Recent Acquisitions

Yom Kippur Angel

$700.00

A woodblock from 1978. Catalog: Fern & O'Sullivan 674. Number 89 in an edition of 150. Plate signed and dated in the lower left, pencil signed in the lower right. The Hebrew characters in the plate read "Yom Kippur." Pencil editioned in the lower left. Plate measures 35 x 23 1/2 inches in a 40 x 29 1/2 inch silver frame. Printed in black on Rives BFK paper. Baskin was an important artist in the mid 20th century, known for his evocative wood engravings, lithographs, and etchings. In the era of abstract expressionism, Baskin’s work tended toward the representational with a strong classical influence, which is particularly evident in his images of flowers and the natural world. After serving in the Navy during WWII, Baskin began his career as a printmaker in the late 1940s, beginning with simple linocuts, but quickly progressing to dramatic wood engravings, then later etchings and lithographs. Known for his graphic images created by the simple interplay of black on white, combined with his dramatic use of line, Baskin remains one of America's greatest printmakers.

Highland Bog

$425.00

This is a color woodblock print measuring 8 x 11 1/4 in a 18 x 20 inch frame. Pencil signed in the lower right and dated 1924. Hans Frank was the twin brother of printmaker Leo Frank. They were both students of Anton von Kenner at the School of Applied Arts in Vienna and Franz Rumpler at the Vienna Academy. Hans Frank was a painter and printmaker, working in both aquatint and color woodcuts and he exhibited at the Vienna Secession in 1912 and 1913. During World War I he served as an artillery regiment officer but after the war he travelled extensively through southern France, Italy, and Austria. Frank was awarded numerous prizes, including the Golden State Medal in 1908, the Silver Medal of the City Graz, the Royal Sakson Medal for Art and Science, the Staatlicher Ehrenpreis, the Prize of the City Vienna in 1931, the Goldene Ehrenmedaille des Wiener Künstlerhauses in 1934, the Waldmüllerpreis für Malerei, and the Kriehuber-Preis der Stadt Wien in 1944. He was a member of the Künstlerhaus in Vienna, the London Society of Graver Printers, and the California Society of Printmakers. (Source: Annex Gallery)

Iscrizioni delle Camere Sepolcrali

$225.00

A drypoint etching by Giovanni Piranesi. The full title is "Iscrizioni nelle Camere sepolcrali de' Liberti, e Servi, ec. della Famiglia di Augusto," which means "Inscriptions in the burial chambers of the Liberti, and Servi, etc. of the Family of Augustus." Original Ferdinand Roten label on mat! From the series, "Le Antichita Romane." C. 1784. State III/III. Catalog: Ficacci 308. The plate measures 15 1/2 by 19 inches on 22 1/4 28 3/4 inch paper. Piranesi was an Italian artist and designer, best known for his series of etchings of Ancient Roman ruins, the "Vedute di Roma". These striking, monumental images of the ancient grandeur of the Roman Empire provided inspiration for many of the artists of the Neoclassical movement in the late 18th and early 19th centuries.

Veduta interna della Basilica

$750.00

This is an original very early Giovanni Piranesi etching. It is titled: "Veduta interna della Basilica di S. Pietro in Vaticano vicino alla Tribuna", meaning
"Internal view of St. Peter's Basilica in the Vatican near the Tribuna." It was from the Vedute di Roma series, which Piranesi is best known for. These striking, monumental images of the ancient grandeur of the Roman Empire provided inspiration for many of the artists of the Neoclassical movement in the late 18th and early 19th centuries. It appears in the Hind catalog as image number 102. The image measures 19 1/4 X 26 1/4 inches on 21 X 28 1/4 inch laid paper. This printing is from the 1st Paris edition, created between 1800-1807 when the family brought the original plates to Paris. There is a "2V" after the signature that dates this etching and makes this the 2nd state of three. A very rich impression not seen in the later restrikes.

Sand and Sea, Cape Cod

$375.00

This is an etching from 1921. Catalog: Giardina 52. Plate measures 7 x 13 1/2 inches on 9 1/2 x 15 3/4 inch wove paper. A well inked impression. Pencil signed "Kerr Eby imp" in the lower right, the "imp" indicating that Eby printed this impression himself. Edition of 90.

