American


Landscape with Grazing Cattle
1848-1923, American

12 x 18 inch oil on canvas painting of cows grazing in a sunlit field, with Mount Monadnock in the background. Framed in a beautiful 17 1/2 x 23 1/4 inch gold frame. Signed in the lower right, "W.P. Phelps."


Autumn Birches
1848-1923, American

A wonderful forest interior of birches in autumn. Oil on canvas painting, 14 x 20 inches in a deeply carved 23 x 28 inch gold frame. Signed in the lower left "W.P. Phelps."


Woodland Brook
1848-1923, American

A lovely view of a shadow dappled mountain brook in Autumn. This oil on canvas painting measures 18 x 24 inches in a 23 x 28 1/2 inch modern gilt frame. Signed "W. P. Phelps" in the lower left. C. 1900.


Cattle Watering
1848-1923, American

Framed oil on canvas of cows watering with Mount Monadnock in the background, this painting measures 12 x 18 inches, signed "W.P. Phelps" in the lower right. 17 3/4 x 24 1/4 inch gold frame from Maker's picture and frame shop in Lowell, Massachusetts.


A Sunlit Path
1837-1908, American

Oil on canvas, 20 x 14 inches in a 25 by 18 1/2 gold period frame. Because this has only a partial signature we are only able to attribute this work to Alfred Bricher. Upon cleaning of the painting, a partial signature was revealed in the lower left. The technique and composition also is very similar to many well known works by this artist. There is an area at the lower edge of this painting which has been inpainted but not the signature...The frame appears to be the original one. We feel the setting of this work might be from Lake George N.Y.


Artist's Self Portrait
$1450.00
1867 - 1954, American

Self portrait by American artist Laura Lee, oil on canvas, measuring 32 x 16 inches in a 35 x 18 1/2 inch silver frame. This painting came to us in a very small frame and was folded over to fit that frame. We had the work resized back to the original that the artist intended. The painting is signed and dated in the lower left, 1919. Laura Lee was a well known suffragette in Boston, a champion of the women's suffrage movement. She was known as the "Bloomer Girl" artist.


Stone Arch Bridge
1864-1940, American

Landscape by the American artist, Charles Woodbury, measuring 9 1/4 x 13 1/4 inches, signed in the l.r. "Charles H. Woodbury Lynn '82", oil on board, 1882, unframed. Known for his oils, watercolors and etchings, Woodbury was predominately a self-taught artist who preferred "to work out his salvation with little help from others in his profession".


Three Sheep Resting in a Forest Glade
active 1897-1914, American

Framed oil on canvas, 13 x 16 inches. Signed N. M. Pairpoint in the lower left.
Nellie Pairpoint was a well-known animal illustrator in the 1930's.


The Homestead
1848-1923, American

William Preston Phelps was a plein air painter. In 1876, he travelled to Europe and began studying at the Royal Academy of Art in Munich. He later moved to New York and then back to Europe with his friend William Meritt Chase.

Framed oil on canvas, 24 x 36 inches. Signed in the lower left. The subject is likely his family homestead in Chesham, New Hampshire.


Cattle Crossing
1848-1923, American

William Preston Phelps was a plein air painter. In 1876, he travelled to Europe and began studying at the Royal Academy of Art in Munich. He later moved to New York and then back to Europe with his friend William Meritt Chase.

Framed oil on canvas, 25 x 48 inches. Provenance originally sold by Doll & Richards, label on back. Painting is in original custom frame. Signed in the lower right with the word "munchen," meaning it was painted in Munich. Circa 1879.

Painting

Cattle Crossing
1848-1923, American

William Preston Phelps was a plein air painter. In 1876, he travelled to Europe and began studying at the Royal Academy of Art in Munich. He later moved to New York and then back to Europe with his friend William Meritt Chase.

Framed oil on canvas, 25 x 48 inches. Provenance originally sold by Doll & Richards, label on back. Painting is in original custom frame. Signed in the lower right with the word "munchen," meaning it was painted in Munich. Circa 1879.

Print

On the Annisquam, 1880
1846-1938, American

Etching, image size 5 x 8 7/8 inches, 1880, Schneider #39, plate signed l.l. "S. Parrish" and "39" l.r.

Drawing

Harvest Time

A well done watercolor of an Italian harvesting scene measuring 7 1/4 x 10 1/4 inches. It is signed on the l.r. but at this time we are unable to decipher it. Matted and framed. (M)