20th Century American

Wood Owl

Lithograph from March 1970. Scene from Greenport, New York. Pencil signed in the lower right. Edition of 85. Image measures 9 5/8 x 15 5/8 inches on 13 x 19 3/4 inch medium weight wove type paper. Wengenroth has captured every detail of the texture of the subject and background. Catalog: Stuckey 331.

The Storm

Giardina 191. C. 1937. Etching and sandpaper ground. Edition 100. Pencil signed and annotated "imp," indicating that the artist printed it himself. A coastal scene in Maine. Print measures 9 1/2 x 15 3/4 inches on 13 1/8 x 19 inch watermarked laid type paper.

Owl

Plate measures 9 x 7 3/8 inches on 11 1/2 x 9 1/4 inch paper. Printed in April, 1973. Greenport, New York. Catalog: Stuckey 351. Edition of 135. This print has a wide tonal range and incredible texture.

Bark Metis Making Harbor

Colored etching and aquatint. Artist's proof. Pencil signed in the lower right. Edition of 200. Catalog: Fletcher 133. Plate size: 11 3/4 x 17 3/4 inches on 18 x 23 inch medium weight wove type paper. C. 1923. A dramatic and beautifully colored maritime etching.

October

Plate initialed in the lower left. Pencil editioned and signed in the lower right. Edition of 75. Plate size 7 3/8 x 6 5/8 on 10 x 9 1/8 inch thin laid type paper. C. 1952. The artist has skillfully captured the variety of contours and textures found in nature and and makes good use of negative space in this lively print.

Modernist Figure

Original woodblock print. Pencil signed in the lower right and dated 1934. Martin studied with Robert Henri at the ASL. He has exhibited in the Los Angeles County Museum of Art, 1918 (solo); Calif. Art Club, 1919; Brooklyn Society of Min. Painters; Brooklyn Museum, 1933; NY World's Fair, 1939. His woodblock prints are quite rare.

Modernist Cityscape

Original woodblock print. Pencil signed in the lower right and dated 1934. Martin studied with Robert Henri at the ASL. He has exhibited in the Los Angeles County Museum of Art, 1918 (solo); Calif. Art Club, 1919; Brooklyn Society of Min. Painters; Brooklyn Museum, 1933; NY World's Fair, 1939. His woodblock prints are quite rare..

Cavendish Church

C. 1944. Pencil signed and dated in the lower right. "II" inscribed in pencil in the lower left. Number two in his "English Church" series. Edition of 155. Catalog: Fletcher 381. Plate measures 9 1/2 x 5 1/2 inches on 11 1/2 x 8 inch watermarked laid type paper. Collector's mark in lower right corner of paper. Arms worked on this plate for a total of 289 hours.

Léon

Etching of Léon, Spain. Trial proof. Pencil signed and dated 1923 in the lower right corner. Print measures 7 1/8 by 11 1/4 inches in a 16 x 19 inch gold frame. #1 in his Spanish Church Series. Catalog: Fletcher 140. Printed by Frederick Reynolds. This plate was done with the assistance of Kerr Eby. This atmospheric print showcases the artist's incredible eye for detail.

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