Recent Acquisitions


Ramparts
1895-1961, American

This signed, original lithograph by Wilfred Readio measures 9 3/4 x 11 7/8 inches. Pencil signed, titled and numbered. Readio was a painter, lithographer and educator, known for his scenes of Pittsburg, PA. and the American West. He was also the Academic Drawing teacher at the Carnagie Institute of the Arts, Andy Warhol being one of his students.


Fishermans House, Maine
1906-1978, American

This richly toned lithograph by Stow Wengenroth measures 7 1/2 x 8 3/4 inches and is pencil signed, 1932, Stuckey cat: 28. Stow Wengenroth was one of the preeminent lithographers of 20th century America, known for his atmospheric, incredibly detailed images of the New England landscape and coastline. He studied at the Art Students League and the Grand Central School of Art in New York, and in the summers studied with John Carlson in Woodstock NY and George Ennis in Eastport ME. In 1931 he had his first one man show at the MacBeth Galleries, beginning a long and very successful artistic career.


Hudson River Miniature
19th Century, American

This is a beautifully painted miniature landscape in the Hudson River School style, oil on academy board, 3 3/4 x 2 1/4 inches, c. 1883, unsigned, in an original Doll & Richards frame, with a label on the back. Although this painting is unsigned and we have not been able to identify an artist, it is very well painted with rich colors and remarkable, minute details.


Tintoret's House
1865-1945, British

This is a great architectural etching by Scottish artist D Y Cameron, from his 'North Italian Set'. The image size is 9 3/8 x 4 inches, 1894, no. 6 in the 'North Italian Set', cat: Rinder- 209, pencil signed. According to Rinder, this is a corner of the Palazzo Camello, Fondamenta dei Mori, Venice.


Pap of Glencoe
1865-1945, British

A very fine original etching of the mountain near Glencoe, in the Scottish Highlands by Scottish artist D Y Cameron. The image size is 3 3/8 x 4 3/8 inches, published in 1915 in an edition of about 50 impressions, pencil signed. Cameron was born in Scotland and studied at the Glasgow School of Art and at the Edinburgh School of Art, becoming one of the great artist of the British etching revival of the early 20th century.


Brandon's Old Home
20th Century, American

This is a very finely detailed original wood engraving by New Hampshire artist Randy Miller. Image size 4 x 5 inches, published in 1976, pencil signed and titled.


Bluebills
1887-1975, American

A very fine original etching by American sporting artist Richard E. Bishop, image size 9 3/4 x 7 7/8 inches, pencil signed and titled. Primarily a self taught artist, Bishop was known for his etchings of wildfowl; in 1936 his image of Canada geese was selected for the third Federal Duck Stamp.


Geese Pitching
1887-1975, American

This is a richly inked original sporting etching by American artist Richard E. Bishop. The image size is 8 x 11 inches, 1938, pencil signed and titled. Primarily a self taught artist, Bishop was known for his etchings of wildfowl; in 1936 his image of Canada geese was selected for the third Federal Duck Stamp.


Sunrise- The Pond, Easthampton
1837-1926, American

A finely detailed original etching, this image measures 4 1/2 x 7 1/8 inches, published by Klackner in 1883, cat: Gilcrease-47, monogrammed in the plate. Thomas Moran was a leading artist of the American etching revival, and in 1877 was one of the founders of the New York Etching Club. Moran was known for his experimentation in all aspects of the etching process, and his ability to beautifully capture the atmosphere and energy of the American landscape.


Refuge
1887-1953, American

This is a beautiful original drypoint etching of a flock of sheep taking shelter from a blustery winter day by American artist R. W. Woiceske. The image size is 9 3/8 x 14 1/8 inches, published c. 1940 in an edition of 50, pencil signed and titled. Woiceske was born in Bloomington Indiana and studied at the St Louis School of Fine Arts and at the Artist Colony in Woodstock, NY with Birge Harrison and John Carlson. He was involved in the WPA, and became known for his atmospheric etchings of snowy winter scenes.


