Now Located in Peterborough, NH!

Our new showroom in Peterborough NH in the center of Depot Square is now open! Please stop by and visit us!

Recent Acquisitions


The Old Road
$575.00
19th Century, British

This original landscape by H. Wayland depicts a child walking along a peaceful country lane. An oil on canvas measuring 12 x 23 inches with the artists' signature in the lower right and a brass plaque with the artists name on the lower center. It appears to be housed in its original frame. Title is on the reverse.


Departure of the Fishing Boats
1851-1931, British

This is a remarkable original etching by William Lionel Wyllie, image size 9 1/4 x 14 inches, c. 1900, pencil signed, titled on the lower edge of the sheet. Wyllie was a well known marine painter and printmaker in early 20th century London. He studied at the Heatherley School of Fine Art, then at the age of 15 began his studies at the Royal Academy. At the age of 18, Wyllie won the Turner Gold Medal for his painting "Dawn After A Storm". He went on to have a long artistic career, specializing in paintings and etchings of the sea and the city of London.


Ice River Country
1884-1954, American

A great sun-drenched western scene, this etching measures 12 3/8 x 10 3/8, published in 1936, pencil signed, dated and titled. Palenske was equally an outdoorsman and an artist, spending much of his time out riding and exploring the western wilderness. His etchings reflect his great love of the outdoors, as in this image of two riders pausing to look up at the rugged mountain terrain.


French Woman in Cloak at Doorway
1864-1950, American

This vibrant color woodcut by Charles Hovey Pepper measures 12 3/8 x 9 inches. Created c. 1906, it is signed in the block as usual and trimmed to the edges. This image is from the artists estate with provenance on the backing. Pepper was born in Waterville, ME, son of Dr. George Pepper, President of Colby College. He studied at the Arts Student League before traveling to Paris and attending the Academie Julian. He opened a studio there, exhibiting at the Salon from 1894-1898.


Color Abstract

This is a great original color lithograph, pencil signed, dated, and inscribed 'epreuve d'artiste' (artist's proof), but we have been unable to decipher the signature. The image size is 12 x 21 1/4 inches, 1979, with a stamp from the "Ministerio de Cultura Y Educacion" of Spain on the back of the sheet. This is a very cool, abstract composition with vibrant colors; the style looks quite familiar to us, but we have been unable to confidently attribute this print to a specific artist.


The Yellow Junk
1879-1945, English

Etching in colors, image size 6 7/8 x 9 7/8 inches, c. 1920s, edition of 150, pencil signed and titled, in the original frame and grasscloth mat, with the original label on the back.


Two Dancers
1894-1984, Russian-American

This is a beautifully vibrant original lithograph in colors by Russian born artist Nicolai Cikovsky. The image size is 21 3/4 x 16 inches, sheet size 26 x 20 inches, published in 1965 in an edition of 100, pencil signed and numbered. Cikovsky studied at the Vilna Art School, the Penza Royal Art School and the Moscow High Tech Art Insititute before emigrating to the United States in 1923. He settled in New York City where he met fellow Russian born artist Raphael Soyer, whose Social Realism greatly influenced his style of painting.


La Maison du Roi de Pologne
1849-1918, French

A fine original etching by an important French artist, this image measures 6 1/4 x 8 1/2 inches, published in 1912 in a small edition of 35, pencil signed and numbered. Auguste-Louis Lepere was one of the leading French printmakers of the late 19th and early 20th centuries. He began studying printmaking at the age of 13 with Joseph Burn Smeeton in Paris and quickly made a name for himself with his innovative style and technically brilliant etchings and wood engravings.


Au Coin du Pont-aux-Doubles
1849-1918, French

This is a very rare nocturnal scene by French artist Auguste- Louis Lepere. Etching, image size is 4 1/4 x 3 7/8 inches, 1893, cat: LB-71, pencil signed and numbered "16". Auguste-Louis Lepere was one of the leading French printmakers of the late 19th and early 20th centuries. He began studying printmaking at the age of 13 with Joseph Burn Smeeton in Paris and quickly made a name for himself with his innovative style and technically brilliant etchings and wood engravings.


Poppies
1872- c.1950, American

A vibrant, lifelike watercolor on paper, sheet size 18 1/2 x 14 1/4 inches, 1930, signed and dated in ink.


The Lookout: "All's Well"
1836-1910, American

A stunning original etching by American artist William Bicknell (1860-1947) after the painting by Winslow Homer. This is a very rare early pencil signed proof, before the remarque and lettering of the Hamburg-American Steamship Line. The plate size is 27 3/8 x 20 1/2 inches, published in 1906 by the John A. Lowell Bank Note Co., Boston, plate signed by Homer, pencil signed by Bicknell. This is a superb, richly inked impression on a heavy weight wove type paper with ample margins.


