20th Century American

The Harborside, Friendship, Maine

Pencil signed in the lower right. Image measures 8 1/2 x 12 3/4 inches on 13 x 17 1/2 inch watermarked wove type paper. Edition of 300, as well as 16 working proofs. Presentation print for Chicago Society of Etchers, with their drystamp in the lower left. C. 1946. A captivating etching with very detailed linework and plate tone in the sky.

The Wood Lot

Image measures 13 3/4 x 9 3/4 inches on 18 x 13 3/4 inch Rives watermarked wove type paper. Plate initialed and dated 1930. Pencil editioned in the lower left. Editioned 30/90. Catalog: Barker 46. An atmospheric print of two people and a horse hauling wood through a storm.

Great Horned Owl

Lithograph from May 1960. Scene from New York, New York. Image measures 15 3/16 x 11 3/4 inches on 19 3/4 x 15 inch medium weight wove type paper. Wengenroth has captured this majestic owl at high alert against a dramatic bright sky, framed with some plate tone on the edges. Catalog: Stuckey 269.

Wood Owl

Lithograph from March 1970. Scene from Greenport, New York. Pencil signed in the lower right. Edition of 85. Image measures 9 5/8 x 15 5/8 inches on 13 x 19 3/4 inch medium weight wove type paper. Wengenroth has captured every detail of the texture of the subject and background. Catalog: Stuckey 331.

The Storm

Giardina 191. C. 1937. Etching and sandpaper ground. Edition 100. Pencil signed and annotated "imp," indicating that the artist printed it himself. A coastal scene in Maine. Print measures 9 1/2 x 15 3/4 inches on 13 1/8 x 19 inch watermarked laid type paper.

Owl

Plate measures 9 x 7 3/8 inches on 11 1/2 x 9 1/4 inch paper. Printed in April, 1973. Greenport, New York. Catalog: Stuckey 351. Edition of 135. This print has a wide tonal range and incredible texture.

Bark Metis Making Harbor

Colored etching and aquatint. Artist's proof. Pencil signed in the lower right. Edition of 200. Catalog: Fletcher 133. Plate size: 11 3/4 x 17 3/4 inches on 18 x 23 inch medium weight wove type paper. C. 1923. A dramatic and beautifully colored maritime etching.

October

Plate initialed in the lower left. Pencil editioned and signed in the lower right. Edition of 75. Plate size 7 3/8 x 6 5/8 on 10 x 9 1/8 inch thin laid type paper. C. 1952. The artist has skillfully captured the variety of contours and textures found in nature and and makes good use of negative space in this lively print.

Modernist Figure

Original woodblock print. Pencil signed in the lower right and dated 1934. Martin studied with Robert Henri at the ASL. He has exhibited in the Los Angeles County Museum of Art, 1918 (solo); Calif. Art Club, 1919; Brooklyn Society of Min. Painters; Brooklyn Museum, 1933; NY World's Fair, 1939. His woodblock prints are quite rare.

Modernist Cityscape

Original woodblock print. Pencil signed in the lower right and dated 1934. Martin studied with Robert Henri at the ASL. He has exhibited in the Los Angeles County Museum of Art, 1918 (solo); Calif. Art Club, 1919; Brooklyn Society of Min. Painters; Brooklyn Museum, 1933; NY World's Fair, 1939. His woodblock prints are quite rare..

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