This is a drypoint etching from November 1929. Edition of 100. Catalog: BPL 88. Pencil signed in the lower right, pencil numbered 59 out of 100 in the lower left. Plate measures 13 1/2 x 8 1/4 inches on 16 x 11 inch Rives watermarked wove paper. Samuel Chamberlain studied architecture at MIT, but interrupted his studies to serve in France during WWI. After the war, Chamberlain worked as an architectural draftsman in Boston before leaving the US to travel throughout France and Europe.
20th Century American
A drypoint etching from May 1925. Edition of 75. Catalog: Derrydale No. 18. The scene was sketched on the spot. Pencil signed in the lower right. Plate measures 4 1/4 x 5 1/2 inches on 8 1/4 x 9 1/2 inch wove watermarked Van Gelder Zonen paper. A fine impression with plate toning and a rich drypoint burr.
This is a 1963 lithograph of a scene from Colorado. Catalog 618. Published by the Associated American Artists, edition of 250. Pencil signed in the lower right. The plate measures 9 1/2 x 13 on 12 3/4 x 16 3/4 inch wove paper.
An excellent impression that exemplifies his mastery of tone and texture.
This is a colored etching from California artist May Gearhart. Pencil signed in the lower right, pencil titled below the image. Plate measures 3 3/4 x 7 inches on 6 3/4 x 10 inch thin wove paper. May Gearhart was part of a circle of 20th century Southern California printmakers that were strongly influenced by the Arts and Crafts movement and Japanese art. She studied at the School of the Art Institute of Chicago, under Rudolph Schaeffer, and spent a summer at Columbia with Arthur Dow.
A woodblock from 1978. Catalog: Fern & O'Sullivan 674. Number 89 in an edition of 150. Plate signed and dated in the lower left, pencil signed in the lower right. The Hebrew characters in the plate read "Yom Kippur." Pencil editioned in the lower left. Plate measures 35 x 23 1/2 inches in a 40 x 29 1/2 inch silver frame. Printed in black on Rives BFK paper. Baskin was an important artist in the mid 20th century, known for his evocative wood engravings, lithographs, and etchings.
This is an etching from 1921. Catalog: Giardina 52. Plate measures 7 x 13 1/2 inches on 9 1/2 x 15 3/4 inch wove paper. A well inked impression. Pencil signed "Kerr Eby imp" in the lower right, the "imp" indicating that Eby printed this impression himself. Edition of 90.
A beautifully detailed etching and aquatint with good use of plate toning. Pencil signed in the lower right. Plate measures 5 x 4 inches on 8 x 7 inch cream laid paper.
An etching from 1915 with a rich drypoint burr. Catalog: Wuerth 668. Edition of 80. Tab pencil signature. Plate measures 7 1/4 x 11 7/8 inches on 7 1/4 x 11 7/8 watermarked laid paper. Pennell was one of the foremost American printmakers of the early 20th century, and was close friends with James McNeill Whistler, whose influence is evident in many of Pennell's images as well as his sense of experimentation with etching technique. Pennell was especially known for his images of cityscapes and architecture.
Also known as: "Sens, Cathédrale de Saint Ètienne" and "Sens, North Portal." An incredibly detailed drypoint etching with plate toning and a wide tonal range. Signed and dated 1929 in the lower right. Plate signed and dated in the lower right, plate titled in the lower left. Second and final state. Edition of 100. #25 in his French Church series. Catalog: Fletcher 218. C. 1929. Plate measures 15 x 9 inches on 17 1/8 x 11 1/2 inch laid paper. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details.
An atmospheric and finely detailed drypoint etching with good use of plate toning. Plate measures 3 7/8 x 6 inches on 6 1/2 x 8 1/2 inch wove paper. Signed in the lower right, but we cannot identify the signature at this time. Plate monogrammed in the lower left.