All Hands
1873-1943, British

This is a very dramatic original etching by British Marine artist Arthur Briscoe. The image size is 8 3/8 x 15 3/8 inches, 1926, edition of 75, hand signed and numbered in ink. This etching is tastefully framed with what appear to be archival materials, provenance Egon and Joan Teichert Fine Prints, NY, label on the back of the frame. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century.

Praying Girl
1867-1945, German

This is an evocative original etching by Kathe Kollwitz, image size 7 3/8 x 5 5/8 inches, created in 1892, published by Von der Becke c. 1945 and sold by the Associated American Artists, New York, framed, with the AAA label on the back. Kollwitz was a German Expressionist artist known for her dramatic images of the poor, especially women and children, and the stark realities of poverty and war.

Mother and Child
1867-1945, German

A tender image of a mother and her young child by German Expressionist Kathe Kollwitz, this etching measures 7 5/8 x 4 7/8 inches, published by Von der Becke in 1910, sold by the Associated American Artists, New York, framed, with the original AAA label on the back. Kollwitz was a German Expressionist artist known for her dramatic images of the poor, especially women and children, and the stark realities of poverty and war.

St Paul's Women's Club Building
1902-1990, American

This is a great original etching of the Art-Deco building in St. Paul, Minnesota by New Yorker illustrator and WPA artist Theodore G Haupt. This etching was published in 1931, the same year that the building was constructed. The image size is 8 1/2 x 8 1/2 inches, plate signed and dated, pencil signed. A rich impression on a laid type paper.

1846-1938, American

This is a very fine etching by Stephen Parrish after a painting by Henry Ward Ranger. The image size is 18 x 23 3/4 inches, published by Klackner in 1887, cat: Schneider-124, with a remarque in the lower center margin, pencil signed by both Parrish and Ranger. In her description of this etching, Schneider writes that "there is a good match between the sensibilities of the painter, Henry Ward Ranger (1858-1916), and the printmaker, Parrish, so the result is a masterful etching."

The Rajah's Favorite
1883-1957, English

This beautiful etching by Edward Julius Detmold measures 14 9/16 x 11 1/2 inches and is pencil signed on the l.r. Edward Julius Detmold's artistic talents were apparent at an early age. He and his twin brother, Charles Maurice Detmold, were both considered well beyond their years in their artistic abilities. Their watercolors were being exhibited at the Royal Academy by age 13, the youngest artists to be admitted at the time.

The Lone Fisherman
1901-1981, American

Etching with drypoint, image size 5 7/8 x 8 7/8 inches, c. 1930s, pencil signed. Philip Kappel was born in Hartford, CT, and educated at the Pratt Institute in New York. He was employed as an artist for several shipping companies and much of his work documents these ships and their sailors. At age 26, Kappel was the youngest person ever admitted to "Who's Who in America."

1846-1938, American

A beautiful original etching of Gloucester Harbor, this image measures 13 1/2 x 21 3/4 inches, 1887, published by Radke, Lauckner & Co, New York, cat: Schneider- 131, pencil signed. Stephen Parrish was one of the leading American etchers of the late 19th century, known for his atmospheric images of the rugged New England and Nova Scotia coastlines. This etching of fishing boats in Gloucester Harbor features a richly inked impression on parchment with a remarque of a fisherman's shack in the lower margin.

Sausage Tomorrow
1907-1968, American

This is a very rare original etching by Southern Regionalist artist James Fowler Cooper. The image size is 8 1/8 x 8 3/4 inches, c. 1940, pencil signed and titled. Born in Williamsburg County, South Carolina, Cooper graduated from the University of South Carolina, then went to New York to study at the Art Students League under George Bridgeman and Boardman Robinson. In 1930 he returned to his family farm, where he began creating his distinctive etchings of everyday life in the rural south.

The Large Sheepfold
1817-1878, French

This etching by Daubigny measures 7 1/4 x 13 1/4 inches, "Daubigny pinx 8c sculp" on l.l., "PARC A MOUTONS, LE MATIN." on l.c. and "Imp. Delatre, Rue des Feuillantines; 4, Paris." on l.r., D. 95, between 2nd and 3rd state of 4, center crease.


The Neighbor's House, Peconic, Long Island
1861-1948, American

This is a beautiful landscape of the artist's winter view from his Long Island studio. Oil on canvas, 14 x 20 inches, c. 1935, signed in the lower left corner, in the original frame. This painting was given to the current family by the artist, their neighbor in Peconic, Long Island. Irving Wiles studied at the Art Students League in New York with William Merrit Chase who became a close friend and colleague, then spent some time in Paris studying at the Academy Julien.


The Wanderers Return
19th C. American

Etching in sepia,1887,10 3/4X7",platesigned


Meadow Sketch
1872- c.1950, American

Very nice sketch of a tree, standing alone in a meadow, with clouds in the background. This Dexter Dawes pencil sketch is dated 1913 and measures 6 x 9 inches and has sketching notes in the artists' hand on the lower margin.