20th Century American
1876-1958, Australian/American Italian Fishing Boats, Gloucester, Mass. Etching, dry point, image size 6 x 8 inches, 1926, edition 25, pencil signed and titled lower margin, "Hayley Lever" and "Italian Fishing Boats, Gloucester"
1906-1978, American Roadside Garden Lithograph, sight size 11 3/8 x 16 3/8 inches, 1965, pencil signed l.r. "Stow Wengenroth", edition of 50, framed.
1878-1955, Swedish/American Williamsburg Bridge Etching, image size 6 7/8 x 11 3/4 inches, pencil signed and titled.
b. 1924, American Nude on Silver Bench Etching and aquatint in color, image size 21 7/8 x 29 3/8 inches, edition of 75, printed on Arches paper, pencil signed and numbered, framed.
1869-1949, American Widow Shannon's Place Etching, image size 7 7/8 x 11 3/4 inches, c. 1920, pencil signed l.r, titled l.l. margin, inscribed l.l. "To Rodney Wilcox James".
1904-1995, American Company For Supper Lithograph, image size 9 1/2 x 13 1/2 inches, c. 1948, published by the AAA with the original label, pencil signed.
1885-1976, American At Daybreak Woodblock in colors, image size 9 5/8 x 7 1/4 inches, c. 1920, pencil signed and titled. Tod Lindenmuth was a very well known artist of the 20th century, specializing in semi-abstract landscapes and coastal scenes. He studied with Robert Henri at the New York School of Art in Manhattan, and in the 1930s was employed by the WPA. Lindenmuth and his wife, Elizabeth Boardman Warren, split their time between Provincetown, Massachusetts and St Augustine, Florida.
1857-1944, Russian/American Seated Woman Woodcut, image size 8 x 5 1/2 inches, edition of 80, unsigned.
1893-1949, Russian-American Circus Act Etching, sight size 5 x 6 inches, unsigned, framed.
1893-1949, Russian-American Circus Clown Etching, sight size 5 x 4 inches, 1928, pencil signed and dated "Simkha Simkhovitch 1928", edition of 40 prints. Framed.
|
