This 19th Century European School marine painting measures 4 1/8 x 6 1/4 inches, oil on board, framed.
Sheep grazing at the end of the day are featured in this oil on canvas by the French painter, Francois-Auguste Ortmans. Canvas size is 13 x 16 inches, signed and dated l.r., housed in a ornate gold frame, identified on a printed German label affixed to the stretcher also with a canvas stencil from Ancienne Maison Valle, Paris, on the reverse, and with a partial Parisian framemaker's label on the back of the frame.
8 x 6 inch gouache painting on 12 1/2 x 10 inch paper. Signed in the lower right. From the collection of Dr. A. Falk, Munich. Circa 1920.
Inscription in German in pencil reads: "Wenn se Dir man blos nich erwischen - Justav!" "hab man Keene Angst ick Kenne den Rummel - ick war selba Polizeipra'sident'!" Which roughly translates to: "Don't get caught!" "Have no fear, I know the Head of Police!"
This is a very fine painting of a man and his dog fishing in Lake Geneva, Switzerland. Oil on canvas, 18 x 26 inches, c. 1880, signed in the lower left corner, in an ornate period gilt frame, most likely the original. Another very similar painting by Vuagnat of the same location is in the collection of the Victoria Museum, Melbourne, Australia.
A wonderful painting by the "father of Russian Futurism", David Burliuk. Oil on canvas board, 13 x 13 inches, framed, signed on the lower left. Painted with heavy impasto brushwork. Burliuk studied at the Royal Academy in Munich and at the École des Beaux-Arts in Paris. In his most active period he participated in many important avant-garde exhibitions in Kyiv, Moscow, St. Petersburg, and Munich. The appearance of the Futurists, as they called themselves, liked to wear gaudy waistcoats, sometimes painted animals on their faces, and wore wooden spoons in their lapels.
This is a very fine original 19th Century painting in the style of Marinus Adrianus Koekkoek (1807-1868). Oil on panel, 7 1/4 x 8 7/8 inches, c. 1850, unsigned, in an ornate period gilt frame. Although this painting is unsigned, the style and subject are very reminiscent of the work of Dutch artist Marinus Adrianus Koekkoek, who was known for his delicately painted atmospheric landscapes.
This original landscape by H. Wayland depicts a child walking along a peaceful country lane. An oil on canvas measuring 12 x 23 inches with the artists' signature in the lower right and a brass plaque with the artists name on the lower center. It appears to be housed in its original frame. Title is on the reverse.
A lovely scene of the Dutch countryside during summer harvest by Berend Adrianus Bongers. The painting size is 14 3/4 x 28 3/4 inches and is housed in a period frame measuring 25 1/2 x 39 inches. Signed by the artist on the lower right with a date of "1906" found on the back of the frame. Bongers was a "Delft" master and painted in the manner of the "Hague School" where views of domestic life and its daily activities were often painted. Educated at the Academy of Art in The Hague, he painted landscapes, portraits, genre scenes and still lifes.
Oil on Academy Board, 12 x 9 inches, signed and inscribed "M. v. Schmaedel/München" lower right, period frame. The sitter is identified in a copy of a letter dated August 3, 1905, from Seth Mendell to William C. Davenport, President of The Machinists' Bank, Taunton, Massachusetts, in an envelope affixed to the back of the painting. Provenance: Estate of N. David Scotti, Providence, Rhode Island.
Vibrant oil seascape, c. 1880, by British artist, Sarah Louisa Kilpack. "A view of Mont Orgueil Castle on the coast of Jersey" Painting size measures 4 3/4 x 8 1/4 inches in a period frame that measures 10 x 13 inches, signed l.l., oil on paper on board, location written on backing. Born in London in 1839, at an early age Sarah Louisa Kilpack was recognized as a talented pianist and artist, but after a series of misfortunes she gave up the piano and concentrated exclusively on her painting.