Souvenir de Toscane

$725.00

A well inked impression with plate toning and a rich drypoint burr. Plate measures 5 1/4 x 7 inches on 7 1/2 x 11 inch laid paper. State IV/V. Catalog: Delteil 1. Published by the Gazette des Beaux-Arts in 1903 to illustrate the obituary article on Corot by Louis Gonse. Printed by A. Salmon in Paris, France in 1875. Plate signed in the lower left. The plate for this image was discovered by Felix Bracquemond in a box of nails in Corot's home.

Femme se Deshabillant

$900.00

Color aquatint and drypoint etching C. 1905. Edition of 100. Signed in orange crayon in the lower right. Plate measures 13 x 11 inches in a 23 1/4 x 20 1/5 inch gold frame. A fine impression. Catalog: Merrill Chase 125. Provenance Merrill Chase galleries, according to a label on the back. Robbe studied at the Academie Julien and the Ecole des Beaux Artes, becoming a master of the aquatint medium. He developed much of his own aquatint techniques, which enabled him to create his uniquely painterly, richly colored images.

Le Dernier Roman

$1450.00

Color aquatint and drypoint etching C. 1907. Edition of 100. Provenance Merrill Chase Galleries, according to a label on back with a detailed biography of the artist. Plate signed in the lower left and numbered in pencil "No. 55" below the signature. Plate measures 20 1/2 x 14 1/2 inches in a gold 31 x 24 1/2 inch frame. Robbe studied at the Academie Julien and the Ecole des Beaux Artes, becoming a master of the aquatint medium. He developed much of his own aquatint techniques, which enabled him to create his uniquely painterly, richly colored images.

Le Pont de L'isle Adam

$850.00

Color aquatint and drypoint etching C. 1927. Edition of 100. Catalog: Chase 197. Provenance Merrill Chase Galleries, according to a label on the back. Pencil signed in the lower right. Plate measures 13 1/2 x 21 inches in a 24 x 30 inch gold frame. A fine impression. Robbe studied at the Academie Julien and the Ecole des Beaux Artes, becoming a master of the aquatint medium. He developed much of his own aquatint techniques, which enabled him to create his uniquely painterly, richly colored images.

Segovia

$750.00

A 10 x 15 1/4 inch watercolor painting in a 16 1/4 x 22 inch gold frame. Pencil signed and titled in the lower left. MacLaughlan studied in Boston and was heavily influenced by James McNeill Whistler.

Sailboats and Seagulls

$395.00

A drypoint etching C. 1920. Pencil signed in the lower left. Plate measure 7 1/4 x 9 1/4 inches on 11 x 15 1/4 inch laid paper. Wyllie uses plate toning and delicate lines to expertly capture the waves in this print. Wyllie was a well known marine painter and printmaker, studying at the Heatherley School of Fine Art and then at the at the Royal Academy. At the age of 18, Wyllie won the Turner Gold Medal for his painting "Dawn After A Storm". He went on to have a long artistic career, specializing in paintings and etchings of the sea and the city of London.

New York from Governor's Island

$750.00

An etching from 1915 with a rich drypoint burr. Catalog: Wuerth 668. Edition of 80. Tab pencil signature. Plate measures 7 1/4 x 11 7/8 inches on 7 1/4 x 11 7/8 watermarked laid paper. Pennell was one of the foremost American printmakers of the early 20th century, and was close friends with James McNeill Whistler, whose influence is evident in many of Pennell's images as well as his sense of experimentation with etching technique. Pennell was especially known for his images of cityscapes and architecture.

Man Fishing

$150.00

An atmospheric and finely detailed drypoint etching with good use of plate toning. Plate measures 3 7/8 x 6 inches on 6 1/2 x 8 1/2 inch wove paper. Signed in the lower right, but we cannot identify the signature at this time. Plate monogrammed in the lower left.

Gothic Glory, Sens Cathedral

$1000.00

Also known as: "Sens, Cathédrale de Saint Ètienne" and "Sens, North Portal." An incredibly detailed drypoint etching with plate toning and a wide tonal range. Signed and dated 1929 in the lower right. Plate signed and dated in the lower right, plate titled in the lower left. Second and final state. Edition of 100. #25 in his French Church series. Catalog: Fletcher 218. C. 1929. Plate measures 15 x 9 inches on 17 1/8 x 11 1/2 inch laid paper. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details.

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