This 1919 etching and aquatint by John Taylor Arms measures 7 1/2 x 5 inches. This is the third state in an edition of 50. Printed by Frederick Reynolds, it is pencil signed by both the artist and the printer on the lower margin. Framed. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details which gave his etchings a very realistic, almost photographic appearance.
This lithograph by Victoria Huntley measures 8 1/4 x 11 7/8 inches. It is pencil signed, numbered and dated on the l.r. on medium weight paper with wide margins. Huntley grew up in the NYC area and attended the Arts Student League of NY studying under John Sloan and Max Weber.
This is a very fine original woodblock print by Jacques Hnizdovsky. Image size 11 x 5 inches, 1982, pencil signed, dated and numbered, with the original label from the Associated American Artists. Hnizdovsky was born in Ukraine and studied at the Academy of Fine Arts in Warsaw and in Zagreb before emigrating to the United States in 1949. Influenced by both the Japanese tradition of woodcuts and the work of Albrecht Durer, Hnizdovsky became well known for his naturalistic, yet slightly stylized images of plants and animals, many of which he drew from life at the Brooklyn Zoo.
1872- c.1950, American
A beautiful scene of Mt Monadnock by Marlborough, NH artist Dexter Dawes. Watercolor on paper, sight size 14 1/2 x 19 1/2 inches, c. 1930s, in the original frame. Dawes studied at the Art Students League in New York, and split his time between his native New Jersey and Marlborough, NH. He created many images of the New Hampshire countryside, this view of Mt Monadnock is one of his most vibrant.
A rare artist's proof by Leonard Baskin, this is an early woodcut portraying the artist dressed as a priest. The image size is 21 1/4 x 10 inches, published in 1952, cat: Fern & O'Sullivan-193, pencil signed and dated, notated 'artist's proof', framed. Baskin was an important artist in the mid 20th century, known for his evocative wood engravings, lithographs, and etchings.
This is a great portrait of the 18th century Romantic painter Henry Fuseli by American artist Leonard Baskin. The sight size is 26 x 18 inches, published in 1969 in an edition of 100, cat: Fern & O'Sullivan-534, pencil signed, titled and numbered, framed. In the era of abstract expressionism, Baskin’s work was always representational, with a strong classical influence. He drew inspiration from many artists of the past, and in the 1950s and 1960s created series of portraits of the artists he admired.
An elegant image of a dancer surrounded by bluebirds, this hand colored etching measures 10 1/4 x 8 inches, c. 1930s, edition of 75 impressions, pencil signed and numbered, in the original hand painted Asian style frame. Elyse Lord lived her entire life in Britain and although her work shows a strong Asian influence, she never actually traveled the continent. Her inspiration instead came from Chinese literature, artwork and her own imagination. Her unique style uses fine drypoint lines and delicate, yet vibrant colors to create images that that have a serene, almost dreamlike quality.
A beautiful original hand colored etching, this image measures 9 1/8 x 7 1/8 inches, c. 1930s, from a small edition of 50 impressions, pencil signed and numbered, in the original hand painted Asian style frame. Elyse Lord lived her entire life in Britain and although her work shows a strong Asian influence, she never actually traveled the continent. Her inspiration instead came from Chinese literature, artwork and her own imagination. Her unique style uses fine drypoint lines and delicate, yet vibrant colors to create images that that have a serene, almost dreamlike quality.
This is a very fine hand colored etching by British artist Elyse Ashe Lord. The image size is 11 1/2 x 11 1/2 inches, c. 1930s, edition of 100, pencil signed and numbered, framed. Elyse Lord lived her entire life in Britain and although her work shows a strong Asian influence, she never actually traveled the continent. Her inspiration instead came from Chinese literature, artwork and her own imagination. Her unique style uses fine drypoint lines and delicate, yet vibrant colors to create images that that have a serene, almost dreamlike quality.
This is a stunning original stencil print in the Japanese 'Mingei' or Folk Art style by Sadao Watanabe. The image size is 21 x 17 1/2 inches, sheet size 26 1/2 x 22 1/2 inches, published in 1964 in a small edition of 50 impressions, signed, dated and numbered by the artist in white ink, framed. Watanabe grew up in Tokyo, Japan with a strong Christian influence, and was baptized at the age of 17. He became known for his images that combine Christian stories with Japanese imagery in the 'Mingei' style of Japanese Folk Art.
This is a beautiful summertime scene of Marlborough, NH by Chinese/American artist Chen Chi. Watercolor on paper, sight size 14 3/4 x 22 inches, outer frame dimension 25 x 33 inches, c. late 1940s, signed in English and Chinese with the artist's stamp in the lower right corner, in a very fine blonde oak frame and cream colored linen mat. Chen Chi was born and raised in China, and began his career as an art teacher first at a girl's high school, then at St John's University School of Architecture in Shanghai.
1872- c.1950, American
This summer landscape by Dexter Dawes was created in 1932. It is signed by the artist in the lower left corner and the sight size is 14 1/4 x 19 inches. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.
A brilliant seascape by the renowned artist, Sears Gallagher. Created c. 1920, sight size is 13 1/4 x 19 1/4 inches and is signed by the artist on the lower right. On the back of the sheet, written in the artist hand, is the title and the artists signature. Known for his etchings and watercolors of historic streets and landmarks in and around Boston, he also had a love of marine settings and created many scenes of coastal Maine, especially Monhegan Island.
This drawing by Muirhead Bone of the French countryside measures 7 3/8 x 11 inches. It is done in graphite and sepia ink on paper, pencil signed "Bone" on the l.r. and comes with its original label. Muirhead Bone was a Scottish artist and an important figure known for his atmospheric, finely detailed landscapes, cityscapes and images of WWI.
This is a luminous scene of a cabin by a still lake with the glowing colors of the setting sun lingering in the sky, casting blue shadows over summer landscape. Pastel on paper, sight size 12 3/4 x 17 inches, c. 1900, signed in the lower right corner. This pastel comes tastefully displayed in a period maple frame. Clarence Braley was a Massachusetts artist who specialized in pastel and watercolor landscapes. He was a member of the New Bedford Art Association and exhibited his work at the Boston Art Club and the Art Institute of Chicago.
This is a very fine atmospheric etching of fishermen's houses along the Canadian coastline, with two small children playing on a boat in the foreground. The image size is 11 3/4 x 18 3/4 inches, published in 1881, cat: Schneiderman- 64, signed and titled in the plate. Stephen Parrish was one of the leading American etchers of the late 19th century, known for his atmospheric images of the rugged New England and Nova Scotia coastlines. This etching is one of Parrish's finest prints; in his 1886 book 'Etching in America', J.R.W. Hitchcock wrote, "Nothing that Mr.
This is a remarkable original etching and aquatint of Hamburg Harbor in Germany. The image size is 15 5/8 x 22 3/4 inches, published in 1914 in an edition of 100 impressions, pencil signed and numbered, framed. This image is printed using two plates, one in black ink and one in gray ink to create a chiaroscuro effect with beautiful tonal range and rich contrast. Luigi Kasimir studied at the Vienna Academy of Art, although much of his etching technique was self taught and learned through working from nature.
This early etching by Churchill Ettinger measures 11 x 8 1/4 inches. It is pencil signed and titled with an attached AAA label with artist provenance.
This etching by Churchill Ettinger measures 7 3/4 x 11 5/8 inches. It is pencil signed and titled on the lower margin and has an AAA label with artist provenance.
This 1920 etching by Adolphe Beaufrere measures 5 1/2 x 7 3/4 inches. Plate signed and dated l.r.