Recent Acquisitions

Winter Feeding Cattle

$375.00

A drypoint etching from 1920. Catalog: B-223. Pencil signed in the lower right. Plate 7 3/4 x 12 3/4 inches on 11 1/2 x 16 inch watermarked laid paper. A richly inked impression with a rich drypoint burr. Soper was a master at showing Horses at work in the old British farm lands.

Six Horse Log Team

$375.00

A drypoint etching from 1912. Pencil signed in the lower right. A richly inked impression with a rich drypoint burr. Plate measures 7 7/8 x 11 7/8 inches on 10 1/8 x 15 5/8 inch watermarked laid paper. Artist's proof. Provenance Staton's Galleries. This is a 6 horse team pulling a logging truck. One horse is out back. Soper was a master at showing Horses at work in the old British farm lands.

The Green Mountains

$495.00

A wood engraving from 1941. Pencil signed and dated in the lower right, editioned in the lower left. Edition of 75. Plate measures 5 1/2 x 9 inches on 8 1/4 x 11 3/4 inch laid paper. Catalog: BPL 312. This print exemplifies Nason's mastery of the medium and familiarity with the landscape as he captures the light and shadow of the clouds over the mountains in captivating detail. Known as the "Poet Engraver of New England", Nason was a prolific artist who specialized in incredibly detailed, atmospheric wood engravings of the New England landscape.

Beauvais

$425.00

This is a drypoint etching from April 1931. Edition of 100. Catalog: BPL 105. Pencil signed in the lower right, pencil numbered 3 out of 100 in the lower left. Plate measures 11 x 12 inches on 14 x 15 inch Rives watermarked wove paper. Chamberlain captures this brightly lit scene with breathtaking detail. Samuel Chamberlain studied architecture at MIT, but interrupted his studies to serve in France during WWI. After the war, Chamberlain worked as an architectural draftsman in Boston before leaving the US to travel throughout France and Europe. During his time overseas, Chamberlain began sketching the countryside and architecture, eventually studying at the Royal College of Art in London. He became well known for his carefully rendered etchings and drypoints of both European and American buildings and cityscapes.

Chartres Cathedral

$425.00

This is a drypoint etching from February 1931. Edition of 100. Catalog: BPL 104. Pencil signed in the lower right, pencil numbered 35 out of 100 in the lower left. Plate measures 14 1/4 x 9 1/2 inches on 16 1/2 x 11 1/2 inch Rives watermarked wove paper. A well inked, exquisitely detailed etching. Samuel Chamberlain studied architecture at MIT, but interrupted his studies to serve in France during WWI. After the war, Chamberlain worked as an architectural draftsman in Boston before leaving the US to travel throughout France and Europe. During his time overseas, Chamberlain began sketching the countryside and architecture, eventually studying at the Royal College of Art in London. He became well known for his carefully rendered etchings and drypoints of both European and American buildings and cityscapes.

Une Mare

$395.00

A drypoint etching from 1867. First state of three. Printed before lettering. Plate signed and dated in the upper left. Plate measures 9 1/4 x 6 1/2 inches on chine colle. A richly detailed print with ecstatic, intricate linework.

Alert

$425.00

A drypoint etching from May 1925. Edition of 75. Catalog: Derrydale No. 18. The scene was sketched on the spot. Pencil signed in the lower right. Plate measures 4 1/4 x 5 1/2 inches on 8 1/4 x 9 1/2 inch wove watermarked Van Gelder Zonen paper. A fine impression with plate toning and a rich drypoint burr.

Verneuil

$425.00

This is a drypoint etching from November 1929. Edition of 100. Catalog: BPL 88. Pencil signed in the lower right, pencil numbered 59 out of 100 in the lower left. Plate measures 13 1/2 x 8 1/4 inches on 16 x 11 inch Rives watermarked wove paper. Samuel Chamberlain studied architecture at MIT, but interrupted his studies to serve in France during WWI. After the war, Chamberlain worked as an architectural draftsman in Boston before leaving the US to travel throughout France and Europe. During his time overseas, Chamberlain began sketching the countryside and architecture, eventually studying at the Royal College of Art in London. He became well known for his carefully rendered etchings and drypoints of both European and American buildings and cityscapes.

Snow Mountain

$400.00

This is a 1963 lithograph of a scene from Colorado. Catalog 618. Published by the Associated American Artists, edition of 250. Pencil signed in the lower right. The plate measures 9 1/2 x 13 on 12 3/4 x 16 3/4 inch wove paper.
An excellent impression that exemplifies his mastery of tone and texture.

The Homestead

$4800.00

This is a framed oil on canvas painting by William Preston Phelps. The canvas measures 24 x 36 inches in a 33 x 44 inch gold frame. Signed in the lower left. The subject is likely his family homestead in Chesham, New Hampshire. William Preston Phelps was a plein air painter. In 1876, he travelled to Europe and began studying at the Royal Academy of Art in Munich. He later moved to New York and then back to Europe with his friend William Meritt Chase.

Rue dans la Plaine

$175.00

A drypoint etching by French artist Jacques Beurdeley. Sagot blindstamp in the lower right. Pencil signed and plate signed in the lower right. Pencil numbered in the lower left 44 out of an edition of 50. Plate measures 7 1/8 x 10 inches on 11 x 14 1/4 inch laid paper. Beurdeley avoided the law career intended for him by his father and studied instead the École des Beaux-Arts under Fernand Cormon. He was later influenced by Paul Huet, Corot, Rousseau, and Camille Pissarro and went on to produce many etchings of the French countryside.

Pages