scenes of the Rockport and Gloucester area of Massachusetts.

Painting

The Long Lane
20th c., American

Watercolor on paper, 4 1/2 x 5 3/8 inches, monogrammed lower left. Housed in its original frame. The original display label on the back lists the artist, the title and the artist's address of "30 Park Place, Pawtucket," Rhode Island.

Print

Village Street Scene
1837-1915, American

etching,12X9",plate signed

Drawing

Harlem Revival
1905-1963, American

Pencil and graphite on drawing board, image size 13 1/4 x 15 1/2 inches, c. 1940, pencil signed. Tanzer was active in New York during the depression, and was a member of the WPA.