20th Century American Prints

In Memoriam

$2850.00

This is a drypoint etching from 1939. #40 in his "French Church" series. Catalog: Fletcher 317. Edition of 312, an early proof of the second and final state. The blue paper and inky fingerprints on the back of the paper indicate that this is likely a trial proof. Plate measures 14 3/4 x 12 inches on blue watermarked laid paper. Alternatively titled "The North Portal of Chartres Cathedral." Pencil signed and dated in the lower right. Winner of the Artist Member Prize, Annual Exhibition, Baltimore Water Color Club, The Baltimore Museum of Art, 1939. It took the artist about 1,000 hours to etch this print, and upon closer inspection of the captivating detail in every single piece of stone, it's clear to see why. One of his most sought-after prints.

The Irish Fair

$2600.00

This lithograph was created and printed in 1923. It is both plate and pencil signed by Bellows and pencil signed by the printer, Bolton Brown. The print itself measures 18 3/4 x 20 1/2 inches, and is framed in a 28 1/4 x 28 1/4 inch silver frame. Catalog reference: Mason 153, edition 84. Part of The Wind Bloweth Series.

The Landing

$2200.00

Original pencil signed drypoint etching by American artist Frank Benson 1862-1951. The title of this work is "The Landing", created and printed in 1915 in an edition of only 50. The image measures 7 1/4X11 1/4 inches. Printed on Shogun watermarked paper. The etching appears in the Ordeman catalog as image number 70. The setting of this image was Fox Island on Penobscot Bay. Excellent condition matted not framed. Editioned as 46/50.

The Bridge

$1800.00

Original drypoint etching on copper by American artist Frank Benson. Titled: "The Bridge", created and printed in 1923 in an edition of 150. The image measures 13 3/4X10 3/4 inches.
Printed on Whatman Paper. This image appears in the Ordeman book as image number 227.
A very rich impression, good use of plate tone to show the water. Excellent condition never framed or matted. Deckled edges on two sides of the sheet.

San Francisco Yacht Harbor

$1800.00

An early etching by Gene Kloss, this is a very richly inked scene of boats moored on the quiet harbor waters of San Francisco Bay. The image size is 9 x 10 inches, published in 1935 in a small edition of 75, pencil signed, titled and numbered. Gene Kloss was born in California as Alice Geneva Glasier, changing her name when she married the poet, Phillip Kloss in 1925. On their honeymoon, the Kloss's traveled to and fell in love with Taos, New Mexico. For over a decade they split their time between Taos and Berkely, CA; Gene Kloss becoming a central figure in the artistic communities of both states. This etching is in pristine condition and features a richly inked impression with superb plate tone on a heavy weight wove type paper.

Beautification

$1650.00

Lithograph, image size 15 3/8 x 18 inches, 1932, pencil signed. Born in Poland, Max Weber emigrated to Brooklyn, New York with his family at the age of 10. He went on to study art at the Pratt Institute in Boston, then traveled to Europe where he was influenced by the groundbreaking work of Henri Matisse, Pablo Picasso and Henri Rousseau. Weber returned to America, bringing with him the cubist and modernist ideas and techniques that he learned in Europe, and is considered by many to be one of the forefathers of American modernism.

Tower Door

$1650.00

The title of this lithograph is: "Tower Door", Port Clyde, Maine, November 1954. This image measures 11 7/8X8 3/4 inches. It was done in a small edition of only 50 signed proofs. It appears in the Stuckey catalog as image number 220. The setting for this image is the entrance to the tower at Marshall's Point Light Station. This lithograph is hand signed by the artist in the lower right corner and edition lower left. It is in extremely fine condition.... This image so impressed the writer, of the definitive catalog raisonne on Wengenroth, author Stuckey, that he chose it to be on the cover of his catalog.

Cavendish Common

$1600.00

Etching, image size 6 3/8 X 14 9/16 inches, printed in 1942 by Charles White in an edition of 150, 2nd state proof, numbered "II", cat: Fletcher-370, pencil signed and dated. This atmospheric etching is a great example of the delicate lines and precise detail for which Arms was known. This image won several awards in the early 1940s; the Mrs. Henry F Noyes Memorial Prize for best print at the 27th Annual Exhibition of the Society of American Etchers, New York, N.Y. 1943; the First Prize in Black and White Section at the 12th Annual Exhibition of the Irvington Art and Museum Association, Irvington, N. J. 1945; and the First Prize in Black and White at the Annual Art Exhibition of the Bridgeport Art League, Bridgeport, CT. 1945.

Late Sunlight on the Cliffs

$1450.00

Original etching, drypoint and aquatint by American Southwestern printmaker, Gene Kloss. The title of this work is: "Late Sunlight on the Cliffs", it was created and printed in 1941 in an edition of only 75.
This etching is hand signed and titled in the lower border. The image measures 13 3/4X10 3/4 inches. Printed on a medium weight wove type paper, very nice condition. A rich and very expressive
image. Kloss at her very best!

The Guide

$1450.00

A very fine original drypoint etching by American Sporting Artist Frank Benson. The title of this work is "The Guide", it was created and printed in 1920 in an edition of 150.
Wonderful use of plate tone in printing of this image. The image measures 6 7/8X10 7/8 inches, printed on a soft Hodamura paper. There are two pressure creases in the lower corners of the image, probably occuring during the printing process but they are unobtrusive and only show up in a raking light. The etching is hand signed by the artist in the lower left border. The image shows the hunters guide leading the way through the shallow water.

The Temple of Jupiter, Evening

$1250.00

A truly remarkable original lithograph by Joseph Pennell, this image measures 21 1/8 x 16 5/8 inches, published in 1913 in a very small edition of 50, pencil signed, from Pennell's series of lithographs created in his travels through Italy and Greece. Printed on a cream colored laid type paper with the watermark "Ingres PMF Italia". In his book "In the Land of Temples", Pennell writes of this image, "Night was falling as I was coming back from drawing by the river Ilissos. The subject was the most impressive I saw in the Land of Temples, and in the gathering darkness I drew it as well as I could."

Despair

$1250.00

This listing is for a pair of images by American artist Isac Friedlander. The title is "Despair", they appear as a framed wood engraving dated 1931 and also the pencil study for the engraving also signed and dated 1931. Both pieces are in individual frames. The wood engraving has an image size of 12X7 inches, signed lower right in pencil titled and dated lower left. The drawing measures 12X7 1/4 inches, also signed and dated in the lower border. This is a very scarce image by this important Latvian American artist. Isac Friedlander (1890-1968) was born in Latvia. In 1912 he went to Italy where he met and worked with Russian artist Maxim Gorky. During this period he also received his only art training, studying etching, drawing and relief printing at the Academy of Rome. In 1937, he emigrated to New York where he worked full time as an artist until his death. He is best known for his woodcuts and etchings, and many museums have works by the artist, including the Smithsonian, Bibliotheque Nationale, and the Brooklyn Museum.

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