Rooftop and Skylights
1903-1984, American

This is a fantastic image of the rooftops of New York City by American artist and architect Armin Landeck. Copper engraving, image size 17 3/4 x 20 5/8 inches, published in 1969 in an edition of 100, cat: Kraeft-121, pencil signed. Armin Landeck was born in Wisconsin and graduated with a degree in architecture from Columbia University in 1927, then went on to study art and printmaking at the Art Students League in New York and spent a couple of years traveling through Europe, studying the art and architecture of the landmark European cities.


Westmoreland Farm in Winter
1897-1970, American

A view from "Great Meadow Ferry Road" measures 16 x 24 inches. Created c. 1950-60, oil on board, it suggests a beautiful, sunny winters' day in New Hampshire. Arthur Herrick lived in Westmoreland and was known for his landscapes of the area including Mt. Monadnock. The estate stamp is on the backing and an inscription with the location.


Venice
1856-1909, American

This richly printed etching by Otto Bacher measures 6 7/8 x 10 inches. A rare print, created in 1880, pencil signed. An important American printmaker and illustrator, Bacher studied at the Royal Academy in Germany and from there he made his way to Venice where he established his own studio. It was here that he met the artists James McNeill Whistler, an important influence on his work.


The Birdman
1887-1953, American

This 1919 etching and aquatint by John Taylor Arms measures 7 1/2 x 5 inches. This is the third state in an edition of 50. Printed by Frederick Reynolds, it is pencil signed by both the artist and the printer on the lower margin. Framed. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details which gave his etchings a very realistic, almost photographic appearance.


Vermont Covered Bridge
1900-1971, American

This lithograph by Victoria Huntley measures 8 1/4 x 11 7/8 inches. It is pencil signed, numbered and dated on the l.r. on medium weight paper with wide margins. Huntley grew up in the NYC area and attended the Arts Student League of NY studying under John Sloan and Max Weber.


Monadnock Autumn
1872- c.1950, American

A beautiful scene of Mt Monadnock by Marlborough, NH artist Dexter Dawes. Watercolor on paper, sight size 14 1/2 x 19 1/2 inches, c. 1930s, in the original frame. Dawes studied at the Art Students League in New York, and split his time between his native New Jersey and Marlborough, NH. He created many images of the New Hampshire countryside, this view of Mt Monadnock is one of his most vibrant.


Self Portrait as a Priest
1922-2000, American

A rare artist's proof by Leonard Baskin, this is an early woodcut portraying the artist dressed as a priest. The image size is 21 1/4 x 10 inches, published in 1952, cat: Fern & O'Sullivan-193, pencil signed and dated, notated 'artist's proof', framed. Baskin was an important artist in the mid 20th century, known for his evocative wood engravings, lithographs, and etchings.


Fuseli
1922-2000, American

This is a great portrait of the 18th century Romantic painter Henry Fuseli by American artist Leonard Baskin. The sight size is 26 x 18 inches, published in 1969 in an edition of 100, cat: Fern & O'Sullivan-534, pencil signed, titled and numbered, framed. In the era of abstract expressionism, Baskin’s work was always representational, with a strong classical influence. He drew inspiration from many artists of the past, and in the 1950s and 1960s created series of portraits of the artists he admired.


The Concert
1900-1971, British

This is a very fine hand colored etching by British artist Elyse Ashe Lord. The image size is 11 1/2 x 11 1/2 inches, c. 1930s, edition of 100, pencil signed and numbered, framed. Elyse Lord lived her entire life in Britain and although her work shows a strong Asian influence, she never actually traveled the continent. Her inspiration instead came from Chinese literature, artwork and her own imagination. Her unique style uses fine drypoint lines and delicate, yet vibrant colors to create images that that have a serene, almost dreamlike quality.

Painting

Summer Morning
1872- c.1950, American

A sunlit scene of a summertime meadow by Dexter Dawes, this watercolor measures 14 1/2 x 19 3/4 inches; it was painted c. 1935 and is signed by the artist. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.

Print

The Foundry
20th century, European

Etching, plate signed and dated 1910 image size 4 3/8 x 5 5/8 inches

Drawing

Edge of the Field
1872- c.1950, American

This landscape drawing by Dexter Dawes measures 18 1/2 x 24 1/2 inches and is signed in the lower right corner. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and drawings. He belonged to a number of associations including the National Arts Club.