Etchings

The Centenarian

Drypoint from 1930. Catalog: Appleby 144. Featured in Fine Prints of the Year in 1931. Plate signed on the bottom edge: "Blampied Jan. 1931". Signed in ink in the lower right, editioned in the lower left. Numbered 39 in an edition of 100. Plate measures 10 1/4 x 10 1/4 inches. This print is expressive in both line and content.

Barbizon Landscape

Pencil signed lithograph with extensive remarque in the lower left. Editioned in pencil in the lower right; number 5 in an edition of 40. Image measures 4 1/4 x 3 inches on 10 1/8 x 6 1/2 inch medium weight embossed wove type paper. This print has strong contrast and captures the sunlight in the landscape, even hinting at movement in the trees.

Salt Marshes

Plate signed and dated 1889 in the lower left. Image measures 4 5/8 x 13 1/2 inches on 7 7/8 x 19 7/8 inch medium weight wove type paper. An atmopsheric etching with a wide tonal range.

The Storm

Giardina 191. C. 1937. Etching and sandpaper ground. Edition 100. Pencil signed and annotated "imp," indicating that the artist printed it himself. A coastal scene in Maine. Print measures 9 1/2 x 15 3/4 inches on 13 1/8 x 19 inch watermarked laid type paper.

Bark Metis Making Harbor

Colored etching and aquatint. Artist's proof. Pencil signed in the lower right. Edition of 200. Catalog: Fletcher 133. Plate size: 11 3/4 x 17 3/4 inches on 18 x 23 inch medium weight wove type paper. C. 1923. A dramatic and beautifully colored maritime etching.

Gerona

Signed and numbered in ink. Plate signed and dated in the lower right. C. 1921. Plate measures 7 3/8 x 12 7/8 on 8 3/4 x 15 inch laid type paper. Catalog: Hardie 213. Print 8 in an edition of 76. Born into poverty, McBey was primarily self-taught, becoming a very well respected artist and leading figure of the British Etching Revival. He traveled extensively throughout Europe, America and the Middle East, creating remarkable etchings of the places he visited. This print has a unique perspective as well as a rich drypoint burr.

The Knight's Return

Pencil signed "Airy" in the lower left. Remarque of a swan in the lower right. Plate measures 7 3/4 x 5 1/4 on 10 7/8 x 7 3/4 inch wove type paper. The artist's flowing lines depict a dancing couple surrounded by shadowy, treacherous figures.

La Casa di Mario, Venice

Pencil signed "H A Webster" in the lower right. C. 1930. Catalog: Webster 105. Plate measures 7 3/4 x 10 7/8 inches on 9 3/4 x 12 7/8 inch watermarked arches laid type paper. Signed artist's proof. Plate destroyed. This print has a rich drypoint burr and dramatic use of light and shadow. Herman Webster was an American artist who moved to Paris in the early 20th century to attend the Academy Julien. There he studied under J. P. Laurens and Eugene Bejot, and was also greatly influenced by the etchings of Whistler and Meryon.

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