American


Mt Desert from Bar Island
$3650.00
1848-1914, American

This is a beautiful sundrenched scene of Mt Desert Island, Maine, by American Impressionist Frank Rehn. Oil on canvas, 17 x 27 inches, 1874, signed and dated lower left, with a label from the Gallery of Chas F Haseltine, Philadelphia on the back, in an ornate period gilt frame. Born and raised in Philadelphia, Frank Rehn studied at the Pennsylvania Academy of Fine Arts and went on to become a successful painter, primarily known for his land and seascapes.


Wild Grapes
$325.00
19th Century, American

This is a very fine original painting of grape vines growing over a stone wall by 19th century American artist J. M. Taft. Oil on academy board, 23 3/4 x 17 1/2 inches, c. 1890s, clearly signed in the lower left corner, in what appears to be the original gold frame. With a label from C.F. Chretien & Bro, Buffalo NY on the back. This painting is quite well done, with soft brushstrokes and a great sense of depth.


St. John's Spire, Hartford, Connecticut
1822-1909, American

This is a very rare early view of Hartford, Connecticut. Oil on tin, 6 1/4 x 8 inches, c. 1860s, in a period 19th. C. gilt frame. An inscription in pencil on the back reads, "St John's Spire, Hartford, Conn". Although this is unsigned, we attribute this landscape to Charles DeWolf Brownell, whose style is very similar. It is well painted with very fine brushwork and details.


The Neighbor's House, Peconic, Long Island
1861-1948, American

This is a beautiful landscape of the artist's winter view from his Long Island studio. Oil on canvas, 14 x 20 inches, c. 1935, signed in the lower left corner, in the original frame. This painting was given to the current family by the artist, their neighbor in Peconic, Long Island. Irving Wiles studied at the Art Students League in New York with William Merrit Chase who became a close friend and colleague, then spent some time in Paris studying at the Academy Julien.


Evening Shadows
1844-1942, American

A beautiful summer landscape by the American artist, Horace Burdick. It measures 5 3/4 x 10 1/2 inches and is matted. Burdick attended the Museum School of Fine Arts in Boston and was known throughout his career as a portrait and landscape painter. He did many White Mountain scenes as well as New England coastal scenes. This image is from the artists' estate.


Cloudy Skies
1844-1942, American

A lovely watercolor by the American artist, Horace Burdick. It measures 6 3/4 x 8 3/4 inches and is matted. Burdick attended the Museum School of Fine Arts in Boston and was known throughout his career as a portrait and landscape painter. He did many White Mountain scenes as well as New England coastal scenes. This image is from the artists' estate.


Morning Sail
1844-1942, American

A beautiful landscape by Horace Burdick measuring 6 5/8 x 8 3/4 inches, matted. Burdick attended the Museum School of Fine Arts in Boston and was known throughout his career as a portrait and landscape painter of oils and watercolors. He did many White Mountain scenes as well as New England coastal scenes. This image is from the artists' estate.


Mountain Landscape
1844-1942, American

This watercolor landscape by Horace Burdick measures 4 7/8 x 6 3/4 inches and is signed on the lower left and matted. Burdick attended the Museum School of Fine Arts in Boston and was known throughout his career as a portrait and landscape painter of oils and watercolors. He did many White Mountain scenes as well as New England coastal scenes. This image is from the artists estate.


Narragansett Bay
1835-1910, American

A lovely 1884 marine scene, by the American Luminist landscape painter, Edmund Darch Lewis. Sight size is 14 1/4 x 27 1/4 inches and is signed and dated on the lower right, watercolor with gouache, framed. A recognizable talent at an early age, Lewis studied under the German born, Hudson River School artist, Paul Weber. The Philadelphia Public Ledger described Lewis as "a tremendous talent, great freedom from tradition." His art was in high demand from the beginning and he developed a national following.


Early Autumn
1857 - 1915, American

This is a very atmospheric landscape by William C. Fitler, oil on canvas, 10 x 8 inches, c. 1890, signed in the lower left corner, in a period carved walnut frame. Born and raised in Philadelphia, Fitler studied at the Pennsylvania Academy of Fine Arts and was known for his tonalist inspired landscapes of New York and New England. He exhibited his work widely in the late 19th century, including at the National Academy, the Brooklyn Art Club, the Boston Art Club, the Pennsylvania Academy, and the Art Institute of Chicago.

Painting

Cabin by the Fjord
1842-1914, Norwegian

This is an incredibly detailed, atmospheric Norwegian landscape of a small cabin at the edge of a fjord, the distant hills fading into a soft morning mist. It is painted in oil on panel, 11 x 16 inches, 1871, clearly signed "A Rasmussen 71" in the lower right corner, in an ornate period gilt frame.

Print

Fontaine de la Grosse Horlage, Rouen
1895-1975, American

Lithograph, image size 17 x 11 inches, 1924, edition of 100, cat: BPL-213, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.

Drawing

Marie
1893-1986, American

Conte study, 1961, image size 13 x 10 1/4 inches, pencil signed, framed