Watercolor


A Grassy Riverbank

A very fine 19th Century American landscape, watercolor on paper, sight size 5 3/4 x 8 3/4 inches, c. 1890s. Although this painting is unsigned, it is a lovely composition painted by a very competent hand. This painting was recently matted with archival materials and housed in a period carved wood frame.


Evening Shadows
1844-1942, American

A beautiful summer landscape by the American artist, Horace Burdick. It measures 5 3/4 x 10 1/2 inches and is matted. Burdick attended the Museum School of Fine Arts in Boston and was known throughout his career as a portrait and landscape painter. He did many White Mountain scenes as well as New England coastal scenes. This image is from the artists' estate.


Cloudy Skies
1844-1942, American

A lovely watercolor by the American artist, Horace Burdick. It measures 6 3/4 x 8 3/4 inches and is matted. Burdick attended the Museum School of Fine Arts in Boston and was known throughout his career as a portrait and landscape painter. He did many White Mountain scenes as well as New England coastal scenes. This image is from the artists' estate.


Morning Sail
1844-1942, American

A beautiful landscape by Horace Burdick measuring 6 5/8 x 8 3/4 inches, matted. Burdick attended the Museum School of Fine Arts in Boston and was known throughout his career as a portrait and landscape painter of oils and watercolors. He did many White Mountain scenes as well as New England coastal scenes. This image is from the artists' estate.


Mountain Landscape
1844-1942, American

This watercolor landscape by Horace Burdick measures 4 7/8 x 6 3/4 inches and is signed on the lower left and matted. Burdick attended the Museum School of Fine Arts in Boston and was known throughout his career as a portrait and landscape painter of oils and watercolors. He did many White Mountain scenes as well as New England coastal scenes. This image is from the artists estate.


Narragansett Bay
1835-1910, American

A lovely 1884 marine scene, by the American Luminist landscape painter, Edmund Darch Lewis. Sight size is 14 1/4 x 27 1/4 inches and is signed and dated on the lower right, watercolor with gouache, framed. A recognizable talent at an early age, Lewis studied under the German born, Hudson River School artist, Paul Weber. The Philadelphia Public Ledger described Lewis as "a tremendous talent, great freedom from tradition." His art was in high demand from the beginning and he developed a national following.


Cape Breton Island
1854-1946, Canadian

A beautiful watercolor by Hester Donne Kimber measuring 5 3/4 x 8 5/8 inches, signed l.r., framed, c. 1885. "Hetty" Kimber was born in England, where she lived until moving to Nova Scotia in 1881. She traveled to Cape Breton Island many times with a group of painters , studying the history of the island and painting its rugged landscape.


Hiroshima
1909-1964, Japanese

This watercolor sketch of Hiroshima by Shigehiko Ishikawa measures 9 5/8 x 13 3/4 inches, is signed, titled and dated Aug. 11, 1951. Artist signature on reverse.


Harvest Time

A well done watercolor of an Italian harvesting scene measuring 7 1/4 x 10 1/4 inches. It is signed on the l.r. but at this time we are unable to decipher it. Matted and framed. (M)


Hudson River Docks With New York in the Distance
1926-2007, American

Paul Daniel Ortlip was a well known landscape and portrait artist from Fort Lee, NJ. Born into an artistic family, he studied in NY and Paris. After serving in the military he became the participating artist for NASA, the official US Navy Artist and was first commissioned by the White House to paint portraits of the astronauts. Later, he also did a portrait of John F. Kennedy. His works are housed in the Smithsonian Institution's National Air and Space Museum and the George H.W. Bush Presidential Library.

Painting

Meadow in Bloom
1876-1936, American

Oil on artist board, 12 x 16 inches, c. 1930, unsigned. Born in Germany, Saling emigrated to America through Ellis Island in 1893 at the age of 17. He was a successful decorator and artist first in New York City, then in Hartford, Connecticut. In the late 1920s, he moved to Lyme, Connecticut, the setting for many of his landscapes. He was a member of many prestigious artist's groups, including the Salmagundi Club, the Connecticut Academy of Fine Arts, the Connecticut League of Art Students and the Springfield Art League.

Print

San Pietro in Castello
1848-1919, American

Etching, 11 x 15 3/8 inches, 1883, restrike 1915 by the Cincinnati Museum, cat. Poole-18, Cincinnati Museum Association stamp on reverse.

Drawing

View of Monadnock from Roxbury
1872- c.1950, American

This pencil drawing of a distant view of Mt. Monadnock measures 4 x 13 3/8 inches. Done with a very fine hand, it suggests a bright, sunny summer day. The image is on a bi-fold sheet of medium weight paper with location info written in the artist's hand.