Etchings


Via Facchini, Pisa
1887-1953, American

Edition of 110. Catalog: Fletcher 194. C. 1927. Printed by Frederick Reynolds. Italian series #11. Pencil signed and dated 1917 in the bottom right. Plate titled in the lower right. Plate measures 11 1/4 x 5 1/2 inches on 16 1/4 x 10 1/4 inch blue laid type paper. This print has plate toning and enchanting linework.


Via Facchini, Pisa
1887-1953, American

Edition of 110. Catalog: Fletcher 194. C. 1927. Printed by Frederick Reynolds. Italian series #11. Pencil signed and dated 1917 in the bottom right. Plate titled in the lower right. Plate measures 11 1/4 x 5 1/2 inches on 16 1/4 x 10 1/4 inch blue laid type paper. This print has plate toning and enchanting linework.


Saint Benigne, Dijon
1887-1953, American

C. 1927. Catalog: Fletcher 195. Edition of 110. Printed by Frederick Reynolds. # 15 in his French church series. Plate inscribed in the lower left: "Saint Benigne, Dijon, 1924" Pencil signed and dated 1927 in the lower right. Plate measures 10 1/2 x 6 3/4 inches on 13 3/4 x 8 1/2 inch laid type paper. A captivating print with plate toning and meticulous detail.


Goin' Home
1889-1946, American

Pencil signed "Kerr Eby imp," indicating that he printed this himself, in the lower right. Editioned in pencil in the lower left. Plate measures 11 x 7 inches on 15 1/2 x 10 inch watermarked laid type paper. Catalog: Giardina 133. C. 1928. Edition of 90. The scene depicted was probably in Connecticut. An atmospheric print with good composition and plate toning.


Le Bouquet de Violettes
$1800.00
1872-1936, French

Colored etching and Aquatint. C. 1903. 1st state, edition of 65. Larger edition of 100 after signature was added to plate. Pencil signed in the lower right. Image size is 17 1/2 x 11 3/4 inches on 22 3/4 x 16 1/4 inch watermarked arches laid type paper. Catalog: P-K 105. An intimate portrait of a young woman in her dressing room affixing flowers to her dress.


Il Sacro Monte, Varese
1887-1953, American

Etching from 1927. #9 in his Italian series. Edition of 100. Printed by Frederick Reynolds. Pencil signed and dates in the lower right. Image measures 7 7/8 x 7 1/8 on 10 7/8 x 8 1/2 inch laid type paper. "Sacro Monte, Varese '26" inscribed on the plate on the bottom edge. In this wonderfully composed print, Arms knows when to use lots of detail and when to just suggest it.


St. Ouen, Rouen
1889-1946, American

Etching and sandpaper ground. Edition of 90. C. 1928. Pencil editioned in the lower left, signed in the lower right "Kerr Eby imp" indicating that the artist printed it himself. Image size measures 14 1/4 x 6 1/4 inches on 18 1/4 x 8 1/2 inch laid type paper. Catalog: Giardina 130. Rouen is a city in France, northwest of Paris. This interior scene of its famous cathedral depicts the view down the main aisle. This print is based on Eby's visit to Great Britain and France during 1924 and 1925. A rich impression with strong contrast.


Night, High Island, Maine
1889-1946, American

Etching from 1928. Edition of 90. Editioned in pencil in the lower left, signed "Kerr Eby imp" in pencil in the lower right, indicating that the artist printed it himself. Catalog: Giardina 131. Image measures 12 1/2 x 6 3/4 inches on 18 x 11 1/2 inch wove type paper. An atmospheric print with plate toning and a variety of expressive line techniques. A truly surreal landscape.


Silhouette of Senlis
1895-1975, American

Etching from June 1931. Edition of 100, with 5 working proofs. Pencil editioned in the lower left, signed in the lower right. Image measures 5 3/4 x 8 1/4 inches in a 12 3/4 x 15 1/2 inch gold frame. An incredibly detailed scene with plate toning and a rich drypoint burr.


Stormy Afternoon
1887-1967, American

Pencil signed in the lower right, titled in the lower left. Plate measures 3 3/4 x 5 1/4 inches in a 10 x 11 1/2 inch thin black frame. A small but dramatic etching of geese coming in for a landing.

Painting

Autumn Landscape

This early 20th. century oil painting by Rene de'l Arnet(?) measures 25 x 30 inches. This fine impressionistic water scene with sunlit fields in the distance is well painted using a subtle color palette with a nice tonal and textural range.

Print

The Quarry No.2
1874-1947, American

Lithograph, Edition of 50, image size: 11X8 3/4 inches, pencil signed

Drawing

The Old Orchard
1872- c.1950, American

A beautiful scene of a summertime apple orchard done in pencil by Dexter Dawes, a Marlboro, NH artist. 7 3/4 x 11 inches.