Prints

Parisienne

$1450.00

This is an original etching by Well known Belle Epoch artist Manuel Robbe (1872-1936) The title of this work is: "Parisienne", it was created and printed in 1906 in an edition of 200, published by Georges Petit. The image measures 19 1/2X13 1/2 inches. It is signed in pencil lower left within the image. A fine impression, previously sold by Merrill Chase galleries. Robbe studied at the Academie Julien and the Ecole des Beaux Artes in Paris.
With his hand application of color no two images look exactly the same, a very painterly technique.

Le Dernier Roman

$1450.00

Color aquatint and drypoint etching C. 1907. Edition of 100. Provenance Merrill Chase Galleries, according to a label on back with a detailed biography of the artist. Plate signed in the lower left and numbered in pencil "No. 55" below the signature. Plate measures 20 1/2 x 14 1/2 inches in a gold 31 x 24 1/2 inch frame. Robbe studied at the Academie Julien and the Ecole des Beaux Artes, becoming a master of the aquatint medium. He developed much of his own aquatint techniques, which enabled him to create his uniquely painterly, richly colored images.

Sara Smiling

$1450.00

Colored drypoint from 1904. Catalog: Breeskin 195. This is the only known state, some impressions in color (like this one). A delicate portrait that captures the subject well. Plate measures 8 3/4 x 6 inches on 10 x 7 1/2 inch wove paper. Cassatt originally only pulled one or two proofs from these plates. Cassatt tried to have them printed 20 years after their creation, but a patron of hers insisted that she had printed them before and they should be dated, as they were a second edition. Cassatt insisted that they were a first edition and, suspecting the patron of trying to get the prints for less money, refused to sign or date them, which is why this print has neither a date nor a signature. Mary Cassatt was one of three women to exhibit with the Impressionists group, as well as being the only American. She is best known for her portraits of mothers and children in their daily life. Cassatt studied at the Pennsylvania Academy of Fine Arts from 1861 to 1865, and moved to France in 1866, where she painted alongside Renoir, Degas, and Sisley.

Late Sunlight on the Cliffs

$1450.00

Original etching, drypoint and aquatint by American Southwestern printmaker, Gene Kloss. The title of this work is: "Late Sunlight on the Cliffs", it was created and printed in 1941 in an edition of only 75.
This etching is hand signed and titled in the lower border. The image measures 13 3/4X10 3/4 inches. Printed on a medium weight wove type paper, very nice condition. A rich and very expressive
image. Kloss at her very best!

Drydock

$1400.00

This 1928 marine etching by the British printmaker Arthur Briscoe measures 12 1/8 x 8 7/8 inches, hand signed in ink and editioned as 7/75. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.

Casting Her Off

$1250.00

This 1927 marine etching by the British printmaker Arthur Briscoe measures 9 7/8 x 15 7/8 inches, hand signed in inked and editioned as 58/75. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.

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