American


Lake Thun, Switzerland
1872-1943, American

A beautiful watercolor with gouache by the Rhode Island artist Hezekiah Anthony Dyer, measuring 15 1/2 x 11 5/8 inches and signed on the l.l. Providence, Rhode Island label included. After extensively studying and traveling in Europe to refine his watercolor technique, Dyer returned to the US and entered the Rhode Island School of Design and eventually earned an Honorary Master of Arts Degree from Brown University. Known for his European landscapes and seascapes, Dyer was one of the founders of the Providence Watercolor Society.


Forest Brook in Autumn
19th Century American

Vibrant woodland landscape by the American artist, Henry Allen Gay, signed and dated l.r., 1897, in a period gilt frame measuring 28 1/2 x 32 1/2 inches, canvas size measures 16 x 20.


Heavy Surf at Sunset
1832-1895, American

This is a beautiful luminist style seascape by Mauritz Frederik Hendrik De Haas, one of the preeminent marine and landscape painters of the 19th century. Oil on canvas, 24 x 40 inches, c. 1880, signed on the lower left, in an ornate period gilt frame. Born in Holland, De Haas studied at the Academy of Fine Arts and at The Hague. At 27 years old he immigrated to the US and opened a studio in NYC. He painted exquisite marine and landscape views, and was known for his masterful ability to capture the full range of light reflecting off a stormy surf or the moon reflecting off a calm sea.


Colonial Woman With Scarf

This late 18th. century American School portrait is an unsigned, oil on canvas. Frame size is 28 x 25 inches, sight size is 19 3/4 x 16 3/4 inches. A very pleasing image but needs restoration.


Still Life With Blossoms

A lovely 19th century American School still life. Painting size measures 10 x 14 inches with the overall frame size 18 x 21 1/2 inches, period gilt frame, unsigned, oil on canvas.


Landscape with Waterfalls

This is a very fine Hudson River School landscape, oil on academy board, 9 3/4 x 18 3/4 inches, c. 1880s, unsigned, in an ornate period gilt frame. Although this painting is unsigned it is quite well painted, evidently by a very competent artist.


Path to the Shed
1835-1913, American

A verdant New England landscape by Massachusetts artist Edward Burrill, oil on canvas, 9 x 12 inches, 1885, signed and dated in the lower left corner, framed. Edward Burrill was a Northshore artist known for his landscapes and coastal scenes. He worked out of a Boston studio for a time but was primarily based in Lynn, MA, and knew many of the important artists of the day, including John J. Enneking, Winslow Homer and Joseph Cole. He exhibited his work regularly at the Boston Art Club for many years, also showing his work at the Silas Barton Gallery and the Lynn Art Club.


Portrait of a Young Woman
1862-1946, Italian/American

This is a sweetly intimate portrait of a young woman, oil on board, 6 5/8 x 4 5/8 inches, c. 1920, signed lower right, framed. John Califano grew up in Italy and began showing his work as a young man, winning a gold medal in Naples, Italy. In 1881 he emigrated to the United States where he lived for several years in Chicago before settling in California. He was known for his California landscapes as well as portraits and genre scenes and showed his work at the National Academy of Design, New York, and the Art Institute of Chicago.


A Cool Quiet Rook
1855-?, American

This landscape measures 12 5/8 x 9 1/8 inches and is signed on the reverse in pencil as "E. A. King", housed in a period frame. We are attributing this painting to Elizabeth A.(Bessie) King who studied at the Chandler School of Art in Detroit and was a member of the Atlanta Artists Association.


A Woodland Spring
1857-1927, American

This is a richly painted, atmospheric woodland scene by the New England artist Joseph H. Greenwood. Oil on board, 6 x 8 inches, 1898, signed and dated on the lower right. Greenwood started out as a factory worker and then a teacher and eventually became Worcester's most noted landscape painter who preferred to paint the natural beauty of rural New England's four seasons. He was influenced by his contemporaries, George Inness and Willard Metcalf and studied in the Boston area with R. Swain Gifford and John Appleton Brown.

Painting

Home Before the Rain
1849-1936, American

Watercolor, sight size 14 x 19 3/4, signed "Royal H Milleson" l.r, framed. Royal Hill Milleson lived most of his life in the mid-west, except for several years he spent in Boston at the turn of the century. He specialized in landscapes, and was a member of the Chicago Society of Artists and the Boston Art Club.

Print

Convalescence
1891-1965, American

Drypoint etching, image size: 12 x 9 1/4 inches, 1926, cat. Smith-128, edition of 80, pencil signed lower right. Heintzelman's skill captures this tender moment between a mother and child. A fine impression with ample margins. Provenance: Baldwin-Wallace College.

Drawing

Landscape Sketch
1872- c.1950, American

Dexter Dawes drawing of Mt. Monadnock with trees in the foreground. Also, start of sketch on reverse.