20th Century American


Blast Furnace
1904-2001, American

Etching and aquatint from 1937. Edition of 250. Published by Associated American Artists in New York. Pencil signed in the lower right. Plate size 11 3/4 x 8 1/2 on 15 x 11 3/4 inch wove type paper. Harry Sternberg was born and educated in New York City, His lithographs are in the permanent collections of the Museum of Modern Art, Whitney Museum, Fogg Museum at Harvard, Addison Gallery of American Art, Metropolitan Museum, Library of Congress, Ohio University, Victoria and Albert Museum in London, Bibliotheque Nationale in Paris, and others.


Mother
1874-1940, American

Etching from 1928. Plate signed and dated in the top left. Editioned in pencil in the lower left, pencil signed in the bottom right. Print 8 in an edition of 100. Plate size: 9 1/4 x 10 3/4 inches on 14 1/2 x 15 inch wove type paper.


Seawards
1906-1978, American

Lithograph from 1964 of Rockport, Massachusette. Edition of 55. Pencil signed in the lower right. Plate measures 9 x 16 1/4 on 13 1/8 x 20 inch wove type paper. Catalog: Stuckey 289.


Rock-bound
1906-1978, American

Lithograph from 1963. Edition of 25. Plate measures 13 1/4 x 19 13/16 inches on 17 1/8 x 23 1/8 inch medium weight wove type paper. Catalog: Stuckey 284. The scene is along Marginal Way near Perkins Cove in Ogunquit, Maine. Pencil signed in the lower right.


Mendiant Italien
1891-1965, American

Drypoint etching from 1927. Edition of 80. Plate signed in the top left, pencil signed in the bottom right. Inscription on bottom left of plate reads "Carrara '27". Plate measures 9 3/4 x 7 3/4 inches on 14 x 11 1/4 inch laid type paper. Catalog: Smith 136.


La Femme à la Mêche Tombante
1891-1965, American

Drypoint from 1929. Plate size 8½ x 11-3/8 inches on 16 1/2 x 13 3/4 inch laid type paper. Editioned in pencil in the lower left, signed in the lower right. Edition of 75. The subject is the artist's wife, Katherine Sloman Heintzelman. Catalog: Smith 142.


Sleepy Creek
1896-1965, American

Pencil signed in the lower right, dated in the lower left. C. 1931. Catalog: Springfield 36. Plate measures 6 x 7 1/2 inches on 9 x 10 inch thin wove type paper. Pencil labeled "proof" below the image.


Hurricane's End
1889-1946, American

Pencil signed in the lower right. 7th state. Plate measures 9 3/8 x 15 15/16 inches on 11 1/2 x 18 1/4 inch medium weight wove type paper. C. 1940. Edition: approx. 100. Catalog: Giardina 198. The scene depicted was on the Maine coast.


Lopokova and Nijinsky in Les Sylphides
1871-1938, American

Color drypoint etching. Number 14 in an edition of 138 with 82 color impressions. Pencil signed in the lower left. Number 4 in his "impressions of dancers series." Catalog: Kinney 11. Printed in 1916. Plate measures 11 3/4 x 9 1/2 inches on 18 1/2 x 15 1/4 inch wove-type paper.


Adeline Genée
1871-1938, American

Etching from 1915. Pencil signed in the lower left with the inscription "color edition to 88 imp., No. 17." Plate size 12 1/4 x 9 1/4 inches on 18 x 14 1/4 wove-type paper. No. 2 in his impressions of great dancers series. Dame Adeline Genée (1878-1970) was a Danish/British dancer, choreographer, and teacher who was founder-president of the Royal Academy of Dancing.

Painting

House in the Pines
1861-1936, American

Oil on board, 15 x 18 in, unsigned, from the collection of the Fuller Museum of Art, Brockton, Massachusetts. (on loan)

Print

Emerson House Concord Mass
1875-1951, American

Etching, image size 5 x 6 1/2 inches, pencil signed and titled "W. Harry Smith" and "Emerson House Concord Mass" l.r.and l.l., plate signed l.l. "W. Harry Smith".

Drawing

Seashore
1872- c.1950, American

Watercolor on paper, 10 x 14 inches, c. 1940s.