Engravings

Daniel Webster With Bust of Washington

A very fine original engraving of Daniel Webster, after the painting by Thomas B. Lawson, image size 26 1/2 x 18 inches, 1852, engraved and printed by C. E. Wagstaff and Jos. Andrews, in what appears to be the original frame. Daniel Webster was a noted Senator, lawyer and politician from New Hampshire, who also served as secretary of state twice, under the administrations of William Henry Harrison, John Tyler and Millard Fillmore.

Adrianus Stalbent

This is an original engraving by Paulus Pontius after the painting by Anthony Van Dyck. The image size is 9 5/8 x 6 3/4 inches, c. 1700s, inscribed "Ant. van Dyck pinxit" and "Paul. du pont sculpt" in the lower left margin, with the title and a phrase in Latin below the image, with the original Kennedy Gallery label. Stalbent was a Flemish landscape painter and friend of Anthony Van Dyck when this portrait was painted.

The Dansant

This original drypoint engraving by the British artist, Leonard Brightwell, measures 9 3/4 x 14 3/4 inches, pencil signed and titled, edition 100, published by James Connell and Sons, London. Brightwell studied at Lambeth School of Art in London and in addition spent countless hours at the Zoological Gardens where he sketched monkeys and various other animals he used in his many engravings and illustrations.

Amston Pond

An atmospheric original engraving on copper, image size 6 7/8 x 10 5/8 inches, 1947, cat: BPL-424, published by the Society of Print Connoisseurs with the blind stamp and the original label, pencil signed "TW Nason imp", the 'imp' indicating that Nason printed this impression himself.

Cave Dwellers, Dieppe

This is a very fine original engraving by British artist Job Nixon. The image size is 11 x 16 1/4 inches, Fine Print of the Year, 1925, pencil signed. Malcolm C. Salaman write of this print, "Line Engraving, used with independent character is the medium of Mr Nixon's brilliant and original Cave Dwellers, Dieppe. This vivacious artist loves to discover an unusual subject and this is certainly one, with features of curious pictorial interest.

King David

A linoleum engraving by Leonard Baskin of King David. It measures 2 1/2 x 3 inches and is printed on a 17 x 17 1/2 inch sheet of medium weight paper. Published in 1952, it is listed in the Fern and O'Sullivan catalogue as #175.

Christ Standing in the Clouds, Surrounded by a Glory of Angels

This rare artist proof by John Sartain, after Forli, was published by William Young Ottley in Loudon, Sept 1, 1826. It measures 14 x 12 inches and is on medium weight paper. The images for this engraving were part of a paintng in fresco formerly in the Vault of the Church of S.S. Apostoli at Rome; and now preserved in the Palace at Monte-Cavallo. This information is printed on the lower margin with a plate number on the upper margin.

Rooster

This linoleum engraving by Leonard Baskin measures 4 1/2 x 5 1/2 inches, is printed on Troya paper and the sheet size is 17 x 17 1/2 inches. Published in 1951 by "The Gehenna Press" in Worcester, MA., this image appeared in "A Little Book of Natural History". It is listed in the Fern and O'Sullivan catalogue as #119.

Yachting - Scene Off Cowes, Isle of Wight

Engraving, hand-colored aquatint, image size 12 1/2 x 17 3/4 inches, after T.S. Robbins, inscribed in the plate T.S. Robbins, Del. l.l. and "J. Harris Sculpt." l.r., titled in the plate l.c., Plate 1, from Fores's Marine Sketches, published 1851 by Fores, 41 Piccadilly, London. The brig Xarifa races the Mirage, H. M. S. Yacht Victoria & Albert & Fairy, Musquito, Bianca, and Pearl, in the English Channel.

Boy With Cock

This linoleum engraving by Leonard Baskin measures 4 x 2 1/2 inches and is printed on a sheet size of 17 1/2 x 17 inches. An unsigned proof done in 1951 for "A Little Book of Natural History", published by The Gehenna Press in Worcester, MA., and is listed as #101 in the Fern and O'Sullivan catalogue. After serving in the Navy during WWII, Baskin began his career as a printmaker in the late 1940s, beginning with simple linocuts, but quickly progressing to dramatic wood engravings, then later etchings and lithographs.

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