Oil Paintings

Sunset Glow

$2850.00

This is an original oil on canvas painting by American artist Frank Vining Smith (1879-1967) This painting is clearly signed lower right corner. This painting although in the catalog is titled: "Sunset Glow" on the back of the canvas is an alternate title: "The New Moon" The canvas measures 22X30 inches and comes in a fine custom gilt frame. This painting was originally sold through Anderson Galleries in Chicago. They promoted Smiths works in the late 1920's.
The original catalog is present. Heres a Chicago News paper article about this show: "Frank Vining Smith – The Chicago Evening Post, May 22, 1928
THE annually recurrent exhibition of paintings of ships and the sea by Frank Vining Smith at the Anderson Galleries always makes an agreeable event about this season. Some thirty of Mr. Smith’s new canvases have just been hung at Anderson’s, and the impression they give is possibly more favorable than it has been in the past.
Even granting the sea’s changeless, ever-changing character and the myriad sorts and conditions of ships that sail it, Mr. Smith’s fertility and inventiveness appear more remarkable than ever in this exhibition. His knowledge of his subject is profound, in the opinion of sailors, who are always harsh critics. His ability to paint workmanlike pictures has long been established. But the ease with which he continues to find variations on a now familiar theme remain surprising." This is a very fine study of a view of the sea right after sunset.

Portrait of Charlotte

$2850.00

This is an original oil on panel painting by Dublin/Boston artist Margarita Pumpelly Smyth (1873-1959) Known as Daisy, she studied under Abbott Thayer in Dublin N.H.
This painting was shown at the Worcester Art Museum in the 1902 Summer Exhibit , the label is on the back along with a brass plaque from a Boston framer. Included in the show that year was the work of Frank Benson ,Edmund Tarbell, Mary Cassatt, Edward Redfield and Childe Hassam. The painting measures 30X22 inches, it is signed lower left but only is visible with a direct light, a black light shows it well. The painting is titled "Charlotte", probably painted in 1901-02. Daisy was an American Bahá'í, painter and roommates with Juliet Hutchings Thompson .. Although Married Daisy was quite independent. She and Thompson traveled together extensively by them selves. While her works are quite rare this one does show some of the early influences of Thayer and of course many of the later French artists of this time period.

Sheep and Lamb in a Spring Landscape

$2850.00

Signed and dated "F. Van Severdonck f. 1863" in the lower left, inscribed and signed by the artist on the reverse.
Oil on panel, painting measures 7 x 9 3/8 inches in a 12 x 15 1/2 inch gold period frame. A luminous painting with striking color and detail.

Barbizon Landscape with a Country Road

$2800.00

Oil on canvas, 18 x 23 1/2 inches, in a very fine period gilt and gesso frame. There is a partial obscure signature and date in the painting lower right, the early label on the back is from the gallery of Charles G. Calder who was a well known Providence, R.I. painting dealer, also on the back is a partial label from Whitaker studios. This is a fine Barbizon style landscape painting by American artist George William Whitaker. Whitaker was a teacher and important painter in Providence R.I. and was known as an American tonalist, influenced by George Inness and Alexander Wyant. At a young age he traveled to Paris where his paintings became heavily influenced by the Barbizon painters of the Fontainebleu, especially the talented Francois Millet. George Whitaker's excellence in art is equaled to his contribution to the development of a Rhode Island art community. He was instrumental in recognizing the need for an organization to nurture and support the talented artists within the state. The Providence Art Club was formally instituted in 1880 by Whitaker and his friends Sydney Burleigh, E.M. Bannister and Charles Walter Stetson.

Clipper Nearing Port

$2650.00

This is an original oil on canvas painting by American artist James Gale Tyler (1855-1931) Tyler is the well known marine painter of the age of sail. The title of this piece which appears hand written on the back is: "Clipper nearing Port", this painting was done circa 1900. It has a canvas size of 24X20 inches and is in a heavy modern hand carved frame. The overall frame size is: 32X28 inches. The painting is clearly signed lower left. The painting is in good shape, no tears or inpainting, not relined it could use a very light cleaning but it is quite presentable as it now appears. Ready to hang on your wall.

Sailing at Sunset

$2650.00

This is a dramatic Seascape at sunset by American Artist William Formby Halsall (1841-1919) This oil on canvas painting created circa 1870 has a canvas size of 14X24 inches and comes in a deep period gilt frame. The painting is signed in red lower left corner. Halsall was educated in Boston, Massachusetts and worked as a sailor for seven years from 1852 to 1859. In 1860, he had begun to study fresco painting but due to the outbreak of the American Civil War, he enlisted in the United States Navy. He resumed his fresco study after two years of service. In 1862, Halsall changed to marine painting and studied at the Lowell Institute in Boston until 1870.[1] Halsall was also a founding member of the Provincetown Art Association in 1914. This is a wonderful tonalist expression of the Sea at sunset with the sailboats coming into port.

