19th Century European


Little Calais Pier
1818-1910, British

C. 1865. Original etching with drypoint. D-87. iii/v. Catalog: Schneiderman 88, Drake 87. Plate signed, titled, and dated in the lower left: "Calais, S. Haden, 1865, 3 a.m." Pencil signed in the lower right. Image measures 3 x 6 1/8 inches on 6 3/4 x 9 3/8 inch paper. Collector's seal in lower right. An atmospheric print that makes good use of white space.


Lord Viscount Nelson, Duke of Bronte
$625.00
1811-1893, British

Engraving by H.S Sadd and A.L. Dick, from a painting by J. P. Knight. C. 1845. Engraved for the New York Albion, January 1st. 1845. Lettered below the image with the title in open, strengthened letters, around a crest with the motto 'Palmam Qui Meruit Ferat', and 'Born at Burnham Thorp, Co. of Norfolk, Sep. 9th. 1758. Plate size measures 15 1/2 x 20 1/2 inches on 25 3/4 x 20 inch wove type paper


Prise du Fort Saint Jean
1808-1841, French

A color lithograph by Ferdinand Perrot. In the lower right: "Dessine & Lith. par Ferd. Perrot." Dated November 27th, 1838. Image measures 16 1/4 x 25 1/4 inches on 21 3/8 x 30 1/8 inch wove type paper. Published by Turgis.


Le Barrage de L'etang du Merle
1836-1895, French

Plate signed in the lower left. In the lower right: "Salon de 1883." Published in the Gazette des Beaux-Arts. Printed by F. Lienard, Paris. Plate measures 8 1/4 x 5 1/2 inches on 11 x 7 1/2 inch laid type paper.


Paysage, Soir (Landscape, Evening)
1813-1894, French

Handsigned in pen and ink in the lower left. Plate measures 3 7/8 x 7 3/16 inches, chine-collé on 4 5/8 x 8 1/2 inch wove type paper. Plate signed in the upper left and dated 1890. This etching is one of two original etchings this French artist contributed to P. G. Hamerton's publication entitled, "Etching and Etchers". Charles Jacques was one of the leading artists of the Barbizon school. This finely detailed print has strong etched line and superb luminosity, and is a charming portrayal of rustic life.


Le Berger et la Bergère ( The Shepherd and the Shepherdess)
1817-1878, French

Plate measures 10 x 7 3/4 inches on 16 1/4 x 12 1/8 inch watermarked laid type paper. State V/VIII. One of his six final plates, later chosen for publication in the review "L'Art" in 1904, volume LXIII. Catalog: Melot 122. Circa 1877. Printed in the lower right: "Ch. Daubigny. del. et. sc", in the lower right: "F. Lienard. Imp. Paris."


Le Matin sur la Rivière
1837-1911, French

7 x 7 inch etching on 8 3/4 x 11 1/2 inch watermarked wove-type paper. Pencil signed in the lower right, plate initialed in the lower left. 1st state, C. 1898. Catalog: Bliss 593.


The Early Ploughman
1805-1881, British

Framed 5 1/4 x 7 3/4 etching from 1861. State iv/viii. Catalog no. VIII.


Castle - Wicklow County
1818-1910, British

Etching measures 4 x 5 1/2 inches. Printed on laid-type paper. IV/V. Signed in pencil. C. 1865. Catalog Schneiderman 109. Plate cancelled.
The castle belonged to the late Mr. Howard Brooke.


Les Demoliselles de Village
1833-1914, French

This 1866 etching by Felix Bracquemond, after a painting by Gustave Courbet, measures 8 1/2 x 12 1/4 inches, 1866, published by Cadart and Luquet, Paris, signed in the plate in reverse, l.r., numbered in plate (242), u.l., cat: Beraldi-281.

Painting

Cabin by the Fjord
1842-1914, Norwegian

This is an incredibly detailed, atmospheric Norwegian landscape of a small cabin at the edge of a fjord, the distant hills fading into a soft morning mist. It is painted in oil on panel, 11 x 16 inches, 1871, clearly signed "A Rasmussen 71" in the lower right corner, in an ornate period gilt frame.

Print

Rockport
20th c., American, Rockport

Lithograph, 6 1/4 x 8 1/4 inches, pencil signed and titled

Drawing

Old House, East Windsor Hill, Connecticut
1855-1943, American

Watercolor on paper, 3 3/8 x 4 5/8 inches, signed in ink lower left. Housed in a period frame, possibly original to the painting, but recently rematted with archival materials. An old label on the back gives the title and location and is also signed by the artist.