Recent Acquisitions

Cutting Fodder

$295.00

Original pencil signed etching by American artist John Edward Costigan, the title of this work is: "Cutting Fodder" also known as Family in the Field. Costigan used his family and family farm as the subjects of his etchings. This one was created and printed in 1938 and published by Associated American Artists in New York. The image measures 8 X 11 3/4 inches. signed lower right.

Redheads Coming

$295.00

This is an original etching and drypoint by American Sporting artist Frank Benson. The title of this work is "Redheads coming", it was created and printed in 1930. It appears in the Ordeman catalog as image number 302. This is an unsigned proof. The image measures 8X14 7/8 inches..

Katsura Kyoto (H)

$850.00

This is a color woodblock print from 1962. Kyoto series. Edition of 200. Pencil signed, dated, and numbered 164/200 below the image. Signed in black ink in the lower left. Image measures 15 x 20 inches on 18 x 24 inch wove paper. Carved and printed by the artist.

Moonlit Sailing

$2400.00

A captivating nocturnal seascape in the style of Mauritz Frederik De Haas, who was well known for his nocturnes. No apparent signature. Oil on canvas. Painting measures 18 x 30 inches in a 25 x 38 inch period gilt frame.

Eagle: "A Tradition of Conscience"

$595.00

A drypoint etching from 1965. Number 4 out an edition of 10. Publisher's blindstamp in the lower left. Catalog: Fern and O'Sullivan 489. Pencil editioned in the lower left, signed in the lower right. Plate measures 9 x 12 3/4 inches on 15 1/2 x 18 3/4 inch medium wove paper. Baskin was an important artist in the mid 20th century, known for his evocative wood engravings, lithographs, and etchings. In the era of abstract expressionism, Baskin’s work tended toward the representational with a strong classical influence, which is particularly evident in his images of flowers and the natural world. After serving in the Navy during WWII, Baskin began his career as a printmaker in the late 1940s, beginning with simple linocuts, but quickly progressing to dramatic wood engravings, then later etchings and lithographs. Known for his graphic images created by the simple interplay of black on white, combined with his dramatic use of line, Baskin remains one of America's greatest printmakers.

European River Front

$195.00

A drypoint etching C. 1927. Numbered 64 in an edition of 75. Pencil editioned in the lower left, signed in the lower right. Plate initialed and dated in the lower right. Plate measures 6 3/4 x 10 3/4 inches on 8 x 12 3/4 inch laid paper. This print has a rich drypoint burr and unique, lively linework.

Three Dancing Nymphs

$425.00

This a drypoint etching C. 1920. Plate measures 9 7/8 x 8 inches on 15 1/4 x 11 1/8 inch wove paper. Pencil signed in the lower right. A dynamic and joyful print with good use of plate toning. Warren Davis studied at the Art Students League in New York and became known for his etchings of idealized female figures, many of which were used on the covers of Vanity Fair and Life magazines. Later in his career Davis exhibited in Europe and the United States including the Pennsylvania Academy and the Salmagundi Club. This image is a great example of Davis' use of delicate lines and simple compositions to elegantly capture the beauty of the female figure.

Gloucester Harbor

$650.00

A drypoint etching C. 1920. Pencil signed and dated in the lower right, plate signed and dated in the lower left. Plate measures 8 x 11 3/4 inches on 9 3/4 x 15 3/4 inch wove paper. Meyerowitz studied at the National Academy of Design in NY and is best known for his development of producing etchings in color. His work is at the Metropolitan Museum of Art; Carnegie Institute; National Academy of Design; Harvard University and the Library of Congress.

Juillet en Picardie

$445.00

A drypoint etching from 1909. The scene is of Crèvecœur, as is written in the plate in the upper left alongside the date. Catalog: G 369. Pencil signed in the lower right numbered 33/40. Sagot blindstamp in the lower right just below the signature. Plate measures 9 1/4 x 11 1/4 inches on 11 1/8 x 14 3/4 inch thin wove paper. Auguste-Louis Lepere was one of the leading French printmakers of the late 19th and early 20th centuries. He began studying printmaking at the age of 13 with Joseph Burn Smeeton in Paris and quickly made a name for himself with his innovative style and technically brilliant etchings and wood engravings.

Man Smoking and Drinking at a Window

$325.00

A mezzotint with etching after a painting by Adriaen van Ostade. Dated below the image March 17th, 1774. Plate measures 10 3/4 x 9 3/8 inches on 11 1/2 x 9 1/2 inch paper. William Baillie, also known as "Captain William Baillie," was an irish printmaker known for hi works in the style of Rembrandt.

A Gentilly

$225.00

A drypoint etching from 1910. Catalog: G-373. Plate signed. The exquisite shading in this print exemplifies Lepere's mastery of the medium. The plate measures 7 1/8 x 9 inches on 9 7/8 x 12 1/2 inch paper. Auguste-Louis Lepere was one of the leading French printmakers of the late 19th and early 20th centuries. He began studying printmaking at the age of 13 with Joseph Burn-Smeeton in Paris and quickly made a name for himself with his innovative style and technically brilliant etchings and wood engravings.

L'eglise de Villeneuve sur Bellot, Seine-et-Marne

$325.00

A well inked drypoint etching from 1915. Plate measures 7 1/2 x 10 3/4 inches on 10 1/2 x 14 1/8 inch watermarked laid paper. Plate signed in the lower left. Pencil numbered 22/50 in the lower left with the artist's stamp next to it. Catalog: G. 433. Auguste-Louis Lepere was one of the leading French printmakers of the late 19th and early 20th centuries. He began studying printmaking at the age of 13 with Joseph Burn-Smeeton in Paris and quickly made a name for himself with his innovative style and technically brilliant etchings and wood engravings.

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