Etchings


New York
1869-1936, German-American

This original etching by Bernard Gutmann measures 10 x 7 7/8 inches, pencil signed.


Double Date Delayed
1902-1988, American

Original 1948 etching by the American artist, Isabel Bishop, measuring 5 x 3 1/2 inches, printed by the artist in the original edition of 22, not the restrike done in 1978, cat: Teller-43. Bishop was one of the foremost women artists of the twentieth century, best known for her images of life around Union Square in New York City where her studio was located. Her sense of observation along with her great technical skill enabled her to portrayed mood and movement in her simple images of ordinary people.


Leaning on the Wall
1902-1988, American

A rare original etching by the American artist, Isabel Bishop, measuring 4 x 3 inches, pencil signed, 1927, proofs only, printed by the artist, cat: Teller-4. Bishop was one of the original Fourteenth Street School of Artists and was known for her depictions of urban life in NYC.


Detail from "Sunrise O're Whitby Scaur"
1857-1945, British

This rare proof impression of the portion of the plate which was cut to be used in the book entitled "Etchings & Engravings" by Frank Short measures 3 1/2 x 3 1/2 inches, cat: Hardie-166, 1922, original aquatint, printed on a folded sheet for use as a card, plate signed.


The Upper Hudson
1846-1938, American

This view of the "Upper Hudson" by Stephen Parrish measures 9 5/8 x 17 inches, plate signed, 1881, cat: Schneider-50. Stephen Parrish was one of the leading American etchers of the late 19th century, known for his atmospheric images of rugged landscapes and coastlines.


Spoleta-Italy
1879-1964, American

This etching of Spoleto, Italy by Ernest Roth, measures 8 7/8 x 14 inches, plate dated 1951, pencil signed, AAA print, framed.


Charles Church, Vienna
1881-1962, Austrian

This color aquatint by Luigi Kasimir measures 17 3/4 x 15 inches, pencil signed, plated dated 1925, cat: Lorenz-5. Kasimir studied at the Vienna Academy of Art, although much of his etching technique was self taught and learned through working from nature. He specialized in atmospheric images of architecture, city scenes and landscapes; some bustling with people and automobiles, others quite timeless and serene.


Vienna Opera House
1881-1962, Austrian

This color aquatint by Luigi Kasimir measures 17 3/4 x 15 inches, pencil signed, plate dated, 1922, cat: Lorenz-6, framed. Luigi Kasimir studied at the Vienna Academy of Art, although much of his etching technique was self taught and learned through working from nature. Kasimir traveled all over Europe and the United States creating many spectacular architectural etchings.


Sion House on the Thames
1857-1945, British

This 1911 drypoint etching by Frank Short measures 9 3/4 x 13 3/4 inches, pencil signed, cat: Hardie-350.


Rotherhithe
1883-1948, English

This 1921 original etching by the British artist, Ernest Lumsden, measures 14 3/8 x 8 1/2 inches, pencil signed, dated in the plate, 1921. Rotherhithe, meaning "a mariner's haven", in southeast London, was the first place that docks were constructed for the convenience of the Londoners.

Painting

Spring Meadow
1836-1892, American

Oil on canvas, 10 1/4 x 16 inches, c. 1880, unsigned, attributed to Alexander Wyant, in a period gilt frame.

Print

Parting Day
1847-1928, American

Etching, image size: 18 3/4 x 29 3/8 inches, after C.D. Clement, published by Klackner, 1884, plate signed

Drawing

White Pine
1872- c.1950, American

This drawing by Dexter Dawes measures 21 1/4 x 14 1/2 inches and is dated "July 7, 1929" on the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and drawings. He belonged to a number of associations including the National Arts Club