20th Century American


Pastoral
1857-1945, British

This etching and mezzotint after the drawing by J.M.W. Turner measures 7 x 10 inches and is pencil signed, plate titled, dated, 1896.


The Sentinel Pine
1859-1939, American

Etching measuring 9 1/2 x 6 3/4 inches by the American artist, George Elbert Burr, pencil signed, cat: Seeber-135. Burr was an American printmaker and painter best known for his etchings and drypoints of expansive views of the Sonoran and Mojave deserts.


Rhythms of Men in the Wilderness
1903-1979, American

This Howard Simon wood-engraving measures 7 x 7 1/8 inches, pencil signed, 1948, created in a limited edition for members of the Woodcut Society in Hicksville, NY, comes in a presentation folder.


Baker Clock Tower, Dartmouth College
$295.00
1879-1961, American

Etching by the American artist Louis Orr measuring 11 3/4 x 8 inches, 1928, pencil signed, part of a series of eight prominent buildings at Dartmouth College that Orr created for a portfolio in 1928.


Springtime
1865-1928, American

This Warren Davis etching measures 7 7/8 x 6 inches, pencil signed, label from Kleemann-Thorman Galleries, New York included, c.1928. This delicately rendered etching is a great example of Davis's images of graceful female nudes, many of which were used for Vanity Fair and Life magazines in the very early 1900s.


Winter Sunlight
1889-1964, American

This etching by the American artist Ivan Summers measures 7 7/8 x 9 7/8 inches, pencil signed and titled, edition of 50. Summers spent most of his life in the East living in Woodstock, NY where he was known for his landscape paintings and etchings. He was a WPA artist, a teacher and medical illustrator.


West Quoddy Light
1907-1994, American

"West Quoddy Light" by the American artist Stevan Dohanos measures 10 x 8 inches, pencil signed and titled. Dohanos was an Ohio born commercial artist, illustrator and fine artist who first studied at the Cleveland School of Art and went on to illustrate for McCall's, the Saturday Evening Post and Esquire. His paintings and prints have been displayed in the Cleveland Museum of Art, Whitney Museum of American Art and Dartmouth College.


A Quiet Canal, Venice
1879-1964, American

Original etching by Roth, titled "A Quiet Canal, Venice" This etching was created and printed in 1906, the image measures 4 1/2 X 9 1/8 inches, hand signed and dated in pencil printed on a light weight laid type paper.


Gentlemen in the Park
1898-1981, American

This c.1925 etching by William Meyerowitz measures 7 7/8 x 9 7/8 inches, plate and pencil signed, framed. Meyerowitz studied at the National Academy of Design in NY and is best known for his development of producing etchings in color. His work is at the Metropolitan Museum of Art; Carnegie Institute; National Academy of Design; Harvard University and the Library of Congress.


Against the Light
1889-1934, American

This etching by Peter Marcus measures 9 1/8 x 7 5/8 inches, pencil signed, label included from Kennedy and Co. Rare Prints, NY. Marcus studied at the Art Students League and in Paris at the Ecole des Beaux Arts. His works are included in the National Academy of Design, Art Institute of Chicago and the Salmagundi Club.

Painting

Autumn Landscape
1857 - 1915, American

Watercolor on illustration board; period frame; image size 9 x 14 inches, signed lower right, "W.C. Fitler NY". A tonalist landscape painter, most of his works were painted in Conn., NY and Long Island.

Print

The Pool, 1884
1842-1914, American

This richly inked and finely detailed Moran etching measures 7 7/8 x 11 5/8 inches. Pencil signed with frog remarque on lower right margin. Cat: Wright-70, fourth state. Part of the "Twenty Original American Etchings" series published by the Cassell Publishing Co. Peter Moran was a well known American painter and etcher and one of the foremost artists of the American etching revival of the late 19th century. He was known for his images of cows and farm animals, as well as his atmospheric scenes of the American Southwest.

Drawing

Christmas Card 1948
1872- c.1950, American

Ink drawing, 1948, image size 10 7/8 x 8 1/2 inches.