Ridge
1895-1961, American

Lithograph by the American artist, Wilfred A. Readio measuring 11 3/4 x 16 1/2 inches. Plate initialed, titled and numbered. Readio was a painter, lithographer and educator, known for his scenes of Pittsburg, PA. and the American West. He was also a Professor of Art at the Carnagie Institute of the Arts.


Freeze Ponds 2
1895-1961, American

A beautiful light filled etching by Wilfred A. Readio. It measures 7 5/8 x 13 inches, plate initialed and titled. Readio was a painter, lithographer and educator, known for his scenes of Pittsburg, PA. and the American West. He was also a Professor of Art at the Carnagie Institute of the Arts.


Bend 2
1895-1961, American

Lithograph by Wilfred A. Readio measures 9 1/2 x 14 inches and is plate initialed, titled and numbered. Readio was a painter and lithographer known for his scenes of Pittsburg, PA. and the American West. He was a Professor of Art at the Carnagie Institute of the Arts.


Stumps
1895-1961, American

Lithograph by Wilfred A. Readio measures 11 5/8 x 14 3/8 inches and is plate initialed, titled and numbered. Readio was a painter and lithographer known for his scenes of Pittsburg, PA. and the American West. He was a Professor of Art at the Carnagie Institute of the Arts.


Trout Water 2
1895-1961, American

Lithograph by Wilfred A. Readio measures 11 7/8 x 14 1/2 inches and is plate initialed, titled and numbered. Readio was a painter and lithographer known for his scenes of Pittsburg, PA. and the American West. He was a Professor of Art at the Carnagie Institute of the Arts in Pennsylvania.


Moriane #3
1895-1961, American

This lithograph by Wilfred A. Readio measures 7 7/8 x 11 inches and is plate initialed and titled. Readio was a painter and lithographer, teaching at the Carnagie Institute of Arts in Pennsylvania.


Sawtooth Vernal 2
1895-1961, American

This lithograph by Wilfred A. Readio measures 9 x 14 and is plate signed, initialed and numbered. Readio was a painter and lithographer, teaching at the Carnagie Institute of Arts in Pennsylvania.


Mountain Meadow
1895-1961, American

A beautiful lithograph by Wilford Readio measures 9 3/4 x 12 inches. It is plate initialed, titled and numbered.


The Pool, 1884
1842-1914, American

This richly inked and finely detailed Moran etching measures 7 7/8 x 11 5/8 inches. Pencil signed with frog remarque on lower right margin. Cat: Wright-70, fourth state. Part of the "Twenty Original American Etchings" series published by the Cassell Publishing Co. Peter Moran was a well known American painter and etcher and one of the foremost artists of the American etching revival of the late 19th century. He was known for his images of cows and farm animals, as well as his atmospheric scenes of the American Southwest.


Eminence - 3
1895-1961, American

Lithograph by Wilfred A. Readio measures 16 x 12 1/4 inches and is plate initialed and numbered. Readio was a painter and lithographer, teaching at the Carnagie Institute of Arts in Pennsylvania.

Painting

Hudson River Miniature
19th Century, American

This is a beautifully painted miniature landscape in the Hudson River School style, oil on academy board, 3 3/4 x 2 1/4 inches, c. 1883, unsigned, in an original Doll & Richards frame, with a label on the back. Although this painting is unsigned and we have not been able to identify an artist, it is very well painted with rich colors and remarkable, minute details.

Print

Flies versus worms
1901-1981, American

Drypoint etching, 1954 AAA edition of 250, image size 7 7/8 x 10 inches, pencil signed

Drawing

White Birch
1872- c.1950, American

Pen and ink by Dexter Dawes measuring 7 3/4 x 10 1/4 inches. "White Birches H. Hill June 29 - 1915" written in the artist hand on the lower margin.