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Etchings


Low Tide, Bay of Fundy
1846-1938, American

This is a very fine atmospheric etching of fishermen's houses along the Canadian coastline, with two small children playing on a boat in the foreground. The image size is 11 3/4 x 18 3/4 inches, published in 1881, cat: Schneiderman- 64, signed and titled in the plate. Stephen Parrish was one of the leading American etchers of the late 19th century, known for his atmospheric images of the rugged New England and Nova Scotia coastlines. This etching is one of Parrish's finest prints; in his 1886 book 'Etching in America', J.R.W. Hitchcock wrote, "Nothing that Mr.


Hamburg Harbor
1881-1962, Austrian

This is a remarkable original etching and aquatint of Hamburg Harbor in Germany. The image size is 15 5/8 x 22 3/4 inches, published in 1914 in an edition of 100 impressions, pencil signed and numbered, framed. This image is printed using two plates, one in black ink and one in gray ink to create a chiaroscuro effect with beautiful tonal range and rich contrast. Luigi Kasimir studied at the Vienna Academy of Art, although much of his etching technique was self taught and learned through working from nature.


Baldpate
1903-1985, American

This early etching by Churchill Ettinger measures 11 x 8 1/4 inches. It is pencil signed and titled with an attached AAA label with artist provenance.


Scissorbills
1903-1985, American

This etching by Churchill Ettinger measures 7 3/4 x 11 5/8 inches. It is pencil signed and titled on the lower margin and has an AAA label with artist provenance.


River View in Summer
1876-1960

This 1920 etching by Adolphe Beaufrere measures 5 1/2 x 7 3/4 inches. Plate signed and dated l.r.


Sur La Plage a Larmor
1876-1960

This 1929 etching and drypoint by Adolphe Beaufrere of a beach resort, measures 5 3/4 x 6 3/4 inches. It is pencil signed and numbered with a blindstamp of the publisher, Sagot, on the lower right.


Le Point Suspendu
1876-1960

Wonderful etching by Adolphe Beaufrere depicting everyday life on a river. Measuring 7 1/2 x 10 3/4 inches in an edition of 60, it is pencil signed with a blindstamp of the publisher, Sagot, on the lower right.


Orchard
1860-1929, American

"Orchard" by Edith Penman measures 6 3/4 x 6 7/8 inches. Created in 1890 in an edition of ~60 on japan vellum in brown ink with wide, full margins. Printed by the artist and published by Christian Klackner. Pencil signed on the lower right with publisher's address in the plate.


Moorings
1860-1929, American

This 1890 etching by Edith Penman measures 6 3/4 x 6 3/4 inches in an edition of 60. It is pencil signed by the artist on the lower margin with the address of the publisher, Christian Klackner, in the plate. This image was printed by the artist in black ink on cream wove paper.


Santa Cecilia, Guadelupe, Spain
1890-1983, American

This drypoint etching by Louis Conrad Rosenberg measures 8 1/4 x 6 7/8 inches. Created in 1925, it is pencil signed in the lower right. Rosenberg studied architecture at the University of Oregon before moving into architectural etching, studying at the American Academy in Rome and the Royal College of Art in London. The majority of his work was of European buildings with historic significance.

Painting

New Orleans Street

Watercolor and ink, image size 7 7/8 x 5 3/4 inches, 1939, signed in ink "Nibbio 39" l.r.

Print

Horse In Stable
$100.00
20th C.

1931,9 1/2X7 3/42,pencil signed,D

Drawing

An Old Bridge
1846-1938, American

This two sided drawing by Stephen Parrish measures 6 5/8 x 10 3/8 inches. Done in black ink, c. 1890, with a Maxfield Parrish Jr. family stamp on the lower right and upper left in black ink. Another drawing of a homestead with split rail fence, possibly his own, in on the reverse.