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20th Century American


Fuseli
1922-2000, American

This is a great portrait of the 18th century Romantic painter Henry Fuseli by American artist Leonard Baskin. The sight size is 26 x 18 inches, published in 1969 in an edition of 100, cat: Fern & O'Sullivan-534, pencil signed, titled and numbered, framed. In the era of abstract expressionism, Baskin’s work was always representational, with a strong classical influence. He drew inspiration from many artists of the past, and in the 1950s and 1960s created series of portraits of the artists he admired.


Baldpate
1903-1985, American

This early etching by Churchill Ettinger measures 11 x 8 1/4 inches. It is pencil signed and titled with an attached AAA label with artist provenance.


Scissorbills
1903-1985, American

This etching by Churchill Ettinger measures 7 3/4 x 11 5/8 inches. It is pencil signed and titled on the lower margin and has an AAA label with artist provenance.


Orchard
1860-1929, American

"Orchard" by Edith Penman measures 6 3/4 x 6 7/8 inches. Created in 1890 in an edition of ~60 on japan vellum in brown ink with wide, full margins. Printed by the artist and published by Christian Klackner. Pencil signed on the lower right with publisher's address in the plate.


Moorings
1860-1929, American

This 1890 etching by Edith Penman measures 6 3/4 x 6 3/4 inches in an edition of 60. It is pencil signed by the artist on the lower margin with the address of the publisher, Christian Klackner, in the plate. This image was printed by the artist in black ink on cream wove paper.


Santa Cecilia, Guadelupe, Spain
1890-1983, American

This drypoint etching by Louis Conrad Rosenberg measures 8 1/4 x 6 7/8 inches. Created in 1925, it is pencil signed in the lower right. Rosenberg studied architecture at the University of Oregon before moving into architectural etching, studying at the American Academy in Rome and the Royal College of Art in London. The majority of his work was of European buildings with historic significance.


Carrera del Darro
1890-1983, American

This drypoint etching of the Carrera del Darro, one of the oldest streets in Granada, measures 6 5/8 x 7 3/4 inches. Created in 1935, it is pencil signed on the lower right. Rosenberg studied architecture at the University of Oregon before moving into architectural etching, studying at the American Academy in Rome and the Royal College of Art in London. The majority of his work was of European buildings with historic significance.


River Landscape
1860-1929, American

This 1888 etching by Edith Penman measures 5 1/8 x 9 inches in an edition of 60 or fewer. Signed by the artist in the lower right with the dated, copyright address of the publisher, Christian Klackner, lower center. This image was printed by the artist on light laid paper with full margins.


Waterfront
1906-1978, American

This is a very fine original lithograph depicting the cedar shaked buildings, boats and fishing gear of the Rockport, Massachusetts harbor. The image size is 7 7/8 x 12 3/4 inches, published in 1936 in an edition of 40, cat: Stuckey-58, pencil signed. Stow Wengenroth was one of the preeminent lithographers of 20th century America, known for his atmospheric, incredibly detailed images of the New England landscape and coastline.


Long Cove
1906-1978, American

An atmospheric scene of Rockport, Massachusetts, this is one of Wengenroth's early lithographs, published in 1935 in a small edition of 50 impressions. The image size is 7 7/8 x 12 1/4 inches, cat: Stuckey-51, pencil signed. Stow Wengenroth was one of the preeminent lithographers of 20th century America, known for his atmospheric, incredibly detailed images of the New England landscape and coastline. He studied at the Art Students League and the Grand Central School of Art in New York, and in the summers studied with John Carlson in Woodstock NY and George Ennis in Eastport ME.

Painting

End of the Day, Bride, Isle of Man
1916-2004, British

Watercolor, sight size 5 x 7 inches, 1977, signed "Lauder" l.r., identified on labels from Ruskin Gallery, Stratford-on-Avon, England, affixed to their backings. Lauder painted in the minimalist style of watercolor stating that "the scale of the work is appropriate to the medium of water color, for within this compass extreme subtleties can be made. What was anticipated in a painting was the "unseen", the "unexpected"."

Print

Harbor Scene
1811-1892, British

Etching, image size 5 1/2 x 11 inches, pencil signed l.r. "W. Douglas Macleod".

Drawing

Backview
1911-1992, American

This signed, charcoal on paper, portrait is by Paul Lewis Clemens. Sight size is 16 5/8 x 13 1/8 inches and is presented in a wooden frame. It is identified and titled on a label from James Vigeveno Galleries, Westwood Hills, Los Angeles, California, on the paper backing. A portrait, figure, genre and garden painter, Clemens studied at the University of Wisconsin with Oscar Hagen and the Art Institute of Chicago. He is best known for his movie star portraits of the Hollywood era in the 40s, but was also gifted for other styles, from French impressionism to Dutch linearity.