Summer Harvest in the Hague

$2600.00

A lovely scene of the Dutch countryside during summer harvest by Berend Adrianus Bongers. The painting size is 14 3/4 x 28 3/4 inches and is housed in a period frame measuring 25 1/2 x 39 inches. Signed by the artist on the lower right with a date of "1906" found on the back of the frame. Bongers was a "Delft" master and painted in the manner of the "Hague School" where views of domestic life and its daily activities were often painted. Educated at the Academy of Art in The Hague, he painted landscapes, portraits, genre scenes and still lifes. He was a draftsman, engraver, watercolorist and teacher. For many years he was the "chef d'atelier" at Delft Pottery.

Summer Landscape

$2450.00

Oil on canvas, 14 x 20 inches, signed lower left. Marie Osthaus Griffith was the older sister of Edmund Henry Osthaus, one of the most successful painters of hunting dogs in the United States in the 19th century.

The Road Home

$2450.00

Oil on panel, 9 x 11 inches, 1874, signed and dated lower right, in a period gilt frame. This is a wonderful tonalist view of a horse drawn hay wagon bound for home in the bleak cold of winter. This painting is by well known Canadian painter Francois B. De Blois. His formal art education includes studies in Europe under Charles-François Daubigny, probably in Paris or Auvers sur Oise a suburb to the north of Paris; and under Vincenzo Marinelli in Naples, Italy. De Blois’s paintings were exhibited in the Paris Salon in 1878; and in the United States with the Boston Athenaeum 1867 – 1873, the Brooklyn Art Association in 1874, the Boston Art Club 1875 – 1882, and the National Academy of Design 1880 – 1882. More recently, a De Blois painting was included in the 2008 exhibition titled “The Grand Tour Art and Travel, 1740 – 1914” at the Indiana University Art Museum.

Tonalist Sunset Landscape

$2450.00

This is an oil on canvas painting. Signed "C. P Appel" in the lower left and dated 1923. Painting measures 12 1/4 x 18 1/4 inches in a 17 5/8 x 23 1/2 inch 20th century gilt frame. Appel is known for romantic landscapes and marine paintings in Tonalist and Impressionistic styles. He studied at the New York School of Art with Francis Luis Mora and William Merritt Chase and later with Frank Vincent DuMond at The Art Students League. He became a member of the Salmagundi Club in New York City in 1906.

Luminist View ships at sunset

$2450.00

A fine luminist seascape by American artist Franklin Dullin Briscoe (1844-1903) The painting measures 14X11 inches, painted on academy board. Signed lower left. Housed in a period gilt frame. "History and marine painter Franklin Dullin Briscoe was born in Baltimore, Maryland, in 1844 and studied in Philadelphia with Edward Moran in 1860. Like many of his contemporaries, he then went abroad to further his artistic education, visiting London and Paris before returning home and establishing his studio in Philadelphia. Briscoe made several more ocean voyages during his career, experiences that inspired the dramatic seascapes and shipping scenes for which he is today best known. The weather was an especially important factor in his work, whether capturing fishermen returning after a long day’s work under calm, luminist skies to his paintings of storm-tossed ships and sailors at the mercy of the wind and waves." (info. Vose Gallery)

Portrait of Miss Davenport

$2400.00

Oil on Academy Board, 12 x 9 inches, signed and inscribed "M. v. Schmaedel/München" lower right, period frame. The sitter is identified in a copy of a letter dated August 3, 1905, from Seth Mendell to William C. Davenport, President of The Machinists' Bank, Taunton, Massachusetts, in an envelope affixed to the back of the painting. Provenance: Estate of N. David Scotti, Providence, Rhode Island.

Moonlit Sailing

$2400.00

A captivating nocturnal seascape in the style of Mauritz Frederik De Haas, who was well known for his nocturnes. No apparent signature. Oil on canvas. Painting measures 18 x 30 inches in a 25 x 38 inch period gilt frame.

Milkmaid with Cows

$2400.00

A beautiful rural farm scene by the Dutch artist, Johann Scherrewitz. The image measures 16X20 inches in a period gilt frame measuring 26X30 inches. Scherrewitz is best known as a painter of the Dutch Landscape and rural life. He exhibited at the Royal Academy and his works can be found in many private collections.

Grazing Sheep at Dusk

$2400.00

Sheep grazing at the end of the day are featured in this oil on canvas by the French painter, Francois-Auguste Ortmans. Canvas size is 13 x 16 inches, signed and dated l.r., housed in a ornate gold frame, identified on a printed German label affixed to the stretcher also with a canvas stencil from Ancienne Maison Valle, Paris, on the reverse, and with a partial Parisian framemaker's label on the back of the frame.

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